William Maxwell Shares 2 Singles from It’s Been Here Changing for a Long Time

If you’ve ever listened to Austin’s the Oysters, you know the songwriting has a special diversity you don’t always get with a full band; songwriter William Maxwell carries that over with his solo work, as we see with the two tracks he’s shared with us today. On one hand, you get the rocking vibes of “Drifted,” working their way with some swaggering guitar riffs that open to a jittering delivery that’s part punk and part Springsteen. I love the way those notes become increasingly impassioned as the song drives forward, letting loose as Maxwell’s enthusiasm shines through his work. Flip it over and you’ll find “Bad Things,” which ends up being a more folk based ballad; the song illustrates the gentle nature of William’s voice, further lifted by the the accompaniment of Mireille Blond. Special songs by one of our town’s stronger songwriters; his album It’s Been Here Changing for a Long Time will be out on April 23rd, partnered with a great little art book, courtesy of Porchfire Records.

Melby Return with Magic

The song is titled “Magic,” but musically that seems a pretty apt descriptor, seeing how far Melby have come since their early days in the Sweden scene. This go round, they’ve really branched out, writing then heading into the studio to record right away; there’s no room for lots of thinking, so we get the freshest version of the tunes possible. I’m pretty sure Matilda Wiezell’s voice could carry this song on her own, tucking notes in at the edges to round out melody, then belting with these huge, compelling notes. Of course, the band’s bounding behind her, filling in little gaps of air with fuzz and tinkering, honing in on the experimental nature of their current writing process. As for now, this is just another great single on their label Rama Lama, but lets hope there’s a ripper of an LP hanging in wait.

Alex Riegelman Shares Animal Ending Video

This past February our friend Alex Riegelman, known about town for his role in Big Bill, dropped this incredible “Animal Ending” single; he’s now sharing the video version of the tune. The video encapsulates Alex’s playful side, featuring a hunter hunting and being hunted, or at least that’s what we might be led to believe. Musically, I’m still in love with this song, and I honestly have no way to really put his sound into words; it feels like something Paul Simon would be super into creating, but only if he was in some sort of death match with Nick Lowe…it’s all bright melodies and light-hearted euphoria, but with an uppercut of crunchy riffs and rock n’ roll flare. Come on over and dip your toes into the visually weird world of Mr. Riegelman, and stick around for the great tunes…with hopes of more on the horizon. Choose your streaming source HERE.

Paul Cook and the Chronicles Share Old Pursuit

Paul Cook is one of those songwriters that just keeps at it, switching gears, changing directions, clearly leaving you in awe of his craft. The London musician just dropped this brand new tune with his outfit Paul Cook & the Chronicles, and its driving home that pure classic pop rock sound, the sort you might hear coming from a classic set by the Oneders, or more recently, Brendan Benson when he was younger…not to mention a little Teenage Fanclub nod in there around the 2 minute mark. Hooks are abundant throughout, but if you’re not singing the chorus along with Paul by the end of this song, you clearly weren’t listening. Clearly this is prime Paul Cook, so let yourself sit back and enjoy good old pop rock n’ roll. The whole Old Pursuit EP is live today!

Phantom Wave Share Visualizer for Resin

A few weeks back, New York’s Phantom Wave dropped their new album, Wilds, with one “Resin” getting a little video treatment for you today. I’m really drawn to the band’s sound, as it seems to kind of mash two great sounds together, namely a blend of 90s college rock and shoegaze. You’ll hear the swirling mix of heavy guitars and distortion, sprinkling through your speakers like the sparkling dots in the song’s background. But, Ian Carpenter’s voice has this earnestness, this hopefulness that makes you feel like there’s promise on the other side of those heavy sounds; it’s the sun breaking through to guide you in your endeavors. Just really appreciate the way they’re able to mix the two sounds so well. If you dig what you hear, be sure to check out the whole of Wilds.

Semihelix Share New Destination

We’re nearing the end of the week, and I’ve already got my eyes on the horizon, so looking for some sweet jams to move us into the weekend, like this great tune from Austin’s Semihelix. Knowing my tastes, it only takes you a minute to catch onto the charms of the band, playing with those pseudo-jangling guitars while cymbals shimmer in the far off distance of the mix. It all leaves room for the calming waves of Geannie Friedman’s voice, who I’ll admit pulls close to a young Jenny Lewis…a close ear should catch what I’m hearing. Regardless, the band will be releasing their debut LP later this year via Mariel Recording Company, so we’ll have more news for you soon!

Pardoner Drop Bunny’s Taxi Single

Pardoner are about a month away from dropping their much-anticipated (over here anyways) album, Came Down Different, and with one final single, they’ve completely sold me with this performance. It opens up with these semi-post-punk riffs that feel like they were leftovers from that last Deeper LP (a good thing!). But, as the band kicks into gears, screeching chords try to escape, and things start to feel a little more harrowing with Max Freeland stalking through your speakers as things explode all around him, raining crashing sounds down upon the listener…you won’t mind. It’s this twisting twirling swirl of super dangerous rock n’ roll of the best sort, which should have you stoked on the album; it drops on May 14th via Bar None Records.

That New Massage Tune

If you happen to be into the same style of jams as us, you’re likely to know there’s only a handful of sites covering some of these genres regularly, which is where this tune first popped up yesterday. Massage has former members of The Pains of Being Pure at Heart, which to me shines through; you can imagine some of these tunes showing up as acoustic demos in the band’s practice space, taking notes from 80s UK indiepop (and some other nostalgic notes). Of course, we wouldn’t love a good slow burn if it didn’t feature delicate little touches of ringing in your ears rock n’ roll, placed delicately throughout so as to walk that tightrope between traditional pop and blends of shoegaze. Heavy hitter labels Mt. St. Mtn./Tear Jerk Records/Bobo Integral will help get Still Life out into the world on June 25th.

The Wind-Ups Announce Try Not to Think

I don’t know what’s happened to the water in California as of late, but every tune coming out of the state is fucking brilliant. This track from the Wind-Ups just tore through my speakers as I didn’t heed the warning to not turn up to 11! Drums pound and the guitars just scream with distortion, but while I love that, and my eardrums still shake, the hidden gem comes in some of the vocal’s and their slide nod towards pop; I love how it captivates you with this thunderous wall of noise, then slips a note under your door to say “Surprise, its a pop song!” This feels like its going to rip; look for Try Not to Think on Mt. St. Mtn.

Carter Tanton Shares Uneven High Places

When Carter Tanton went to record his latest LP, he called in his friends in the War on Drugs to serve as the backing band for his project. But, as he sat on the recordings, he opted instead to strip the full band sound and go with this more delicate approach, as you get here on the latest single “Uneven High Places.” This song, like many on the record, steps on the back of gentle piano notes to set up the emotional pull; the notes at times almost seem like they’re tip-toeing through your speakers, careful not to wake anyone sleeping. Tanton’s voice echoes, like its soul is trapped in some glass box, struggling to release every intimate note. You’re not likely to find a more personable tune out there today. The self-titled LP is out May 7th via Western Vinyl.

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