Tag: stream

PACKS Share New TV Video

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Let’s be clear, I’m a huge fan of this PACKS video; I love joyous moments, whether they’re performed or not, so just the sheer amount of smiling and laughter here is more than welcome. As for the song, it definitely feels close to the likes of Cherry Glazer, flirting with sort of garage rock sensibility but presented in a slightly new fashion, tugging on dreamier notes. The plodding drum feels super heavy, like you’re stomping in quicksand, but that muddiness works well with Madeline Link’s soaring pipes, curling her pop sensibility around each note. The Toronto band releases Take the Cake on May 21st via Royal Mountain/Fire Talk.

Blue Ocean Announce New Album for Paisley Shirt Records

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I think most people who buy records and tapes tend to have their go-to labels, and it’s great to have a reliable source for good tunes. The last few years, Paisley Shirt Records has been bringing us a pretty solid catalog of great pop tunes, and now they’re adding Oakland’s Blue Ocean to that mix. For me, listening through to the album’s opener, it’s like listening to DJ Screw, only if you were into really heavy shoegaze and indiepop. The song’s core is this bouncing rhythmic pop pulse, but its been chopped and screwed by this thunderous wall of feedback and noise; I get that that analogy does not work for everyone out there…but the tune speaks for itself! The whole self-titled album is out on April 16th (though you can find some of the tunes elsewhere!).

Cross Wires Dop 24 Roehampton Street

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A lot of folks have had to turn to new techniques to get their music out there, which is where popular producer Rory Attwell comes into help East London outfit Cross Wires. The group, known for riotous live sets, had some live recordings of a handful of new tracks before the pandemic shut the world down. Attwell was able to use his wizardly tricks and create a new single, which will certainly have the band on your radar. At times, they sound like harnessed Hot Snakes, the rhythm section pounding as the vocals howl atop the mix. Still, when it comes down to it, the chorus and some of the early vocal moments hint at this rising pop sensibility, thus making me a steadfast supporter. It’s like ballsy rock you wanna scream to with your friends…so get to it.

Some Updates from Austin Music Scene

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I was just reading some responses from some friends about San Francisco’s current fire-hot music scene…and whilst reading, I was going back and looking at Bandcamp Friday and all that was hot in Austin; there was so much stuff it was hard to keep up! Some times we take it for granted, but aside from that great Dead Space tune we ran…there were a bunch of other gems we really loved. No need to get too wordy…you just want the songs anyways.

The Dead Space Return with Chlorine Sleep

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The Dead Space were one of our favorite Austin acts with their album Faker, but then, they quietly walked away while the various members worked on other projects. Seven years later and the band are back with a vengeance, announcing Chlorine Sleep for 12XU Records. The track kicks in with this wavering squall of back and forth discord, guitars ripping through your speakers as the drums pound you into submission. Quin’s vocal howl is as punctuated as ever, at home in ear shattering element; this is definitely dropping in the band’s noisier side, so it’ll be interesting to hear if the full LP drops into any pop territory. Regardless, what a welcome return! The LP drops on May 7th.

 

Love, Burns Shares Special Single

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By now our adoration for Phil Sutton should be known to you, whether he’s working Pale Lights or his solo project, Love, Burns. Today, he’s offering up a glimpse at what he’s got coming down the pipeline, with an alternative mix on one of the new tunes from his next LP. It’s got this heavy classic pop vibes, as if you’re hanging out in some seedy den watching the world whiz by you, carefully captivated. But, you also get an exclusive single here, with a little more classic pop sounds; I really love the way Phil pushes his vocals on the chorus moment in this tune, soaring over those jangling guitar chords. Plus, the drumming from Hampus Ohman-Frolund is quite special. If you grab the single, all proceeds are going to Sandy Hook Promise!

Listen to Cybertimes from Je Suis France

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Once again here I am just spending my morning jamming to something from a few weeks ago that I should have gotten into way earlier, namely Cybertimes. The EP is a back and forth collection of carefully constructed soundscapes and these oddball pop indulgent tunes from Je Suis France. On the opening tune, you get this sort of soft Dinosaur Jr meets Built to Spill vibe, which is worth the price of entry alone. But, then you can get into the sort of Kraftwerk-ian vibes of “Spearfisher (Purple Bread Pt.2)” before jumping to the synth-accented ballad “If You Please” that closes out the EP. It’s a NYP fee, which is perfect for tomorrow’s Bandcamp Day, so listen through, then put it on your radar for tomorrow.

Stream Janelane’s New 7″ for Kingfisher Bluez

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Let’s forget that our old pal Joey Oaxaca mixed and mastered this new 7″ from LA’s Janelane, instead focusing on the ripper you’re going to want to get your hands on! “Celebrity Crush” rushes into capture the joy of being alive with this bounding pop rocker you can’t get out of your head; I loved the lead-in tease before the Sophie jumps in with her intoxicating performance, simultaneously sharp and subtle. But, the great thing about the 7″ is you can flip it over and get a nice little dose of dreamy pop that will put you on a magic carpet ride through your own dreams. You get the best of both worlds, on pink vinyl no less! Available now through Kingfisher Bluez.

Mountain Movers Announce World What World

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The first single from the new Mountain Movers drops in with these crunchy riffs, hinting on psychedelia, though tethered to folk roots. As it moves on, the song unfolds, offering a heavy pop sensibility, the sort we probably wished we heard from our modern folk brethren. For me, it totally reminds me of that moment in the bus in Almost Famous where everyone is singing “Tiny Dancer”; the riffs kind of ring out, allowing everyone to join in on their own time, settling into the chorus as one; it’s one of those moments that just makes everyone feel good to be together with this tune blasting really loud. Of course, here you get an incendiary little solo, cuz this ain’t no Elton John tune. World What World is the title of their new LP, and it drops on June 18th via Trouble in Mind Records.

Listen to the Curse from Folklore

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I have tons of emails where I’ve been super into stuff, but just haven’t quite gotten to them, and as there seems to be a general lull this week, I’ve started digging deep into some of those emails, which is where I revisited the latest from Folklore. For me, the band take some sounds from the likes of Neutral Milk Hotel and Arcade Fire; they are offering up this pleasant folk pop, but obscured by a willingness to toy with structure. Take the opener from The Curse, “A-Frame Kitchen,” which revolves heavily on a strum and vocals for the song’s first minute, then it sort of erupts, like your speakers got blown, but those sounds don’t bother you as they tie it all together. “The Curse” is a definite hit, sort of harkening back to that Elephant 6 sound, though I’ll admit I’m a bit basic today, and falling for “Hazy Summer.” Give the whole thing a listen if you like, and throw the band a few bucks, as its NYP!

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