Sachet Share Arncliffe Babylon

I’m a really big fan of off-kilter punk of the pop sort, which is exactly what Sydney’s Sachet are offering on their latest single. The way they write their choruses sort of forces you to sort of lose your balance; you’re intoxicated and hooked, but you can’t find your feet beneath you. Still, one of the more endearing qualities from the group is their bubblegum choruses, as if they know you need to wash your ears of those discordant twanging guitars they’ve been brandishing. It’s simultaneously rough and saccharine, which is the perfect way for us to move into Thursday. Look for the band’s Net LP on April 30th via Tenth Court!

Stream Thousands of Thorns by Gabe Hascall

The perks of running a web site and a record label? You get to toss up the stuff you release just because you love it. For me, when Gabe Hascall asked about releasing his debut solo LP, it was a no brainer. I spent many a night as a teenager watching him on stage in Austin’s beloved The Impossibles; I had to buy multiple copies when he and Rory went solo as Slowreader. So last Friday we put out Thousands of Thorns on our ATH Records imprint, and if you’re into stuff along the lines of Stephen Steinbrink or Angelo de Augustine, you’re going to love this LP! You can grab it HERE, or enjoy the stream below!

Another Tune from Even As We Speak

Somehow in the hubbub of Easter weekend I let this new single from Even as We Speak sneak right passed me. I’m aiming to rectify that, as it’s a really beautiful pop tune. It opens up with these thickened synths looped over heavy drum beats, with a guitar hanging out somewhere in the distance; it almost feels like the song’s looking back on the purity of trip-hop in the mid 90s. Then the angelic notes of Mary Wyer’s voice enter the scene and everything else fades away; this is one of those vocal performances you don’t forget. As the song draws to a close, a little ambiance and musicality is flexed…but I’m still thinking about those vocals. Another reason we should all have our heads turned towards Adelphi when it drops in June via Shelflife Records and Discos de Kirlian.

Abandoned Buildings Share Already Over

You ever hear a simple note, something so minute yet so memorable that you can’t get it out of your head? That’s exactly how I felt upon my first listen to the latest single from Abandoned Buildings. For me, it was the the way the song just sort of dropped in at the 13 second mark; it changed the song’s whole dynamic, allowing this guitar chord to sort of skitter throughout. A simple moment that was gone, but it drew me into the song, allowing the haziness of the vocals to carry me through the song. There’s this quiet to the track, something subdued, but it’s juxtaposed by this really bright guitar that comes in and out, like around the 2 minute mark. I just dig it. This tune appears on the group’s new LP, Disappear Forever, out this week!

BOAT Share Metabolism

The latest single from BOAT is like a sweet little candy treat; you unwrap it and in an instant its gone, leaving you wanting another. The first 40 seconds or so are almost just like a wrapper, a vocal and a few heavy piano chords; peel it back and pop that in your mouth! Once you do, right at the 41 second mark, the tune kicks in and the sweetness of pop sensibility fully kicks in to gear. Honestly, that soaring vocal and the drums dropping in are just he sugary sweetness I need, or crave. I live for little pop moments just like that, making this track the perfect treat for you all. Their new album Tread Lightly will be out on May 1st.

Be Afraid Share Automatic Worry

Vancouver act Be Afraid have their Remember Fun EP on the horizon, so they’ve shared this fun track to grab your attention. The band are fusing elements of punk and classic rock with a pop sensibility that you’d likely find in any modern pop rock outfit; the sound is ultimately familiar, with just enough wrinkles to make the band stand out amongst peers. I love the chorus where female and male vocals share the stage to maximize the melody while keyboard wizardry gallops through the background. If you dig what you’re hearing, as you should, then you can grab the cassette on May 8th via Hidden Bay Records.

Virginia Trance Shares New Single

I was scrambling this morning for tunes that fit my mood; nothing was really fitting my day until I came across this new track from Virgina Trace. The description claims nods to Felt and the Dream Syndicate, but it also feels like its steeped in the current sound of Australia…though the project is based in New York. It’s got that bright folk attitude, set in the most casual manner, as if the pace of the day is absolutely meaningless…which feels oddly like the current state of the world. It’s a pleasant Tuesday ditty off Vincent’s Playlist, the new LP dropping on May 8th via BYM Records.

Blood Release WWT55WMNEBA EP

Austin’s a fairly insulated city when it comes to the music scene. Sure, you’ve got your Spoon and The Black Pumas…and they deserve their due, but there are acts that might not ever make it out of the city, at least as far as the “media” is concerned. One act that we’ve all had our eyes on, hoping for larger exposure, is Blood, who just released their Why Wait Till ’55 We Might Not Even Be Alive EP; it’s a four song collection of undefinable shapeshifting rock n’ roll that sprawls over 20 minutes. In the confines of these four tunes you’ll find little droplets of hardcore and post rock, from Shellac to Cursive, yet done with enough pop panache that it’ll draw in fans of Shame, Black Midi and Fontaines DC. What a way to introduce yourselves to the world.

Devon Williams Share Circus World

It took all of 7 seconds for me to fall in love with the latest single from Devon Williams; he enters carefully, a few lines before a sparkling burst of euphoria. It’s a subtle uptick in the song’s energy, but that was one of the moments that stuck with me. The rest of the tune has this really pleasant style, taking those angular guitar riffs and spinning them into a drawn out dream world; Williams quieted croon seems to match the emotional pull there as well. The video closes with some kaleidoscope visuals that match the song’s natural psychedelic jam, drawing the tune to a finite end. I’m hoping more people catch on to this record; A Tear in the Fabric is out on May 1st via Slumberland Records.

Kevin Hairs Share More Magic More Magic

Like all of you, it’s been a struggle, just trying to wrap my head around this whole world we’re in at the moment. Luckily, Kevin Hairs tossed over his More Magic, More Magic EP a few days early, and honestly, it totally changed my attitude; this has been the best week for me. “Strange Jangle” has been out for a few weeks now, but it still has that fuzzy fun feeling, along with a message that seems to be about just letting it all go. “Fire the Choir” kind of reminds me of Hunx and His Punx, only spun through the lens of a fan of pop music; it’s charming and kind of gritty in its presentation. One of my favorite’s on this EP comes in next; I just loved the way the guitars were recorded on top of each other in “More Comforting,” matched by this seemingly discordant melody that is reminiscent of Sarah Records. But, it does have to battle with “The Day I Became a Dick,” which oddly enough seems to have a certain sense of swagger about its jangling riffs and cool vocal delivery…but another favorite. It all comes to an end with “Subdued at the VCU,” bringing in a little bit more rambunctiousness to Hairs’ insatiable pop blend. And just like that, More Magic, More Magic is over, leaving you with a super impressionable EP of joyous indiepop that allow you to celebrate life’s littlest moments…like a 15 minute pop record!

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