Welcome Back Pedro the Lion

There are certain paints that just pervade your soul; they sink deep into your humanity and refuse to let you go. Pedro the Lion/David Bazan is one such artist. Almost every album he crafted as Pedro has a certain spot in my own musical evolution, or even in my own personal evolution, thus I’m really excited that he’s revisiting the old name. Immediately he begins to tell the story of Christmas morning in 1981; it’s his lyrical work that’s always made him so accessible, wishing we could all be so poignant in our words. Of course, this is a new version of the project, so you get that full-band sound once the song gets into gear. Maybe people forgot how great Bazan was, but here’s to hoping we all lend him our ears; Phoenix will be out on January 18th via Polyvinyl.

Did You Listen to Nana Grizol’s Theo Zumm

Back in 2017 Nana Grizol released the incredible Ursa Minor; it was one of my favorite releases that year, and one with staying power in my rotation. But, just this last week, the band put up some early recorded tracks from the group, some that made it onto later releases, and some not. I’ve been listening to these tracks pretty non-stop all evening with my daughter; it has this oddball charm that reminds me of my college years when I was looking for anything that could make me dance or laugh out loud. Seriously, this is how you should spend your morning, visiting Theo and his guitar in the early days of the band; you can grab Theo Zumm right HERE.

Melby Share Delightful Pop Number

Melby have been on my radar for just a bit, having signed up to be part of the strong roster over at Rama Lama Records. They’re currently wrapping up their debut full-length for the label, but have dropped up this wonderful teaser to whet our appetites. There’s a dreamy guitar that meanders carefully through the song, watchful of the precise percussive elements (that sound a little like the percussion on “Young Folks”). As the two vocalists share contrasting vocal lines, a keyboard begins to emerge, elevating the track as the guitar tones, also, give the song a bit of a pick up. If the debut LP is this good, they’re knocking it out of the park!

Moving Panoramas Ready New LP

We’ve long been supporters of Leslie Sisson’s outfit, Moving Panoramas, and we might be even more impressed by the group’s newest single. It starts with this krautrock cum psychedelic guitar and keyboard line, pushing the pace from the get-go before we even get a hint of the vocals; it’s a fairly primal power, which works in contrast to Sisson’s voice. And what a performance by Leslie here. She carries this pristine sparkle to notes that dreamily soar over the top of the musical mix, aided by some warm “aahs” to flesh out the vibe. It’s one of those rare tracks that balances the walk between heavy and saccharine; you’ll find this track on the band’s next LP, In Two, dropping in February via Modern Outsider.

Listen to Pale Lights Cover Lake Ruth

Last week we brought you the wonderful Lake Ruth cover from their split 7″ with Pale Lights, and it only seems right that we share the flip side, right? Pale Lights take the nostalgic leaning pop of the original and spruce it up with a dreamy sense of longing, with guitars seemingly racing through the speakers while Phil has this warm croon, backed by a female counterpart, adding a depth to the tones present in this number. The split sold out in an instant, but you can always enjoy both band’s versions of one another…and you can’t go wrong with either, if you ask me.

Attic Lights Announce Love in the Time of Shark Attacks

I won’t shy away from a band that makes a humorous Gabriel Garcia Marquez allusion, especially if they’re crafting delightful pop like Attic Lights. The Glaswegian quartet come at you with these hearty harmonies, particularly glorious during the chorus of this tune. I’m also drawn to the way the band expand on the jangling style, adding just a hint of twang and a tinkering piano line; it allows for a more organic sound that really shines on all the melodic moments coming through the speakers. Love in the Time of Shark Attacks will be out in January via Elefant Records, but for now, you can grab the digital single with an exclusive B Side.

Stream Kevin Hairs’ Freak in the Streets

I was a big fan of the Hairs, the indiepop act starring Mr. Kevin Hairs, so when we thought about posting the stream of his new EP, I reached out to toss a couple of quick questions his way. Don’t forget to stream the new EP…out today via

ATH: You’ve been working with the name The Hairs for nearly a decade, so why the change to Kevin Hairs? Any particular reason?

KH: I got tired of playing behind a band name and working with that expectation. I felt like I was getting to that point where I just wanted to write and make music by myself and have something that was more intimate. I wanted to play out more with ease. Getting a band around town and practicing…. it’s too much stress. I love the idea of “Kevin Hairs” being flexible and playing by myself or with a bit of a band or a drum machine. It seemed easier and fun. I’m just at that age… but essentially, it’s easier to play by yourself and being a solo artist seems cool to me now.

ATH: How does Freak in the Streets fit in to your catalog? For you, do you see it as a continued progression from While I Hated Life, Barbarian?

KH: “Freak in the Streets” feels like when I started to be myself. It feels like a continuation of the Hairs, but now I feel like I can just get a lil’ deeper with the songs.

ATH: If you can think back to the recording of this EP, what was the one band or album that you were listening to on your own that might have seeped into the sound subconsciously?

KH: I really love “Crab Day” by Cate Le Bon. The way she sings. The music is batshit crazy at first. The lyrics are just bizarre and psychedelic and like free association. She feels like a modern day Syd Barrett. I’m just attracted to that kind of vibe.

ATH: You and I have talked about this a bit…but where do you see physical media going in regards to smaller artists? If you had a preference, where would you like to see it go? Any ideas on how to shake it all up?

KH: Mmmmm – all of my musical listening is streaming. If there would be physical media, I’d prefer it to be useful like shirts (clothing) with a download code attached. Maybe a postcard can be good…to hang on your wall. That band Rocketship was selling postcards with great art on it and a download code. I thought that was beautiful. I find myself being anti-stuff. I don’t like having things. I like the essentials. I think it would make going to shows more necessary. Streaming should be more shared. That’s about it.

ATH: Did Kevin ever get a dog or find something to believe in?

KH: I used to have a dog when I was a tween into my young adult life, she passed away years ago. HAVING SAID THAT…..I think I found something to believe in. Haha. I believe in focusing on positive things. External things come and go. So I think I’ve learned to just focus on how I feel.

ATH: An EP is sometimes thought of as a stop-gap between album cycles…can we expect a Kevin Hairs full length in the near future?

KH: To be honest, I haven’t really thought too far out about Kevin Hairs. I certainly want to make more songs and eventually another short album / long EP. I’m having fun doing what I’m doing. Honestly, I find music to be fun again and I don’t wanna burden myself thinking like that. I’m sure there’ll be other songs and stuff. But I don’t know.

Lake Ruth Covers Pale Lights

The team over at Kleine Untergrund Schallplatten are responsible for some of my favorite releases the last few years, and they’re definitely hitting their mark with this new Lake Ruth/Pale Lights split 7″. Below we have Lake Ruth‘s wonderfully woozy cover of “Only an Ocean” off their opposites Before There Were Pictures LP. They craft this smooth space pop, which interestingly fits inside the ramshackle pop of the original; it definitely gives you a different viewpoint for the song…and I can’t wait to hear what Pale Lights did to “Through the Lychgates!”

Marked Men Share Never Before Released Tune

The Marked Men have been around for nearly two decades, influencing a shit ton of your favorite acts, and mine. They’ve even gone on to start other projects we love like Mind Spiders or Low Culture (to name but a few). All this matters as Dirtnap are prepping a collection of the band’s non-LP tunes, including the never before heard track before. It’s precisely the sort of jam you’d expect the band to drop, with furious guitars hinting at pop sensibility, stunning drum work and emphatic vocal bursts. You can grab On the Other Side on November 23rd, and you’ll be damn happy you did.

Another Track from Two Medicine

It looks like we’re hanging out in North Texas today, with a new tune from Two Medicine (Paul of Midlake’s new project). The song is paired with footage of Glacier National Park, from whence the band’s name is derived; it’s a perfect pairing for the cinematic track. It all begins so carefully, building ornately by tossing in some bubbling bass work and twinkling electronic splashes. At times, those sounds combine in a gentle forcefulness, though the beauty of this tune, for me, occurs when that all fades away to reveal the softer underbelly of the song’s latter half. If you feel like getting swept up, see below. Astropsychosis will drop on November 2nd via Bella Union.

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