Slumberland Announces Peel Dream Magazine

Slumberland Records has been on a roll this year, having released the latest from Smokescreens and the album of the year candidate from Tony Molina…now they’ve got Peel Dream Magazine. The band is the project of NYC-based Joe Stevens; he’s constructing this dense pop world not currently available amongst the indie scene. Immediately there’s forward movement, the song pushes as a lightly distorted guitar chug cuts through a softer percussive realm. The chorus is more of a twinkling pulse to let everyone grab their breath; this is surely where a Stereolab reference is apt. The band will release Modern Meta Physic on October 4th.

Sea Pinks Prep New Album

Sea Pinks have always had a special place in my heart, and a reserved spot in my listening rotations…that’s not likely to change with a new album on the horizon. Our first listen is this new single below, and it feels like a matured piece of pop, which makes senses as this is the group’s 7th album. The guitar work jangles and twinkles in the front half of the track, allowing the vocals to sit back with indifference and casualness. The edgy middling section and closing discord gives the song an added kick, breaking up the tune just enough to keep the whole thing interesting. Rockpool Blue is the title of the new LP, and it drops on September 28th.

Brand New Day Wave

We haven’t heard from Day Wave since The Days We Had…though we did catch the band’s set at ACL last fall. Now, we’re getting a glimpse of where Jackson Phillips has been with a new single popping up today. It’s a bright pop song number, with just a hint of atmospherics textured into his vocals, giving off that popular dream quality. While the song’s front half is filled with energy and hooks, it’s the back side that has my interest, with a thoughtful fade out that wraps you up in warmth before the song disappears. No word on a release, but the way Phillips works, I expect an EP any day now!

Fortuna Pop! All Stars Cover the Comet Gain

I’ve never hidden my adoration for legendary act Comet Gain, but today I was given a gift of that I wasn’t expecting; Fortuna Pop gathered all their friends to record a cover of “You can Hide Your Love Forever.” The song fulfills the labels last of their subscription series, so this might be your only way to enjoy the song; you can find the original on Comet Gain’s album Broken Record Prayers. There’s too many names to mention them all, but members of notable bands like Allo Darlin, The Loves, Hefner, Spook School, Martha, Flowers…and Emma Kupa who gets bass credit (though no vocal credit?!)…all play a part. A delightful tune, in both original and cover. I have a feeling that in about a decade, folks will look back on Fortuna Pop as the Sarah Records of its day…bummer its hard to get all those albums in the US. Anyways. Enjoy pop.

Buy it HERE.

A New Track from Tim Cohen

Tim Cohen seems to have slowed down a bit the last few years, but there’s never a day when I wouldn’t listen to something he’s crafted. He’s just announced a new record, and shared the single that’s below. There’s a soulful brood in the verses, something he’s grown into over the last few solo releases. You’ll find the chorus a bit playful, and perhaps that’s by design, giving a slight nod to pop structures…and it all sets up the closing “whose.” His new LP is titled The Modern World, and it drops on September 28th via Sinderlyn.

New Music from The Holydrug Couple

It’s becoming increasingly difficult to turn your head from The Holydrug Couple. Their last album, Mourn (2015), showed some steps in a more pop-centric direction…and it looks like Hyper Super Mega is going to take an even larger step forward. This single below is perhaps one of the band’s most accessible tunes; it offers a soul-inflected vocal crawl, while harkening to some of the pop-collage work the Flaming Lips did around the Yoshimi-era. It’s just weird enough to make turn those cool kids on, but it has this pop sensibility that supersedes any essence of cool. Look for the new LP to drop on September 14th via Sacred Bones Records.

Another Noisy Rocker from Exhalants

While my drive for heavier sound has dissipated, there’s something in the craft of Austin’s Exhalants that just begs me to listen…and I’ll oblige. On this single, the band have this crashing hardcore train wreck, something that has me practicing my windmill moves all over my living room as we speak. Vocals are distant, almost echoes from some far off land trying to cut through the noise. Then it’s all turned to an almost catchy driving riff, building the tension all over to unleash a ferocious howl of an ending. Their self-titled debut will be ready to break through your eardrums on August 24th, courtesy of Self Sabotage Records.

Smooth Pop Number from Eoin Dolan

You’ve got to slide nice and slow into a Wednesday, and I think this Eoin Dolan tack will do just the trick. It begins in a sort of spaced-out weirdness, though that all changes the instant Dolan sets his vocals into play. His deliver has slight hints of tropicalia mixed with a tinge of crooner; it sounds an awful lot like Dent May if he decided to get just a little weirder. The Irish songwriter has new music coming your way via 4 track EP that’s scheduled to drop on August 24th via Citog Records.

Brand New Track from Ladada

Ladada recently announced their long awaited debut album, Heaven on the Rocks, and today we’re happy to share the album’s second single with you. Immediately you’ll hear the band’s raucous throwback sound, made fresh with subtle hooks and bubbling movement from the rhythm section. What I like a great deal, and what gets the band lumped in with new-psych is there tempo switch, changing the direction of the song, albeit for a brief moment; it is light and sunny and sets up the band’s noisy shuffle to the song’s boisterous ending. You can preorder the new LP from Gold Robot Records; it drops in October!

Slept on This Salient Braves Tune

The latest track from The Salient Braves has been out for just 8 days, and I’m just now catching up! Luckily, great songs get to last in the world forever, and this is one of the band’s greatest songs. There’s so much to love, be it the gentle ringing of the guitars, the backing vocals that add depth or the occasional horn work. Of course, the British vocal affectation that always charms is ever present; it sounds in a strange way like The Wedding Present went for a straightforward pop record…and that’s okay in my book!

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