Another New Track from Mount Eerie

It’s still really hard to listen to A Crow Looked at Me; it just seems like something so personal that I had a hard time listening, as much as I loved the songs. But, Mount Eerie returns with another album seemingly dedicated to his late wife Genevieve. This album, and the new single, still holds that quiet intimacy, retelling stories and memories that clearly defined the relationship of the two. There’s this enormous amount of honesty and openness in this process, and as we digest more songs from Phil, perhaps we too can strive for that in our own lives. Now Only will be released on March 16th, and we’ll all scamper off to our own quiet corners to sit alone with Elverum and his new songs.

Brand New Music from His Name Is Alive

Thirty years into the career of His Name is Alive, and the band still remain vital to the musical realm. Today they release a brand new single from their forthcoming record, Black Wings; it operates in three stages. The first 45 seconds are filled with ambient electronics and very light strings with light vocals floating through the noise. In the middle, synths seem more distant, as the focus moves to the pop vocal performance in the foreground; it should be noted here that this record evolved out of playing around with acapella harmonies and sound. Then the tracks spends the waning minute elegantly fading out…light strings, vocals as instrument and a careful wash of synth work…who else could pull that off as perfectly? Black Wings is a double LP, set for release on April 6th via HHBTM.

Must Listen: Brand New Hello Paris Tune

Perhaps one of my favorite things in the past year has been the discovery of Hello Paris. I’m not sure why they’re not on everyone’s radar, but hopefully you take a listen to the brand new track that just dropped. Musically, the guitars shine in the front of the mix, taking on these crisp tones that are destined to pick up your spirits. The vocals have this echoing effect that almost feels as if they’re reaching out to you from far off, trying to hold you tight. Honestly, there are few artists as captivating as Hello Paris at the moment. Fall in love below.

Circling Back on In Tall Buildings

RayRay already wrote about the forthcoming In Tall Buildings album, and it’s my turn to throw my hat into the ring after the band recently released this new video for “Curtain.” Steady electronic pulses serve as the song’s central backbone, while you’ve got to pay careful attention to Erik Hall’s voice to hear the switches from verse to chorus; these are subtle changes that beg a careful ear, as you’re likely easily entranced by the soft quality Hall presents. Near the track’s end, a discordant noise indicates a raise in volume and power, leaving you with an emphatic emotional punch before fading to black. Akinetic will drop on March 2nd via Western Vinyl.

Watch the New Video from There’s Talk

I know that the goal of most videos is to match some aspect of the track they accompany, but rarely is this achieved with as great a success as the new tune from There’s Talk. Minimal electronica opens up the song, matched by a slow drive down a neon-backlit road; Olivia Lee’s vocals move in and out of every turn, perfectly synchronized to the unfolding visual image. Once you’ve found yourself completely immersed, the track stops abruptly and changes directions; offering a heavier beat driven vibe, pulsing as the video seems to illustrate the affects of light on moving water. This is a real treat from start to finish, with the group’s Bathed Water Moon EP just around the corner with a February 23rd release date.

Enjoying This New High Sunn

PNKSLM is on a pretty solid roll right now, having just released the latest from Holy, but now they’re bringing in a slightly poppier vibe with the announcement of the debut from High Sunn. The opening minute of this track flirts with catchy jangle pop, though after 30 seconds, the frantic energy sees the song pushing further. Once the vocals from Justin jump in there’s definitely an earnestness…something that can’t be detained. There’s just hints of softness in the vocals on the chorus, which holds great contrast to the general theme. Look for Missed Connections on April 13th.

Slept On Lotte Kestner

This last week Lotte Kestner dropped the video for “Go to Sleep Now,” which immediately made me go back and listen to her album from the latter half of 2017, Off White. This track’s pretty mesmerizing; the attention to detail in the song’s craft really hone in on the connection between listener and musician. Anna-Lynne Williams’ voice has this beautiful fragility to it, almost as if it’s shattering as syllables fade back into the mix. Admittedly, I missed this LP, so I wanted to rectify that by sharing this new video; her album is available now via Saint Marie Records.

 

Another Tune from Gift Wrap

As a huge fan of the work that Captured Tracks has done, particularly that of Mike Sniper and Blank Dogs, I’m extremely excited for Gift Wrap. The band is the creation of Brendan Avalos of B Boys, who you know I already enjoy, but this is something quite different. This is soulful electronica. Avalos delivers this heavy vocal, deep in the heart of the mix, contrasting against the vibrant musical touches; I really love the distant vocal effect that comes in around 1:30. If you’ve been missing thoughtful electronica, or maybe even Blank Dogs, then be sure to check out Losing Count, which drops on March 2nd.

Watch a New Suuns Video

I’ve enjoyed the new Suuns material from their album Felt, which is really just one tune, but this brand new one is really something special. The song is a gradual stroll, slowly moving in step with the visual elements here; the vocals almost feel like clouds rolling over the musical element. You’ll easily find yourself captivated by the digital images that step in line with a wonky synth/keyboard element; it leaves you imbalanced in a certain way, which I think sinks you further into the track’s emotional vibe. Felt will be released on March 2nd via Secretly Canadian. They’ll also be here in Austin for Levitation.

Enjoy This Track from SWOLL

Matt Dowling has done his due diligence in the DC indie scene, playing in the EFFECTS and Deleted Scenes. But, he’s out on his own now with his new project SWOLL; it’s an electronically driven sound that charms, at least on this, the ‘most lighthearted’ track on the record. I love how the programmed percussion builds, with the the repeated vocal of “I’m taking” aiding in that. Then the guitars drop in, the vocals rise and you’re charmed immediately. But, the joy in this track really comes when the female accompanying voice joins up with Dowling to really round out the pop sensation. A promising entry from the self-titled debut, out March 9th via Blight Records.

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