More Synth Pop from Red Sleeping Beauty

redsleepingWhen I talked about the Mi Amor 7″ a few weeks back I mentioned that Red Sleeping Beauty really seemed to be going for it again, with deserved success. Today, Labrador and Shelflife released another track from the forthcoming album, and it’s a hit. I love the tone of the vocals (dark, sometimes smoky), especially when they coolly move into the chorus. Synth work is playful, though it’s not banging you over the head like some EDM sorts, allowing you to take in the pleasure of great electronic pop. The record is titled Kristina and has a release date of June 17th. You want real pop music? Here you go.

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New Music from Elvis Depressedly

elvisI’m a day late on this Elvis Depressedly track, but I’m such a fanboy of Matthew Cothran that I’d be remiss if I didn’t give this song some love. Of course, like many of Cothran’s collections it’s a short number, but one that gives you enough emotive pull to immerse yourself in his work. I love the bit of bounce that seems to come with the synth work that’s sitting behind his voice. I’m excited there’s new work, as this single comes with the announcement of the Holo Dreamin/California Pleasures LP, being released by Run for Cover Records on June 3rd. Still going to stand behind this as one of my favorite things.

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Get Funky with The Red Krayola

redkrayolasNot sure there’s really anything at all that sounds like The Red Krayola, and in doing that, this seems like an important piece to involve yourself with today. It’s high on the funk level, but in doing that, it sounds a lot like the remnants of the dub-influenced scene that took over the UK. Lyrics are delivered in a hap-hazard bit of spoken word, forcing the band to walk you through step by step with each bubbling bass note or guitar chord. Don’t sleep on this legendary act, as they’re releasing Baby and Childcare on May 13th via Drag City.

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Sharks in the Deep End – Killin Machine (Album Premiere)

sharksinthedeependPop music has been around for so long, that you have to work really hard to come up with something unique, something vital for listeners. In the case of Austin’s Sharks in the Deep End, the band had to leave Austin to hole themselves up in Connecticut and just focus on the songwriting, leaving us with the dynamic Killin’ Machine. “Love in Reverse” is the album’s statement piece, the one that led to the recording session; the way the song builds slowly and opens up into the chorus is pretty magnificent. It all leads you to the record’s standout “Shadows in the Sunset,” which seems to up the ante on modern indie rock, both in energy and songwriting. Perhaps my favorite thing about the Killin’ Machine is it’s cohesiveness, whether the band is blasting forward or offering you a slower mood as in “Loveyoutoo.” Every little detail, every little synth note seems united throughout the entire LP. You want a pop record done right? Look no further than this here album.

The band is releasing it on April 22nd, celebrating by throwing a release party at Sidewinder with Ruby Jane and the Reckless and Flavor Raid.

Twinkling Pop Rock from Twin River

twinriverThose who know me, know I’m a sucker for the guitar sound that you’ll hear throughout the latest single from Twin River. It’s a little bit dreampop, a little bit indie pop, but when employed here it’s the energetic source for “Settle Down.” Deeper inside the track comes a more casual approach with the vocal delivery, letting your soul relax while the song moves around you. That guitar we mentioned gets its own spotlight mid-track as it’s allowed to solo all over the place, holding the song together in its own dynamic fashion. This tune will appear on the group’s new LP, Passing Shade, which comes out on June 17th via Light Organ Records.

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Soft Side of Rae Fitzgerald

raeI’m really enjoying this great new tune from Rae Fitzgerald as I look out the window at the pouring rain. The track offers a slow pace of careful pop built up by a nice electronic background. When the song picks up pace just a little bit for the chorus, that warm sensation washes over you as Rae details her personal experience through they lyrical content. This is our first listen to work from Popular Songs for Wholesome Families, which she’ll be releasing on her own on June 3rd.

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New Music from Stone Cold Fox

stonecoldI really like this new track from Stone Cold Fox. There’s vocal bits that remind me of early Beach House, though I feel like you can hear just a little bit more of a soulful longing. Musically, the band has more of a sprawling noise based upon guitars rather than electronic washes, which definitely ups my enjoyment. And, the vocals remain the song’s focal point, accented by the stabbing guitar chords and machine-gun drum hits; it leaves you with a powerful impression that begs you to come back for more. The group release the Tunnel Vision EP next Friday.

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New Album + Music from Japancakes

IMG_0001-2It’s been nearly 9 years since we last heard from Japancakes, and there couldn’t be a better way for the band to reintroduce themselves than through this new synth driven track off their new LP. Those who’ve followed the band might notice something slightly different…the inclusion of vocals…the first time the band have used such an approach in 20 years. But, Carrie Clough hits the perfect notes, especially around the 1.43 minute mark; it soars highly before allowing for the electronic pulse to bounce back into your ears. Backing vocals get added to the rear-end of the song, emphasizing the majestic pop the band have left you with on this tune. Their self-titled release will be out on May 6th.

Indiepop from Tangible Excitement

erIf you didn’t get your hands on the Gunnels/Tangible Excitement album that came out via Emotional Response then you’re surely missing out on something great. But, that’s neither here nor there, as Tangible Excitement (Boyracer/Lucksmiths) are back with a brand new track…though rumor has it that this isn’t the final version (expect more noise). For my two cents, I think this one succeeds without the noise; there’s a moment just before the 1.5 minute mark that really got me. The melody is spot on, with just enough twinkling from the guitars to catch the listener. You’ll hear this song on a new 2 song flexidisc that’s slated for later this year via Freakscene.

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Check the Latest from The Echocentrics

echoAdrian Quesada has pretty much combined a who’s who of Austin and part-time Austin greats to comprise his latest work as the Echocentrics. Yesterday, as I hope you heard, they unleashed one of the tracks that features Bill Callahan, who we haven’t heard from since about 2014. There’s something about his voice that’s always hit home with me; it’s somewhat forlorn, yet familiar and deep…maybe it’s how I want my voice to be. Anyways, once the production jumps in, the song takes off completely, adding a spirit not always associated with Bill. I particularly enjoy the little guitar part that dances between the 54 second and 1.14 second marks. Echo Hotel is the next project slated for release from the group; it hits on May 20th via Nacional.

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