Obligatory Stereolab Song

I’m sure that they’re out there, but I can’t really think of anyone I know that dislikes Stereolab, and as we get more listens to the forthcoming Instant Hologram on Metal Film, I can’t think of a better sound that fits this stage in my life. There’s a bubbling undercurrent of pop, which we all know is a staple of their sound. But, the calmed base is what really does it for me these days; you get to kind of sit and absorb, basking in the group’s craft, which even gets a little uptick that kicks in around the 3 minute mark. They continue to impress with every step into the future they take. The new LP is out on May 23rd via Duophonic UHF Disks/Warp Records.

Premiere: Son of Buzzi Drops Heimweg, Mondlicht am Strassenrand

When music becomes more of a commodity, offering instant gratification, it loses a bit of its soul (yes, I know I’m also part of that cycle!), thus we need artists like Son of Buzzi who are willing to dig deep into the nature of songwriting and craft, purely for artistic purposes. Sebastian Bischoff’s project encompasses the ornate side of guitar history, bending and overlapping strings, then letting them melt into one another, embracing the “marriage of the impressionistic with the concrete.” The song below has these little trickles of beauty, caressing the ears with these vibrant little twists and turns, and then, even for a brief moment, the song seems to take off, grabbing pace for just a few seconds, expertly portraying the up and down movement of our lives. If you’re searching for depth in your listening experience today, click play below, then be sure to Ein Hase, Ein Phonix, Ein Schwan from Shrimper Records before the May 16th release date.

Sugar for the Pill Give Luv

Grecian dreampop outfit Sugar for the Pill have been getting a lot of play on our side of things, and with another single dropping, we just wanted to make sure the act popped up on your radar. For branding purposes, they operate on the softer side of things, creating an ambient bend that hangs like a stage backdrop, omnipresent but pulled aside occasionally to let you peek at the little nuances. This allows the vocals to operate almost like dreamy shooting stars, sort of shooting across the front of the mix, twinkling as the notes land in your ear. A couple of singles have dropped this year, so fingers crossed for a new LP!

New Track from Charlie Bishop

Admittedly, I don’t know too much about Charlie Bishop, though I was quickly immersed in his world when I pressed play on his latest single. The opening notes put Bishop’s sincerity on full display, with his voice sounding so brittle that it could break right before you. But, what began as an intimate affair begins to open up just a little bit, unleashing full arrangements that take the song to soaring heights. Coursing through his new Far Away record, there’s this fragility that just holds your ear, and like the single below, you can’t manage to get away, which symbolizes a great success in my book!

Festiva Release Everything in Moderation

Tried my best to keep up with the news last week, but one of the records I forgot to give a nod to over here was the newest album from Maine’s Festiva. They’ve got a garage meets pop punk sound, with Carver Arena-Bruce’s distinctive a dominating sound throughout the entirety of your listen. Each time I listen to a different track, I get a different vibe, so we’re popping up the more pop-friendly version to get you with the band’s hooks. You’ll find a lot of joy in between verses here, which makes me flashback to last night’s Dinosaur Jr show, just letting the guitars rip and ride. Their album, Everything in Moderation, is brought to you by the kind folks over at Repeating Cloud.

Red Birds Share For Show + Drop New Album

As we mentioned earlier, today is going to be one of those huge release days, and so I’ll try to look at the folks under the radar, like Maryland outfit Red Birds. My initial draw here on the featured track was the solemnity of the guitar tones; you can easily hear where this would have slid right alongside any number of slowcore acts of the late 90s (I’m thinking Bedhead). But, where this differs is the power of singer Zoe August’s voice; she embraces an almost traditional folk delivery, setting her next to any number of huge stars like Merce Lemon or Waxahatchee. Intermingling texture, pace and beautiful vocals makes the entirety of Things We Thought We Were Done With a very special listen, and it’s available to jam today if you jump HERE.

Aus!Funkt! Release Rewire the Damage

There always seem to be a bevy of releases when we get to the end of the month, and today is no different as Montreal outfit, Aus!Funkt! release their brand new effort, Rewire the Damage. I wanted to drop the group’s opening track from the LP, as it has this driving industrial group, spun in a more pop-centric fashion. For some reason, it reminds me of a more playful version of International Noise Conspiracy, finding the spots where rock can subside and let heavy groove and horn blasts take control of the sound. It’s hard to turn a rock vibe into something as complex and accessible as what you’re going to get below. Jump HERE to hear the whole LP.

Psych Fest Preview: Dummy

In a weekend filled with legendary acts like Galaxie 500 or Kim Gordon or Dinosaur Jr, there are other acts waiting for you to fall in love with, and Dummy is one such band you need to catch at Psych Fest.

The LA outfit has roots in the indiepop/dream pop scene, but they’ve left that past behind, which we first encountered on their two early Dummy EPs. They moved forward one step with Mandatory Enjoyment, which took some of their noisier tendencies and mashed it into this electronic fusion that drew comparisons to acts like Stereolab and Broadcast. That said, if you caught the band live on those early tours, they were anything but just a nod to influences, ripping through a set with an intoxicating mixture of synthetic textures and dissonant guitar vibes.

Nowadays, they’ve stretched themselves even further on their most recent LP, last year’s Free Energy. They left a few breadcrumbs to their previous efforts, but what I loved (as did the masses) was that they pushed further into the intersection between electronic vibes and rock, at times even leaving the rock aspect in the distant past. It left listeners with a transformative listen that illustrated the band’s willingness to meet pop music on their own terms, with their own set of influences. It’s even led to a masterful remix album titled Bubbelibrium DLC, out this June.

They’ll take the Janis stage at 6:05 on Saturday.

Gelli Haha Shares Funny Music

If you’re ready to let yourself go, seeing as it’s Wednesday, you might want to settle in and crank up this new Gelli Haha jam. You can play the first 55 seconds alone, thrusting yourself into this realm of twisting beats and kaleidoscope of pop hooks, but you won’t have to wait too much longer for the vocals to enter the picture. At times, they sound synthetically angelic, like they’re transmitted from the heavens; they then get spliced up with various other vocal samples, shooting in and out of the textured layers. Suddenly, the pop twists, albeit briefly, hitting harder and sharper, almost with more purpose dropping from the vocals here. You’re not going to be able to find your footing here, as you’ll be joyously spun about, round and round until you find yourself grabbing a copy of Switcheroo, out on June 27th via Innovative Leisure.

More from Tee Templeton

I’m increasingly fascinated by the story of Tee Templeton, who just turned 67 this week, and yet is prepping to release his debut this Summer. Listening through his latest single, there are some moments where his song craft is a marvel, like the subtle move into pure pop bliss right around the 2 minute mark. Throughout this number, the song moves into careful pop steps, buoyed by these perfect arrangements that draw obvious similarities to Robyn Hitchcock, while there are other more modern touchstones in the overall songwriting. It’s really a great story of an artist coming to terms with his craft…better late than never…or so they say.

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