Honey Radar Is Super Hip

12234920_1664698017140133_7132038731607968554_nI like to think of What’s Your Rupture as the label that births the cool. Seems like every band they work with at some point explodes and gets cool; see Love is All, Parquet Courts and Royal Headache. One of the newest releases is this very small scale 7″ by Honey Radar, and I’ve got big expectations for this band’s sound. Not sure how one would really identify their sound, though you can hear all sorts of influences from lo-fi to jangling pop to art punk; it makes for a beautiful sound that I can’t believe more people aren’t clamoring over just yet. Guess that’s the price one pays for being ahead of the curve. Stream the 7″ below and BUY IT HERE.

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More New Matt Kivel Music

mattWe’ve heard some of the upcoming work that’s being previewed for 2016, but I don’t think anything has quite piqued my interest quite like the new stuff coming from Matt Kivel. There’s a sincerity in his voice, prevalent through the other work we’ve heard from him in advance of next year’s Janus. I suppose some might beg for more, musically, but I think it’s needed, with the guitar steadying Kivel’s voice throughout the track. Feels good to just let yourself go in this tune here. Look for Janus on February 5th of next year via Driftless Recordings.

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Museyroom Playing Songs Up My Alley

pearlyI’m really impressed with the sound of what Museyroom is doing, especially on this track. It’s not quite indiepop, but it’s not quite bland indie rock, laying somewhere in the middle of both. I appreciate the fact that they’re taking the modern trappings and sort of spinning them in a slightly different direction…particularly the crashing moments coming around the 2.5 minute mark where they draw out the melody ’til the song’s closing moments. Folks will finally get to hear the band’s much-anticipated debut, Pearly Whites, via Grind Select in March of next year.

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Slow Pop from Aimee deBeer

aimeeListening closely to this single from Aimee deBeer, it’s becoming clear that the power of voice is wholly enchanting…to me anyways. Aimee’s voice sounds youthful and familiar, but there’s this really pristine quality when she manages to hit the higher notes. Lyrically, she seems to be battling it out within herself as she’s confronted with her own demons, her own being. Still, while I like it a great deal, I don’t even think the vocals need the musical accompaniment; it’s that special of a performance. Word on the street is that a new EP will be on its way very shortly; I’ll keep you posted.

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Blasting Alternative Rock from Varvara

varYou know we’re always keeping our eyes on the scene in Finland, and Varvara is one of the band’s overseas making some waves with their new effort on the way. This time around, they’ve released this cracking rocker, akin to some classic college rock sounds. Maybe it’s just me, but the more I listen to this song, the more I feel they owe a debt to Robert Pollard, though I will say that the group have definitely upped the production quality on their offering. Stay tuned to the track for the soft breakdown lurking in the middle. They’ll be releasing Death Defying Tricks in January via Haminian Sounds.

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New Sleepercar EP Is Out

jimmyRecently, I caught Antemasque at FFF Fest. Despite the endless talent musically, the songs just didn’t really appeal to me; they didn’t have any accessibility or focus. But, that’s why Jim Ward has always been the unheralded mastermind that made At the Drive In work. You can hear his songwriting talents in his Sleepercar project, though the sound is admittedly a slight bit more Western. Still, there’s soul to this song, featured on his new Breathe and Count EP.  There’s hints of Beck in Ward’s vocals on this round, but I love how the song opens slowly, then erupts a little bit later on down the line…sort of like a journey with Jim. If you’re in Austin, he plays at the Mohawk Wednesday night to celebrate the new EP.

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We’re Back, So Is Yndi Halda

yndiAfter a brief little hiatus, we’re trying to play catch up with some of the tunes that came out last week. This one immediately caught my attention, seeing as Yndi Halda hasn’t released an album for some eight years. Well, like us, they’re back with something new, and I love the understated approach taken on this tune. Everything seems equal here, even the vocals seem to sit right inside the main mix of this tune. Still, the band employ a post rock approach, building and building towards a crescendo that never quite comes. encouraging listeners to keep coming back for more. Definitely excited to see what comes our way when the new LP is unleashed in March.

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Fresh Tune from Wovoka Gentle

wovokaThe music of Wovoka Gentle seems to draw on various influences, which has made it difficult to pigeonhole. There’s obviously elements of folk music, yet there’s some strange touches to like the vocal spoken just beneath the main mix, adding a deeper element to this single. Also, there’s even a slight giggle when William takes over, which is both endearing but also enlightening, as the group’s not seeking to release the “perfect” final cut. The trio release their Wovoka Gentle [Blue] EP this Friday, so should you be inclined to see some people doing things a bit different, take the journey with them.

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Your Last Chance to Listen to the Brainstems

braOkay. Not really, but I’ve already posted about the Brainstems multiple times in the last few months, so I promise that I won’t do it again…at least until 2016. Their latest single has a different feel than some of the other tracks, though clearly in the same vein with other garage-y contemporaries. I like the way the vocals are recorded; it seems like this track is built perfectly for a live version where the audience is bouncing and screaming at the top of their lungs…or at least that’s how I imagine it. Don’t forget that their debut No Place Else comes out this Friday via Bad Diet HQ.

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My Gold Mask Returns

mgmB. Gray is going to be pissed I beat him to this one, as he’s the guy that first turned us on to My Gold Mask. Sure, it’s not my typical post, but I love a solid club hit from time to time. The group sounds a lot like Robyn on this track, using a dance floor beat for the voice of Gretta to work atop. There’s a catchiness to this track that’s hard to turn away from, so put your judgments aside and just have fun dancing about to this great little tune. The band will release their new album, Anxious Utopia in March of next year.

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