New Music from Morning Harvey

morningharveyMorning Harvey is a five-piece act from Brisbane, Australia, and listening to this track, I think they fit right into the country’s latest musical exports.  You’ll hear a slight nod to the modern blend of psychedelia and shoe gaze, but I also hear evidence of an infatuation with Brit-pop.  There’s even  a soloing piece of guitar work that echoes throughout the end of the track, which is a major throwback, in my opinion, to 90s pop over in London.  Regardless, this new tune is pretty sweet, and hopefully we’ll have more news for you soon about a new release from the band.

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The Mary Onettes Roll Out Another Hit

the-mary-onettes-Gunnar-BjörlingIt’s really been a joy watching the growth and progression of The Mary Onettes.  Their first entry into the indie mainstream was coated in a sort of wash of atmospherics, but they’ve since cleaned some things up.  But, on this new single you’ll see a nod to their past efforts, though the crystalline approach to the vocal delivery is also apparent here.  It’s the best of both worlds, indicating that the band has finally found the perfect formula.  You can grab their latest release, Portico, next Tuesday via Labrador Records.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/02-Naive-Dream.mp3]

 

Dig This Gay Single

gayNo. This single is not gay; it’s an inanimate object, silly.  Gay is the name of the band, who hail from Denmark.  It’s definitely a song with a different feeling than other worldly music goings-on.  For one, the guitar is just this distorted ringing sound, emphasized by the electronic programming that’s used to fill the background.  But, the vocal performance makes this song ridiculously catchy, and that’s precisely the reason I picked it out for you to jam with today. This track is the A-Side to the band’s new 7″, which will have a physical release on March 4th via Zoo Music.

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New Music from Dylan Shearer

12 Jacket (3mm Spine) [GDOB-30H3-007}I thought Dylan Shearer was a great secret, and after spending a lot of time with his last effort, Porchpuddles, I was happy to keep it that way.  But, like all great things, you can’t keep them to yourself for long, which is great for Dylan.  He’s signed on with Empty Cellar and Castleface to do a joint release for his new album, Garagearray (what’s with the lack of spaces?). Dylan’s one of those artists that I think doesn’t need a lot of discussion about the tracks details and what not.  Once you listen for a few times, you’re hooked. It’ll see a release on April 15th; be prepared to have yourself a new favorite artist.

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Greg Ashley – Another Generation of Slaves

ashley-lpRating: ★★★★½

The past few weeks I’ve been listening to Another Generation of Slaves pretty non-stop.  When it came down to the arbitrary rating system, I wavered between a 4 and a 5, then settled on the now visible 4.5. While those numbers may mean little, all I can say as I write is that Greg Ashley has left us with a record that, at this point, is the best collection of songs I’ve heard this year.

“East Texas Plain” is a brilliantly solemn ballad.  It opens with a barroom piano while some understated percussion provides the perfect accent to Greg Ashley’s voice.  There’s something that goes into his vocal delivery that offers a familiarity to it; I keep thinking that he’s a more palatable Richard Hawley.  I particularly like how there’s just a little buzz in the recording too, providing some authenticity to what lays within.  Yet, Ashley doesn’t want to create something that weighs you down with one simple style.  “Brother Raymond” is a bluesy offering that brings a little bit of a rock n’ roll swagger to his creation.  It’s the perfect placement too…giving a bit of energy before bringing you to the best track.

It’s not that Another Generation of Slaves peaks entirely early, but I cannot get “Awkward Affections” out of my head.  There’s not too much to the actually lyrical content, but there’s a huge emotional pull going on inside.  Perhaps it’s the repeated séance of “you make me feel like shit/I wanna kill myself.”  If you’re looking for a song that begs to be played again and again, you should find a way to get your hands on this number.  However, the early tracks, like the three above all fall under 4 minutes, while it seems Greg saved his more laborious tracks for the latter half of the record.

The last few tracks on this record are all over 5 minutes, with my personal favorite being “Prisoner #1131267.” I love the piano work on this track; it sounds like there’s some classical training here, but at the same time, the way it’s used makes it seem like it’s just about to go out of tune; it buzzes and hums in your speakers.  It’s songs like these, which is pretty much every track, where you can hear an artist putting every bit on the line, musically.  Sure, Ashley might sound subdued at times, but other moments exist where he’s just belting out the notes, maximizing his passion.

I can’t really explain how much I love listening to Another Generation of Slaves.  There are songs that sound like cowboy piano ballads, then there are others with horns to jazz things up a bit.  There’s no telling which way Greg Ashley is going to take you on this listen, but I can assure you that no matter which way he goes, you’re not going to be let down one bit.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/03-Awkward-Affections.mp3]

Another Jam from SoftSpot

softspotJust a few weeks ago we brought you “You/Yours” from SoftSpot, and I was really impressed with that song; here you’re getting another impressive performance from Sarah Kinlaw.  Her softness definitely allows this emotional space from which her bandmates can carefully weave their own magic, entrancing listeners. I still hear this ornate guitar styling that reminds of a Kinsella brother, and that’s definitely a good thing in my book. Their record MASS will be released on April 8th, so your enjoyment only need wait a little longer.

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Cloud Nothings Continue to Thrill

Cloud-Nothings-850x566While I thought the first single from the upcoming Cloud Nothings illustrated some vocal restraint, it’s clear that I was far off, as Dylan Baldi’s not afraid to unleash on this new tune. Sure, the song begins with a slow build-up, but even then you can hear that familiar rasp in Baldi’s voice.  At the 44 second mark, the song takes off, leading up to Dylan’s forceful howl coming through. My favorite part comes near the end of the track where the band lets go furiously, as they’ve been known to do in their live shows.  And, as always, Jason’s drumming is just RIDICULOUS.  Here and Nowhere Else, the new record, will be out on April 1st via Carpark Records.

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New Music from The Ukiah Drag

Ukiah-Drag-uprootedMan, you’ve got to get down with this new track from The Ukiah Drag.  Each time I indulge in a few listens, I hear little variances in what’s coming through.  On the surface, you get the appearance of a soulful Western storyteller, but listen carefully.  There’s all sort of discordant noise and brooding working far off in the distance of the track; it’s the kind of thing that could turn a good song into a great song in the live setting as the band works the crowd.  I’m excited to hear what these guys have to offer, and you’ll get a chance too; their Dirt Trip/Poison Ivy 7″ comes out via Wharf Cat on March 4th!

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Austin Spotlight: Hikes Featured on New Comp

DSC_2417When the first notes of this new track from Hikes started maneuvering in and out of my headphones I was pleasantly surprise.  The band employs a math rock staple to open the tune, reminiscent of old Pinback tunes.  But, they don’t stick here for too long, choosing to throw in a more collective pop piece by combining male and female vocal pieces; the odd time signatures and guitar work do stick around.  You can find yourself an owner of this tune, as well as 13 other great tracks from undiscovered acts via the Secret Peaks Winter Compilation from Graveyard Orbit. Order yours HERE.

[audio:https://austintownhall.com/wp-content/uploads/2014/02/03-Shepherds-Clock.mp3]

 

Sorry I Missed This: Ausmuteants

thumbLast week this great track from Australia’s Ausmuteants started floating around; I immediately dug the tune, but got side-tracked with other silly things like SXSW interviews. I like the keyboard touch that’s swaying in the track; it gives it this touch of something different that you’re not finding in like-minded punk acts.  There’s a pulsing rhythm created by the steady drumming, but the vocals have really stuck with me throughout my time with this song; they have this nasally quality that’s actually fitting with the tune, and not at all abrasive. Goner Records, always reliable, will be releasing Amusements, the band’s album, on April 1st.

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