Tim Version Release New LP with No Idea Records

timversionI’ve got a soft spot for old school style rock n’ roll that borders on the edges of punk rock.  There’s a gruffness to the vocals on this new single form The Tim Version, which reminds me of folks like Chuck Ragan who went a softer route after years in the hardcore world.  Musically, there’s that classic bar rock sound, with just a hint of pop thrown in; it’s the sort of guitar play that has gone on the make bands like Hold Steady and the Replacements house hold names.  This single will feature on the band’s new record, Ordinary Life, which has a release date of August 12th via No Idea Records.

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New Music from Laura Jean

laurajeanAfter a rather quiet beginning to 2014, Chapter Music is gearing up to finish the year in strong fashion.  We shared a track from Geoffrey O’Connor last week, and now we want you to take a look at Laura Jean.  The construction of this track is quite careful, with barely any pace at all to it.  Such an approach allows for LJ’s voice to shine brightly, with a little bit of accent from her friend Jenny Hval.  as the instrumentation begins to build you find yourself completely wrapped up in the realm Jean has created with her vocal performance. This is the first single off her up-coming self-titled album, which will see a street release date of August 22nd.

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Electro Jam from Superhumanoids

superhumanI feel like this is an obligatory post for our boy B. Gray while he’s out on the road doing that real job thing.  He loves Superhumanoids, and this single is definitely another reason to be excited by the group’s work.  I love the little electro glitch sample that seems to serve as the driving force in this track, while guitars splash upon that backdrop.  The impressive vocal performance doesn’t damage the song’s emotional pull either.  You can find this track on the band’s new Come Say Hello/Hey Big Bang, which was just released…and also check out their full-length, Exhibitionists.

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Welcome Back Avi Buffalo

PrintI sort of feel like Avi Buffalo was the great band that many people forgot about, which is fair, as the band’s fallen mostly silent since the release of their debut of their self-titled album in 2010.  But, an amped up schedule of touring, including this year’s SXSW (where I caught them) indicated that they were ready for a return.  This track does a great job filling in on the promise that their debut offered, using spritely hooks to capture the listener.  After repeated listens, count me in as one of the many that’s on board with anticipation for the group’s new album, At Best Cuckold, which will see a release of September 8th via Sub Pop.

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Manna Signs to Soliti Music

mannaManna is an Algerian/Finnish songwriter who has just recently announced her signing to our favorite little label, Soliti Music.  Her sound rests on her voice, at least on this track, with her vocals starring in the stripped down performance.  There’s little more than a flash of strings and piano, but that sultry vocal gets you every time.  I’m also really interested in her understanding of the English language, as these lyrics are pretty remarkable for an artist who speaks it as a second language.  Be on the look out for her new album from the label this fall.

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Austin Spotlight: Meet Southern Boutique

southernThe introduction of this outfit comes with a bit of sadness, as Southern Boutique taking a full-time role means the dissolution of one of our favorite acts, Tiger Waves.  The former act crafted these incredible pop soundscapes with warm harmonies, often employing multiple layers and sounds that made their music more dyanmic than most.  But, in the case of Southern Boutique, those pieces still remain, albeit more fine-tuned than ever before.  This is their first official single, and it employs the same spectacular melodies that made them so endearing.  I have no doubt that with a renewed focus, the group will blossom into one of the most unique acts in Austin, winning over everyone. You can expect to hear more from the band when they release their new album later this summer.  Grab their new two song single HERE for the NYP payment method; it’s worth a solid donation.

 

Pulsing New Tune from My Gold Mask

mygoldmaskPersonally, I’m struggling this week.  It’s my last week with my students, and as 13 year olds, they’re likely to be a little rambunctious, so I’ve got to match their energy.  This new tune from My Gold Mask does just the trick, with a pulsing rhythm that moves the song forward.  Gretta sounds a little bit bratty, but in that endearing sense that empowers women and makes boys swoon.  There’s moments of this track that remind me a bit of Raveonettes, but of course, if you up the dance attitude.  Expect a new album from the group later on this year.

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Gold Bears – Dalliance

dallianceRating: ★★★★☆

When I first received Dalliance in the mail I had to go back and listen to the debut, Are You Falling in Love.  It reminded me of just how great the songwriting was, though I felt the first LP was a bit uneven in spots.  On the return for Gold Bears, this is not the case; the songs here are successful in every single way, with not a single throw away of the eleven tracks present.

Dalliance opens where Are You Falling in Love left off, starting things with “Yeah Tonight,” but this round you’ve got an immediate winner.  The idea has been shortened, pounding away from the instant you press play.  It doesn’t hurt that singer Jeremy Underwood is balanced out here by Emma Kupa (formerly of Standard Fare), as her presence provides a nice sugary dosage to a track noisily rocks from the get-go.  Screeching guitars await around the bend with “Chest.” It’s reminiscent of The Thermals at their best, offering up punk intensity with hints of pop sensibility that make the song an undeniable hit; you’ll want to blast this with the windows down.

But, while this new album from Gold Bears kicks you in the face, musically speaking, you’ve got to have a proper amount of balance; they accomplish that perfectly with “I Hope They’re Right.”  It’s a ballad with a distorted guitar rocketing through the background, while a female vocal harmonizes perfectly with Underwood.  It’s a nice bit of respite, allowing listeners to catch their breath for a short instant.  Surely the gentle quality of this tune will illustrate just how far the songwriting has come since the band’s inception.  It’s similar in approach to “Hey, Sophie,” at least in so far as both songs are meant, in my eyes, as breathers.  They introduce soft moments, though “Hey, Sophie” uses more of a ringing circular guitar approach as opposed to a stretched out ballad with guitar accents.  These songs tie the record together; they still hold to thematic points, but they give you a different approach from which to view the band.

Still, Dalliance succeeds the most when it’s loudest, and no song illustrates that point more so than “For You.”  As soon as the words “you’re a mistake” are uttered, the song comes crashing in.  Drums pound and guitars course through your ears with ferocity, though I think there’s a definite infectious quality in the delivery of the vocal.  At the point of writing, it’s probably one of my favorite tracks of the last few months.  I especially appreciate how the song’s energy fades away into the back of the track; it’s a touch that I wasn’t expecting, but that caps off the tune in way that’s indescribable.

Gold Bears had the tunes long ago, but I feel that Dalliance is the record where it all seems so right.  There’s a vitality in the album that provides a connection with the audience; it refuses to fade.  You can turn it up loud when you need to rock out, or you can have it as the perfect  background to a backyard gathering, but regardless, you’ll feel this record crawl beneath your skin, inserting itself, permanently, into your consciousness.

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New Music from Guy Blakeslee

guyToday seems to be one of those days where our tracks are by artists who’ve stepped out of the shadows of other projects to make a go on their own.  Guy Blakeslee is no different, putting out his first record outside his other act, The Entrance Band.  I really like the vocals on this number; they seem to come close to straining Blakelee’s voice, yet they’re held, just under. Musically, the song’s a bit of a drifter, with the guitars seemingly pushing themselves in and out of the picture; it’s a stunning effect. His solo effort, Ophelia Slowly, will be released on June 10th via Everloving.

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Liam Betson Returns with New LP

liamLiam Betson once played guitar in Titus Andronicus, and while you can definitely see remnants of his foray in that outfit in this tune, it’s nice to see that the sound takes on a bit of new direction.  The vocals definitely harken to the TA days, at least in the way they were recorded, but the guitar takes on a different tone entirely.  The tone takes on a nice bit of twanging dream pop, with guitars cascading all over the tune.  He’ll be releasing this new batch of songs on The Cover of the Hunter, which is being released on July 22nd.  Take a listen.

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