Rating: 
Having been a fan of Akron/Family for some time now, it’s interesting to see where their music leaves off and Dana Buoy takes over. Summer Bodies is a great bit sunnier in its construction than any of the work he’s done with his band up until now. That being said, you can definitely see the lineage between his solo work and his work elsewhere.
I wasn’t really sure what to expect from Dana Buoy‘s solo outing until I made it beyond the first minute of the opening track, “Anatomy of Now.” For that minute, you get little more than vocals, but then a sort of indie-clad tribal element comes in to join Buoy. There’s definitely a light-hearted mood created, but it’s not overly exuberant…I like a little restraint. “Call to Be” follows it up with another emphatic number, though this one is a touch darker in its musical quality. The chorus line of the rising oh into “this is just a call to be” is possibly one of my favorite moments on the record.
One of the great things about Summer Bodies is Buoy’s ability to build anticipation for the listener, leading you into the glorious hooks slowly. He does this with the opening track, and he does it again with “So Lucky.” But, while those two tracks have heavier (sort of) beats kick in, he can also build into a slow jam like he does with “Sattelite Ozone,” a song that mellows just as it begins to pick up. It might go too far at time, as the formulaic approach begins to grow a bit expected, but it’s a cool touch that I definitely appreciate.
And as much as I enjoy the beats that encourage me to tap my feet, I appreciated Dana Buoy‘s ability to go in a different direction altogether. “Futures Part” is one such song, again building slowly, yet there’s a gentle touch to the track as it unfolds. Time and time again, you think Dana could just go far off into rhythmic bliss, but he’s showing his ability to hold back just enough and explore softer sides. You’re probably going to overlook such tiny nuances, but in a day and age where songs come fast and heavy-handed (in regards to hooks and beats), it’s nice to find someone pulling up short.
Listening to Summer Bodies comes off a bit like a two-sided affair, yet it definitely has enough to tie everything together. Side A has the tendency to hit hard, using beats to catch your ears. Side B wanders a bit, in a pleasant sense, showing that Dana Buoy still has the wish to use his gifts as a writer of exploratory pop songs. Tied in together, the whole record has the ability to thrill and uplift, time and time again. Label me a pleasantly surprised fan of Dana’s solo work.
[audio:https://austintownhall.com/wp-content/uploads/2012/04/03-So-Lucky.mp3]
Download:Dana Buoy – So Lucky [MP3]
What I love about the pop punk scene at the moment is the ability for bands to really take on deep themes, like the concept of self-love that runs through this fresh single from London’s Fightmilk. Akin to many of the acts like Spook School, Martha or Fresh, they’re breaking down the subject matter while breaking down huge riffs and hooks galore. This tune’s got lots of punch, and even moves from classic bits of pop rock into more aggressive territory as the vocals soar through the speakers; it hits you in the face then gives you a nice melody hug, which is what makes great pop punk, if you ask me. Check it out!
