Nobunny – Secret Songs

nobynnRating: ★★★½☆

For over a decade Nobunny has been doing his own thing, abiding by his own rules and endearing himself to fans all the while.  Secret Songs is his third LP, and while it’s a bit all over the place, it encapsulates exactly what you’d expect from our favorite garage animal rocker.  And shining through it all? Great songs.

Every time I listen to Secret Songs I envision myself rocking out at a show with Nobunny.  “Bye Bye Roxie” seems like a perfect way to kick off the evening, with a bouncing rhythm and heavy-handed guitar playing; it all clears the way for our main man to rock his vocals, wagging his sweat drenched ears in your face. He even slows it down a bit with a twangy guitar stomp on “True Vulture,” before offering one of the standout tracks, “Pretty Girl.”  For me, it’s all about the anthemic nature of the chorus.  I envision you and I bouncing around joyously, beer spraying all across the room as Nobunny enters the foray to make entice us to suck the marrow out of life.

While I’m sure I’ve often lumped our anti-hero into the garage rock category (see above), I can also appreciate his penchant for trying out other genres, while still sounding every bit himself.  “Lizard Lies” is the best power-pop track that the Exploding Hearts never wrote; it’s bratty, catchy and polished enough to play while you give your dad a ride to work.  The longhairs will definitely be shaking their locks at the venues as this song blares out of their local PAs. Then there’s “Do the Stooge,” which is a sort of freak-out jam, which gives us all time to head to the bar, though we’ll do so with a little bit of swagger. You’ll need that momentarily breather before you get into the most classic track, “My Blank Space.”  It’s frantic pace and held syllables are precisely the sort of song that made Nobunny endearing to us all from the start.

And the our night is wrapped up in a poppy little number: “Lovin Lovin You.”  It reminds me of the sort of guitar playing/punk shuffle I grew accustomed to when I went through my Dead Milkmen phase.  It’s a ditty, but there’s something dirty about it…it’s a pop song your parents would be okay with, but every bit of it belongs to you.  And the album, or your night at the club, is over before you know it.  You danced with your friends, you rocked with Nobunny, and those Secret Songs now belong to you.  As always, it’s a secret best shared with those you trust, those with good taste.  There’s nothing quite like it.

 

New Power Pop from The Barreracudas

Any of you out there still in love with the Exploding Hearts?  Well, you should be, but if you’re looking for something new to help stoke the old power-pop flame, you need to check out this new jam from The Barreracudas.  The band has a new album, Nocturnal Missions, coming out in stores on October 25th via Douchemaster Records.  It’s a pretty straightforward rocker, but in the best way possible.  I mean, come on, who doesn’t love sing-a-long rockers?  And, if you’re interested in the band, they’ll be touring the States next week, including a November 6th date in Austin at 29th Street Ballroom.

[audio:https://austintownhall.com/wp-content/uploads/2011/10/babybabybaby.mp3]

Download: The Barreracudas – Baby Baby Baby [MP3]

New Track from King Louie’s Missing Monuments

I can’t tell you how much I’ve always enjoyed the projects of King Louie Bankston.  He played with The Exploding Hearts, one of my all time favorite groups, and he also had a one off project called The Bad Times with Jay Reatard, not to mention a slew of other projects that came up in between. He’s recently signed on with Douchemaster Records, and he’ll be putting out an album with Missing Monuments, titled Painted White.  Everything in this song sums up exactly what I love: it’s a little bit of punk, a whole lot of power, and hints of pop.  That’s basically a recipe for a killer song, and a killer album. You’ll find some joy here.

[audio:https://austintownhall.com/wp-content/uploads/2011/06/01-The-Girl-Of-The-Nite.mp3]

Download: King Louie’s Missing Monuments – The Girl Of The Nite

New Tunes from The Biters

Who likes power pop? I do. I do.  Seriously, when I heard The Biters, I just went straight to iTunes and grabbed their EP.  I mean, its part Exploding Hearts, part Gentleman Jesse, and all parts just awesome.  There’s nothing arty or dancy, or even intricate for that matter, it’s just straight ahead rock n’ roll, like the good old days.  It fuels you with energy, and it’ll make your smile large. You gid?

[audio:https://austintownhall.com/wp-content/uploads/2010/07/The-Biters-Hang-Around.mp3]

Download: The Biters – Hang Around [MP3]

Gentleman Jesse and His Men – s/t

Rating: ★★★★★

A few months back I was fortunate enough to come across a short album by Atlanta band, Carbonas. After careful research I came across Gentleman Jesse and His Men, a band fronted by Carbonas bass player, Jesse Smith. I adore the more abrasive album featuring Jesse on bass, nothing comes close to my level of enjoyment when listening to the power-pop of the band he fronts.

Immediate references will draw upon similarities to bands such as The Exploding Hearts, due to vocal delivery, and Buzzcocks, based solely on emotional similarities. Still, one would have to go much farther back, back into the 50s bandstand rock n roll in order to complete the circle of influences. Every riff seems straight out of an era, but done so refreshingly that its hard not to fall in love right away.

Remember those bands you grew up listening to when you were younger? This should have been one of those bands. This should have been the only one. Every song has staying power, and it goes beyond the box we’ve placed Gentleman Jesse inside. If teenagers had good tastes, then they would spend countless hours in their mirrors singing and bouncing along to this album with a hairbrush in hand, wishing they could take to the stage. This album has that much power.

Vocal inflections allow for the listener to differentiate between each song, though you might find that the rhythm section becomes a little redundant at times. Still, you could list every single song on the album as a hit. Pick a song, sing along and you’ll bob your head for the rest of the day.

“All I Need Tonight,” the third track definitely jumps out at you as one of the more powerful songs. The backing vocals bring back the simplicity in garage rock, just in time for the killer solo at the end of the song. It’s precisely the way it was always meant to be; straightforward rock music without meandering into noise and atmospherics. “The Rest of My Days” ask “where is time going,” and its clear that the rest of my days will be spent listening to this album, this song.

The latter half of the night packs just as much punch as the first half of the album. Songs like “I Get So Excited” and “You Got Me Where You Want Me” are meant to be sung by entire audiences. Each song is full of fervor, hoping to grab the audience and hold them close to the speakers one last time before the album winds down to its end. No one should skip a song.

After listening to the album in my ears for days, its hard to be really objective here; this album is the most refreshing thing to come by and cleanse my pallet, which is odd due to its apparent nostalgia in the realm of power-pop. Those of you interested in good clean pop rock will do well to find this immediately. I can see it nearing the Top 10 right now as it plays again and again.

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