Announcing Welcome to the Jangle – March 15th @ Tweedys/29th St Ballroom

Not going to lie…it’s been a minute since we’ve put on a proper show during SXSW season. Sure, we have the annual SOTO vs ATH Party, and that’s a blast, but that’s a team effort with our friend John Laird. So, this year, the opportunity arose to bring back our Welcome to the Jangle, as there were quite a few jangling and adjacent acts coming into town. So, here we are, announcing its return at 29th Street Block Party Day 3; it’ll be 18 of the rippingest, raddest bands in town. We’ve got bands from Japan, Australia, the UK, Canada and the US all gracing the three stages we’ve got. There’s a rad playlist attached below so you can sample the super rad tunes we’ve got coming! More info about the event on the Facebook Event Page.

A special shout out to our sponsor for the event, Cain’s Hot Sauce, who will be on hand with some snacks and hot sauce to sample on the day of the event!

Last Week’s Jams (10.27 – 10.31)

During this time of the year, there’s slim pickings in terms of what’s out there, as labels and bands prepare to kind of whole up for the Winter, but we still have a really solid collection of jams for you. For starters, B. Gray and I met long, long ago at a Twilight Sad show at the OG Emos here in Austin (not the blasphemous new spot), so their new song gets precedent to show our love. We were really stoked to see our Internet pal Matt Kivel, currently of Austin, drop a single form his forthcoming LP, so that, of course, shows up. Then there’s just quality hit after hit, with Diles Que No Maten and Twin Shadow and Vilde and Devin Shaffer (sorry for the polysyndeton). There’s a little bit for you all!

Victoryland Announce My Heart is a Room With No Cameras In It

I know this hit the other day, but really loved the newest single from Victoryland, which is the new project of Julian McCamman, formerly of Blood, and formerly of Austin. He’s been working out of Brooklyn and his new project celebrates some of his previous band’s approach to pop songwriting; the sounds and feelings are obscured, with the track settling in this bright groove that delivers this rising syllabic punch at the end of each poetic line. While that hit delivers a big poppy hook, there’s just a faint pained grimace in the delivery, tying the work to a more punk aesthetic. The album My Heart is a Room with No Cameras In It is out on January 23rd via Good English Records.

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