HOLY Returns with Hot on the Heels of Love

Back in 2018, HOLY released All These Worlds Are Yours; it was this kaleidoscope of pop that seemed about as near as perfect as one was like to find. Now, the project is back with a brand new single, one that hopefully leads into an album at some point. This go round, it’s less an amalgam of pop influences, and more just straight pop songwriting, almost an homage to lounge singers. It most recently seems like something Jonathan Bree might offer up, being melodic and charming while also demonstrating a slight flare for fantastic. Hannes Ferm’s artistic touch is always stunning in my opinion, so fingers crossed for more real soon.

 

Durand Jones and the Indications Go Cruisin to the Park

There’s something special about Durand Jones & the Indications; they hit me on so many levels. One, they’re pretty much family approved at my house…I can jam with my wife, my soon-to-be 1 year old or my mom; that’s a really big deal over at our music obsessed household. But, there’s also this soulful vibe that most closely resembles some of that Motown era vibes, with just a hint of doc-wop ancestry. The band’s brand new single has this lightness, this breezy feeling blowing through your speakers; it’s an homage to lowrider culture that’s been so supportive of the band on their rise. I feel like any day’s a good day for Durand and company, so lets go cruising.

Michael Bain Shares Dad Rock Video + Austin Show

Earlier this Summer, Sun June member Michael Bain released Tidal Ways; it had some slight sonic nods to SJ, but clearly he’s found a sound entirely his own. You’ll find that guitar lines are sharp and crisp, while his vocals have a little studio growl to them; the percussion seems almost entirely played on the rim of the drum. It almost seem to have this nice haze upon it, which at times, seems matched by the imagery of the accompanying video. If you fancy the sound, you can find the whole album available HERE. But, if you’re super lucky and live in Austin, you can catch Michael playing at the Mohawk tomorrow night; he’ll be joined by our dear friend David Israel, as well as Thank Light; more info HERE.

Gold Dime Announce My House

Listening to through on repeat to this new Gold Dime track, I honestly can’t pigeonhole it any which way. Sure, Andrya Ambro has that Talk Normal lineage, so it can’t definitely find some noisy elements to it…though I think that sells the project short. There’s this exploratory nature to it, whether that’s toying with the way the vocals are recorded or how time is stopped on and turned about. It’s this world that’s both discordant and not, harsh and soothing; it stretches beyond five minutes but never feels tiresome; it’s a beautiful disaster like watching your favorite artists create and then destroy in a fit of rage; it rules. My House is out October 11th via Fire Talk Records.

Lightning Bug Share the Roundness of Days

Sometimes I feel like the quietest songs might be the hardest to write, at least that’s what came to mind when I heard the new Lightning Bug tune. It seems so fragile, like you’re watching it burst and bloom from inside some glass orb, careful not to drop it so as to preserve its beauty. Of course, textural playfulness around the 2 minute mark also adds this layer of familiarity with the listener, as if Audrey Kang has established this unbreakable connection with her listeners upon them pressing play. Whether it was hard, or whether it was easy, share in the musical experience Kang has crafted with us, and share in October Song, out September 6th (not October?!) via Marbled Arm.

Pink Chameleons Offer Up Melting Face

Finnish outfit Pink Chameleons have quite a unique sound; they claim to have an affinity for garage and psychedelia, not to mention their love for Waylon Jennings, so you can see where things get a little bit muddy. Here, they definitely have a middle section of garage swagger beneath this heavy psychedelia…but what hooked me, and it’s looped in twice in the track, is this playful balance between male and female vocals in the chorus. It seemingly works against the driving pulse of the music beneath the surface, sort of raising the song’s spirituality before the effortless swagger of the verse comes into play; I like a good juxtaposition, in any form. This tune will appear on the group’s new EP, which is slated for release later this Fall via Soliti Music.

Dream Pop from Shikoswe

I always like to move into Mondays with something a little bit calming, something that seems to have sensation of easing into the week…so here I am with this wonderful Shikoswe track. While the first 50 seconds feel like my day, slowing moving along, there’s a nice uptick in the energy around 53 seconds that I couldn’t turn away from when listening; it added an underlying energy that crafted that dream drift we all search for…at least for fans of the genre. The chorus “it’s all the same” is a sublime slice of pop sensibility surely soothing several of you. Look for this track on the new album Back in the Tall Grass.

Surf Curse Shares Hour of the Wolf

It’s really hard not to fall in love with Surf Curse; they haven’t really dropped a bad note since they’ve burst onto the larger scene this year (they haven’t really set a foot wrong, period). Their latest single, as the video would hint, has this natural brooding to it; it’s both ominous and dreamy, with notes occasionally cascading off through the tune that allow for the flare of artistry. What really gets me is the faint quiver in the vocals; it’s both fragile and intimate, giving us the briefest glimpse into the soul of the duo. Their debut album Heaven Surrounds You is out on September 13th via Danger Collective, and if there was a band I was wishing success upon, its this bunch.

Bodega Return with Shiny New Model

When Bodega dropped their debut LP last year, it seemed, to me at least, like a refreshed version of early Parquet Courts; Ben Hozie had a similar delivery to the aforementioned, with the band walking the line between art/postpunk. Now here we are with the announcement of a fresh new EP, and at times, a fresh new sound. Ben still has that matter-of-fact lyrical delivery, though he seems to have softened the notes on the ends, stretching them into song. Guitars still have this sharp fuzziness, but there’s textured layers built in, supporting the band with this underlying pop sensibility. The brief instrumental starting right before the 1:30 mark might be some of the best bits the band have crafted to date; it’s clear they’ve really grown their sound, and I can’t turn this song off. It’ll appear on a new 8 song Shiny New Model EP, out on October 11th via some label called What’s Your Rupture.

Another Tune from the Golden Dregs

We’re just over a month away from the release of the next album from the Golden Dregs, thus today warrants another single from the project. I think those of you who have found yourselves fans of Cohen or Waits might find some comfort in the baritone voice of Benjamin Woods, much as I do; it’s got this effortless croon, like only the hippest of lounge acts. For me, the success in this song revolves around the contrast in all the guitar bits; there’s this heavy groove that drives through the track, though its intermittently juxtaposed with this funky guitar line boogieing through the tune. Thus far, this might be my favorite off Hope is for the Hopeless; it drops on September 27th.

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