Watch Matt Kivel’s New Video

Matt Kivel‘s story took him through Austin for a time, and according to him, he was able to create ‘something very calm and still.’ Listening through to “Two Braids,” you can sort of grasp that sentiment in the song itself; at times, it almost feels like two separate songs carefully grafted onto one another. There’s this ambient piece, composed of light beats and little musical flourishes bubbling up now and then; this might be the most audible of the two pieces. Sitting just behind that, calmly, is Kivel himself, quietly letting his voice float notes out, though careful not to walk too far into the other piece. It’s a stunning number, one fitting the visual accompaniment. If you like it, keep an eye out for Last Night in America on May 10th via Cascine.

He’s got an Austin date at Cactus Cafe May 17th with Alexalone and some band named Daphne Tunes.

Fuzzy Pop Number from Linda Guilala

Feel like I haven’t unearthed any Spanish pop music of late, that’s until Sonic Cathedral/Elefant sent this Linda Guilala (band not person) track my way. The band are fresh off the release of 2018’s Psiconautica, so they’ve decided to carry on in 2019 with a slew of really powerful singles. Here we find them delving into their psychedelic tendencies, both in sound and visuals; there’s a heavy ride of fuzz that courses through the vein of this song, but don’t let it fool you, as the pop underbelly is still omnipresent for the duration. The single is out Friday in a limited 7″ format, so get into that!

Lust for Youth Share By No Means

You need that perfect midweek dance track? Have you tried on this new Lust for Youth single? It’s only in the first ten seconds, but look at how much fun the dancer in the video is having! On a more serious note, the band’s slimmed down, forcing them to really focus on their craft, and if I might toss my hat into the ring, this feels like some of the best work they’ve done. They’ve got this sort of Eastern angular electronic feel that kicks the rhythm into gear, and while the vocals during the verses are about where they always are, it’s the way the chorus is delivered this round, with a kick up in the percussive element pulsing through. And is that a harmonica after the 2 minute mark? Seriously, these dang songs are on fire today! Lust for Youth drops on June 7th via Sacred Bones Records.

Fresh Video from The Infinites

Having already fallen in love with “Nina Segovia,” it only seems fitting we follow up our Infinites coverage with another stunning pop number from the ATX band. I was hooked by the opening sixteen seconds, starting with a wonky pop guitar that’s met by a fuzzy counterpoint around the 14 second mark…and this is just the start of the band’s pop sensibility. Singer Jared Leibowich drapes his vocals atop those feuding pop guitar lines, building this delicious layer of pop frosting that has your toes tapping and hips swinging. Speaking of Jared, he’s also responsible for the video, using archival footage to weave into the storyline of one Scott McMurray. Just listen through to the 2:18 mark, please. If that guitar solo doesn’t make your day INFINITEly better, then I’ll buy you coffee next time we meet. If you love this, and you should, go grab the self-titled record from First Human Records; it’s out April 26th.

Pop Number from Aaron Rux

Admittedly, I don’t know much about Aaron Rux, though I’m currently fascinated by his story (he left the States to work as an artist in Spain long ago), but I do know I’m in love with his newest single. It’s a gentle pop number, filled with all these little extemporaneous details that truly elevate it above your everytune. Honestly, I think if he sped it up and made it a little more ramshackle, he might get some Harlem comparisons, which notes the pop sensible roots of both Harlem and Aaron. Still, its those flourishes that really suck me in, like the organ grind or the simple hand claps; I’m a sucker for extra arrangements, what can I say? Crying Cowboys is Aaron’s next LP, out this Friday via El Volcan Music.

Don’t Sleep on The Catenary Wires

The Catenary Wires history is perhaps far deeper than their discography, but in their short time, Amelia Fletcher and Rob Pursey have already worked with some of my favorite labels in Elefant, WIAIWYA and Matinee…and now their sophomore release is slated for new powerhouse, Tapete Records. This fresh single puts the band’s dynamic at the forefront, relying upon the interplay between the two, trading vocal duties with one another, uniting in certain instances to maximize the harmony; Amelia has this sparkling nostalgic movie star tone, while Rob has this more forlorn croon. The string arrangement dropping in just before the 3 minute mark keeps listeners aware that both the music and voice will be broad sweeping on Til the Morning; it’s out June 14th via Tapete.

Rat Fancy Announce Debut LP

When I first heard Rat Fancy‘s Suck a Lemon EP, I was hooked; it was about 15 minutes of pop-laden fuzz rock that I couldn’t put down. But, that was all one hot minute ago. Today we bring you news that the band have announced their debut LP, and they’re doing so with in typical infectious fashion. The song itself is like a more raucous version of what the band teased on their EP; Diana sounds more confident and things are just a little more scuzzy texturally…and they never shy too far away from pop sensibility. For me, the video is one of the reasons I love this band; you can feel the energy of Diana and Greg as they jump about on whatever screen you’re watching this on; you want to be there, you want to be them. Sometimes, this old world of ours is crazy and frustrating and confusing, so why not just go out and make some trouble! Stay Cool will be out on June 7th via HHBTM and Solidarity Club Records.

Nah Drop New Indiepop Gem

There’s all sorts of sub-genres within the realm of indiepop; you’ve got the frantic jangling sort, the twee as fuck, the nonchalant bedroom pop and you’ve got the swinging croon. I like to bounce all over, but it seems Nah are out to perfect the crooning side, and they’re pretty damn near close with this new single. This number features this understated guitar shuffle working beneath, backed by a swinging rhythm section that drives the song forward; I also never shy away from a band with a sweet harmonica solo that actually fits the track. Ultimately, the majesty of the song stems from the vocal interplay between Sebastian and Estella; it’s like they’re singing to one another from opposite sides of the room, and we’re all caught up in the melodious dialogue. Put this on play and don’t look back!

I’m Enjoying Night School

Only a day away from the release of their new LP, and Night Schoolhave convinced me of their talents with the release of “Marigold.” It’s a track that really hits home for my listening tastes, be it the voice or the guitar work, I’m hung up on it all. The vocals have this dreamy drift to them, draped angelically atop the bounce of the drum work; I like how there’s real clarity in the lyrics despite that ethereal vibe. And, of course the guitar work is perfect; it has that angular sharpness our friend Stevsie (Tres Oui/Mean Jolene) always weaves into his songs, and its presence here definitely adds to my intoxication. Disappear Here is out tomorrow via Graveface Records.

Loving This New Julia Shapiro Tune

Whether it’s been through her participation in Chastity Belt or Childbirth, I’ve always appreciated the tracks Julia Shapiro has been a part of through the years. Now, she’s taking a side-step out on her own, and this first listen is wonderful. I love how the song has this innate guitar bounce to it, inducing toe-tapping and joyousness. Her vocals are pretty spot on too; they seem to sort of ride the song’s natural groove, fitting in in between bouncing moments and letting notes hang and drift in the air. Seems like Shapiro has been through a lot of personal strife to get here, so let’s hope there’s joy in this wondrous song she’s crafted; Prefect Vision drops June 14th via Hardly Art.

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