Welcome Back Pedro the Lion

There are certain paints that just pervade your soul; they sink deep into your humanity and refuse to let you go. Pedro the Lion/David Bazan is one such artist. Almost every album he crafted as Pedro has a certain spot in my own musical evolution, or even in my own personal evolution, thus I’m really excited that he’s revisiting the old name. Immediately he begins to tell the story of Christmas morning in 1981; it’s his lyrical work that’s always made him so accessible, wishing we could all be so poignant in our words. Of course, this is a new version of the project, so you get that full-band sound once the song gets into gear. Maybe people forgot how great Bazan was, but here’s to hoping we all lend him our ears; Phoenix will be out on January 18th via Polyvinyl.

Always Down for New Deerhunter

Bradford Cox and Deerhunter are never far from my mind; I feel like Cox has crafted some of my favorite tracks over the last decade or so. Now we’ve got news of a brand new LP, one that gets production credit from Cate Le Bon; I feel like her influence can be heard almost immediately, riding through the background of the track. I love how the song swells to a bold punch around the 1 minute mark, creating this sly punch. That power gets emphatic as the song draws near a close, so it’s hard to turn a blind eye to Cox at his songwriting best. Look for Why Hasn’t Everything Already Disappeared via 4AD this January.

Attic Lights Announce Love in the Time of Shark Attacks

I won’t shy away from a band that makes a humorous Gabriel Garcia Marquez allusion, especially if they’re crafting delightful pop like Attic Lights. The Glaswegian quartet come at you with these hearty harmonies, particularly glorious during the chorus of this tune. I’m also drawn to the way the band expand on the jangling style, adding just a hint of twang and a tinkering piano line; it allows for a more organic sound that really shines on all the melodic moments coming through the speakers. Love in the Time of Shark Attacks will be out in January via Elefant Records, but for now, you can grab the digital single with an exclusive B Side.

Another Track from Two Medicine

It looks like we’re hanging out in North Texas today, with a new tune from Two Medicine (Paul of Midlake’s new project). The song is paired with footage of Glacier National Park, from whence the band’s name is derived; it’s a perfect pairing for the cinematic track. It all begins so carefully, building ornately by tossing in some bubbling bass work and twinkling electronic splashes. At times, those sounds combine in a gentle forcefulness, though the beauty of this tune, for me, occurs when that all fades away to reveal the softer underbelly of the song’s latter half. If you feel like getting swept up, see below. Astropsychosis will drop on November 2nd via Bella Union.

Thanks Light Share New Video

Earlier this year Thanks Light released the pleasantly surprising Terrifire. But, the progress and praise led songwriter Zane to revisit the band’s previous release, Hallelujah Amen; he had unfinished business with “Little Pink Fluffy Clouds.” He’d been working on a stop-animation video, but knowingly put it aside due to the sheer magnitude of work involved in the process…and he’s finally ready to share the final product with us. I love how the video utilizes Light Bright, one of my favorite childhood toys; it definitely incorporates the playfulness to this wonderful pop opus. Enjoy the video, and visit HERE to listen to the album, as well as peruse this year’s release.

Thanks Light : : Little Pink Fluffy Clouds : : from Enjoy Eyes on Vimeo.

Chorusgirl Share New Video

We’ve already alerted you to the forthcoming LP from Chorusgirl, and the band have shared yet another reason to get swept up in their sound. The band had Ruth Barrett craft 2500 cardboard pieces for the stop-animation video, with the colors matching those of the band’s newest album. While I love the video, be sure to give attention to the song; it’s one of those tunes that is sure to turn heads no matter what you’re into. It’s poppy and anthemic, yet filled with artistry that shows the group at the top of their songwriting game. Shimmer and Spin is out on November 16th via Reckless Yes Records.

Tiny Ruins Announce New Record

Tiny Ruins, the project of Hollie Fullbrook, is ready to share its third album, this time with Ba Da Bing as its home. The first single we get is, as we expected, pure excellence. Hollie’s voice rises up and down, changing registers, moving in and out, almost as if it was meant to haunt your ears. Perhaps that emotion stems from the details in the accompanying music, whether it be the work of the guitar, layered strings, or the percussive elements that bubble to the top of the mix. Fullbrook stars in the video, a lone figure walking through nature…a clip perfectly fit for this track. Olympic Girls will be out February 1st of 2019.

The Suncharms Get Video Treatment

If you’re not part of Slumberland Subscritption Series, you’re in luck, as the label ran a few extra copies of the new 7″ from The Suncharms (and Rat Columns too). Today I want you to give about 5 minutes of your time to the video version of that B-side, which, personally, is probably my favorite of the two tunes. The video is shot in black and white, and mostly comes across as a performance video. But, you ask why I love it? For starters, I adore the scuzzy guitar vibe, heavy yet brimming with these pop melodies through the crackling of my speakers. Take that sound and the video imagery, and things look glum, until you give into the seductive powers of Marcus Palmer’s voice; though deep, it carries this natural kindness. Get a copy over HERE.

New Music from Twain

Twain had one hell of a year thus far, and it looks like he aims to take the same approach to world domination in 2019. Today he announces a double-EP for Keeled Scales, schedule to drop in January. I love the way he just casually strolls into this song, carefully picked notes, twinkling piano and a stomping tambourine of sorts. For a minute you’re enraptured, spinning in the melody, until the piano comes in a bit more emphatically, adding just the slightest bit of a gallop to the tune. There’s even some sort of lo-fi vocal yelps jumping in and out in the song’s second half. Pretty sure at this point, he can’t write a bad tune. We’ll know more when the new release drops in January.

Listen to More Single Lash

There are several really great albums that came out of Austin this year, but one rising near the top (in my eyes) is this new Single Lash. The band just dropped another tune, and it’s one of the more remarkable numbers we’ve heard from the group. Opening with a distorted guitar coming in bursts, stripped away to reveal Nic’s voice, then back in again. The wall of hazy distortion eventually becomes omnipresent, serving as the white noise on which Nadeau paints his voice. There’s a subtlety to the chorus in this number too, an effortless venture floating and disappearing beneath the atmosphere of the track. Then the band sticks around to texture the back half of the track with haunting musicianship.Providence comes out on October 26th via Holodeck.

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