Matt Pryor In Austin (8/23)

Matt Pryor, formerly of The Get Up Kids & The New Amsterdams, will be showing his face at Stubbs in Austin on Saturday for 2 different events. The first set will feature an all ages show from Matt’s kid focused group, The Terrible Twos. Terrible Twos will be performing at 3pm with tickets running you $7.50. Later in the evening, Matt will play a solo set with doors at 9pm and tickets only costing you $12.00. Read more about Matt Pryor on his myspace page or check out our review of his latest album Confidence Man.

The Boxing Lesson – Wild Streaks & Windy Days

Rating: ★½☆☆☆

For influences, local Austin band The Boxing Lesson could do much worse: the songs off Wild Streaks & Windy Days reveal an appreciation for the hypnotic swirl of The Secret Machines (“Lower,” “Muerta,”), the pop-prog-trips of MuteMath (“Timing,” “Dance with Meow,) and the grandiosity of Muse (“Dark Side of the Moog,” “Scoundrel”). And like these bands, and Minus the Bear, another group with nonsensical song titles, The Boxing Lesson attempt to synthesize these influences into something greater and original.

What The Boxing Lesson is lacking is not simply talent, restraint, or any lyrical insight at all – although throwaway songs like “Hopscotch & Sodapop” and “Freedom” would suggest they’re missing those too.  Their most notable problem is they have no direction. With songs like “Scoundrel” and the title track lasting nearly seven minutes but offering no payoff, no climactic build, The Boxing Lesson aren’t giving us more, they’re making us wait longer for less.

Encompassing Pink Floyd synth washes provide pleasing backdrops for clean guitar lines on nearly every song, but when it takes more than two-and-a-half minutes to get to the opening verse of the title track, only to have it rip off the music and lyrics from the title track of The Secret Machines’ “The Road Leads Where It’s Lead” – albeit slower and with less passion and intent – you can’t help but feel cheated. The Boxing Lesson seem to have their hearts and ears in the right place, but singer Paul Waclawsky’s lyrics go nowhere, and without something to set his voice apart – aggression, passion, any feeling – the album ends up getting carried away, lost in the large-scale but rootless sweeping effect they created.

Read more about The Boxing Lesson and hear songs from the new album on the bands myspace page.

The Melvins In Austin (8/22)

Two Melvins events going down on Friday we’d like to tell you about. First, the longtime rockers will be signing whatever your little heart desires at Waterloo Records around 5pm. The Waterloo website says no live music, only a signing. Shortly after the signing wraps up, The Melvins will break out the guitars and amps for the people at Emo’s Austin. Doors for the event are set for 9pm with opening act Big Business kicking the music off at 10pm. Tickets for the show are only $13 and can be had here.

Academicos Da Opera

Each week, we here at Austin Town Hall will be featuring one of the many great artists playing the late September Xemumba Latin Music Festival. This week, we cast the spotlight on Academicos da Opera. Academicos, a return act from last years Xemumba festival, are a group of about two or three dozen performers who will bring the pulse of Brazil, Samba, to Xemumba. The group will be playing that Brazilian Samba both nights at the Festival. Be sure to read our original post about Xemumba and buy your tickets. You can also check out an excerpt of that famous Samba music below which should get you jacked up for the show.

[audio:https://austintownhall.com/wp-content/uploads/2008/08/academicos-da-opera-samba_clip.mp3]

Download: Academicos Da Opera – Samba Clip [MP3]

More New White Denim

We posted earlier this summer about White Denim’s latest single “Let’s Talk About It” which appeared on the band’s UK only release Workout Holiday. Lucky for us in The US & A, the band is dropping another album this year on Nov. 3rd entitled Exposion. First single from that album “Sitting” is below and it just might not be the White Denim you’re used to. You can stream more sweet tunes on the band’s website.

[audio:https://austintownhall.com/wp-content/uploads/2008/08/sitting.mp3]

Download: White Denim – Sitting [MP3]

The Walkmen – You & Me

Rating: ★★☆☆☆

A few years back The Walkmen released an amazing sophomore album in Bows and Arrows, but as time has gone the by and by, the band has found it difficult to reclaim the strength of that album. Now, a few albums later, they were supposed to come back at us with everything back in place. Unfortunately for us, and more so for them, You & Me doesn’t get anywhere near that point.

In reading promotional information on their label’s web site, it said they wanted to approach the similar styling of bands such as The Modern Lovers, featuring Jonathon Richman. Upon listening to this album, you can tell that they did indeed approach that style, with the vocals put in the front of the mix, meant to carry along the songs.

The sad part is that Richman has a voice, that although not the greatest, still has the ability to carry his entire band along through his vocals. The Walkmen, in their attempt to take a similar approach, don’t quite achieve, which falls upon Hamilton Leithauser. His Dyalnesque leanings just don’t quite hold up to the songs, rendering the majority of this effort kind of pointless. It’s one thing to reference Orbison, Holly and Elvis in a press release, but it’s an entirely different thing to pull it off.

For me, the fault of the band is not so much their reliance upon Hamilton’s vocals, but their lackluster performance as his backing band. The music on this album just doesn’t seem to have a great deal of enthusiasm, nor does it get anymore creative than their previous efforts. In all honesty, their just isn’t a lot to hold on to musically, which does achieve the purpose of making us listen closer to Leithauser. I just don’t understand how there isn’t any effort in the music.

The one redeeming factor for this album could be in the song “In The New Year,” which was one of the first songs that they released to the public. It’s jangling guitar lines do add to this song, and the percussion is pretty solid, but they misstep when they claim “its going to be a good year.” I can’t imagine how putting out a record like this will make it a good year, but I’ve been wrong before.

For those of you who have never strayed away from the band during their tenure, you will probably find some redeeming qualities to this album, especially when it comes to some of their reference points. But, the majority of us, who have stood in the stands watching the band with skepticism, will continue to watch from afar in hopes that they one day recapture their long-lost magic.

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