Psych Fest Preview: The Paperhead (+ New Song)

Psych Fest is going down this weekend over on the East Side of town, and I wanted to give you a few bands I think you should check out.  The first band I’ve got for you is Nashville’s The Paperhead.  After releasing a wonderful self-titled record last year, they’ve got a new 7″ on Trouble in Mind Records this year; this new jam displays their blossoming maturity in regards to their songwriting.  You will find that it’s a lot less psychedelic than the last effort, almost coming off as the second coming of the Kinks or the Beatles (neither of which is a bad thing).  There’s still hints of darkness in the sound, but the writing’s lacks some of the frills.  Regardless, this a band that many have taken notice of in the last couple of years, and you should add your name to the list.

You can catch their set at 3:15 at Emo’s East on Saturday! And here’s one of their new tracks off that aforementioned 7″.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/The-Paperhead-She-Is-Above-Me.mp3]

Download:The Paperhead – She Is Above Me [MP3]

Show Preview: Feist @ Stubbs (4/26)

Date 4/26/12
Location Stubbs
Doors 7pm
Tickets SOLD OUT!

It seems crazy that Feist has grown to this insane amount of popularity after humble begins in Broken Social Scene.  I can’t say I’m a huge fan of all of her material, but she can certainly write her fair share of catchy pop tunes that appease the masses.  The lovely lady stops into town on Thursday night at Stubbs in Austin for what is sure to be the hottest ticket in town.  Opening support is provided by Timber Timbre.  This show has been sold out for quite some time so check out craigslist or other such ventures to get a way in.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/08-I-Feel-It-All.mp3]

Download: Feist – I Feel It All [MP3]

Newish Girl Pop from Hollows

Chicago’s Hollows are secretly winning me over with their recently released Vulture LP on Trouble in Mind Records.  The lead single is just ridiculously solid, reminiscent of a more innocent version (and possibly less extravagant) Camera Obscura. There’s still touches of orchestration on these songs, but they’re more scaled back, giving the vocals the ability to soar as they should.  I have a feeling that once you give this track a few listens you’ll get just as excited as I am by this group–if you are be sure to grab a copy of their remarkable record.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/01-V-Is-For-Vulture-1.mp3]

Download:Hollows – V Is For Vulture [MP3]

New Jam from Robbers On High Street

I always felt like Robbers on High Street were a vastly underrated band, but I’m pleased to let you know that regardless of the trials of a modern indie band, they’ve continued to work hard.  Late last year they released Hey There Golden Hair, but now they’re already back with an EP titled Anything Could Happen.  If you’re looking for modern touchstones for comparison then perhaps Spoon would do, but RoHS has a much more complex sound in my opinion, at least in so far as they’ve got a fuller sound.  Some bands never get the love they deserve, but staying true to themselves will always reap great rewards, which is the case with this new EP.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/02-Anything-Could-Happen.mp3]

Download:Robbers On High Street – Anything Could Happen [MP3]

Show Preview: Bear in Heaven @ The Parish (4/24)

Date Tuesday, April 24th
Location The Parish
Doors 800 pm
Tickets $14 from Frontgate

Just looking at the opening bill for this show at the Parish on Tuesday should get you excited; both Doldrums and Blouse have made big waves in the indie pond this year, earning new fans and much acclaim.  But, the spotlight surely has to be on Bear in Heaven, a band that continues to push themselves.  Their recent release, I Love You It’s Cool, was exceptional in its construction, coming off a great deal brighter than their earlier effort.  You can also be assured that they’ll bring some elaborate lighting/video with them as they did during their recent SXSW performances.  Put that with the always excellent sound at the Parish and we’re all going to have a great night.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/Bear-in-Heaven-The-Reflection-of-You.mp3]

Download: Bear in Heaven – The Reflection of You [MP3]

 

New Music from Richard Hawley

Richard Hawley’s been one of my favorite songwriters of the last decade, but this time around we’re about to get an entirely new Richard. On his last effort, Truelove’s Gutter, we were treated with the smoky cool crooning that Hawley brings to the table, yet this new track doesn’t really play in the same ballpark.  He’s got a full band with him, and from the tracks that I’ve heard the whole affair is going to be more rocking.  You can get your hands on this new effort, titled Standing at the Sky’s Edge, on May 7th.  It might be a twist on his usual style, but I’m interested nonetheless.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/01-Leave-Your-Body-Behind-You..mp3]

Download:Richard Hawley – Leave Your Body Behind You [MP3]

Jack White – Blunderbuss

Rating: ★★★½☆

Jack White‘s pretty much done everything musically speaking at this point: he’s played in various bands (White Stripes, Raconteurs, etc) and he’s produced/written with music legends.  Heck, he even got to date Bridget Jones and marry a British super model, so what does he have left to prove to us?  Absolutely nothing…and that’s the point of Blunderbuss.

Old fans of Jack’s will probably enjoy the album opener “Missing Pieces;” it seems like one of the simpler songs he’s written in a long while, not to mention the fact that his distinctive voice really takes the song’s focus.  It’s also got a muddy feel with the chorus, which provides that raw energy his early White Stripes stuff carried with it. But, he then goes into “Sixtine Saltines,” a tune that I could probably do without.  It’s a definite rocker, so if that’s the Jack you’re looking for then it’s in this song; I just hate that it comes off as braggadocio rather than fragility and ingenuity.  The juxtaposition of the many faces of Jack White is something you’ll encounter time and time again on Blunderbuss.

“Love Interruption” was the first single from the album that really grabbed hold of me because of it’s stripped down structure.  Ruby Amanfu’s presence provides Jack with a familiar female counterpart, but the delivery of the two vocals is something that varies greatly from the work he’s done with other ladies. There’s something about this tune, as well as “I Guess I Should Go To Sleep” that demonstrates White’s ability to work others backing vocals easily into his songs.  What amazes me is that on Blunderbuss they all sort of seem to come off as a bit of impromptu jams, which probably isn’t too far from the truth in the end.  These are great songs that any fan will add to their favorites list.

There’s probably some songs on this album that most people will find appealing that just haven’t sunk in as of yet.  “I’m Shakin” and “Trash Tongue Talker” delve into White’s fascination with traditional blues-influenced rock n’ roll that first won over teenagers in the early years. It’s definitely clever, and his voice is more than fitting, but these songs don’t seem to be his strength–still, you can’t blame anyone for wanting to throw a rocking stomper out there.  Funnily, these two songs (my least favorite) move right into what’s my personal standout, “Hip (Eponymous) Poor Boy.”  This tracks is centered around a nice bit of barroom piano, and what I suspect is a bit of banjo in the background.  It stands out to me because it illustrates just how strong a voice Jack White actually has (no matter how often I forget).  It’s not even the most complex song in the world, but you better believe it’s a sweet tune all around.

With Blunderbuss you get sort of a mixed bag of Jack White.  He throws in a few rockers (not my cup of tea) to appease that side of his fans, but for the most part these are blues/country/bluegrass/barroom influenced tunes that are by and large pretty successful.  I guess there’s only a few stunning tracks on the effort, but he’s still able to accomplish a lot more in one album than most people will do in an entire career; I’ll gladly take a solo Jack over 99.9 % of the rest of the music out there. Such are the gifts of one of America’s finest songwriters.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/04-Love-Interruption.mp3]

Download:Jack White – Love Interruption [MP3]

Nice Instrumental Jam from Humans Don’t Be Angry

I’ve long been a fan of Malcolm Middleton, as the pages of this web site can attest, so when I heard the former Arab Strap member was starting a new project I was rather excited.  His new effort will be under the name Human Don’t Be Angry, and from what I’ve heard from the affair up to this point it is going to be a mostly instrumental affair.  It’s actually a pretty nice listen once it gets underway, similar to what other Scottish post-rockers have done.  Of course, I’ll always want to hear Malcolm, but I’ll happily take this as well.  You can get your hands on the self-titled LP next week if you dig it.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/CHEM172DD-02.mp3]

Download: Human Dont Be Angry – H.B.D.A. Theme [MP3]

Show Pics: Chairlift @ The Mohawk (4/17)

The show preview nailed it. It was Ladies Night at The Mohawk. Magnetic, charming, engaging and technical, playing solo or as the front person – the women on stage controlled the night.

Chairlift was in town for SxSW and played a heavy schedule. Would there be local fatigue? Would their set create a better, more unique experience for the fans? The set up bands, Bell and Nite Jewel, certainly gave good reason to get out and about early and leave some money at the door.

Carry through for more show notes and plenty of pics.

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