Grave Babies – Gothdammit EP

Rating: ★★★☆☆

When a band tosses out a five song EP, such as Grave Babies have done with Gothdammit, it’s often difficult to see it as much more than a stop gap along the way to the next album. But, regardless of where this lives in the band’s on-going catalogue, there are definite steps being taken here towards positive progression.

“Fuck Off” is the start to this rather short affair, but in the matter of time, it’s the longest, although you could easily skip beyond the first minute or so; the band uses the moment as an intro, but you can hear the crackling of the stereo that takes a large precedent over the recording. When the song kicks in, however, it’s just this delicious post-punk moment, possibly hinging upon “goth.”  Brooding bass lines definitely benefit the sound, with the drums seeming a touch to hollow and metallic; this is my stand out track on the EP.

Musically, I dig the following track, “Mourning Heir,” particularly that lofty guitar line, but this is the track where I think the recording process began to lose a little bit of the plot overall.  There’s something about the shotgun sounding drums that just doesn’t do the live show, nor the record itself, any justice.  It ends up sounding muddied like the band blew your speakers out.  A bit of the composure returns for the third track, “Nightmares,” with the pop senses taking a bit more of a leading role on this song in comparison to the heavy hitting drums.  Listening closely, you’ll see that there’s musical genius lurking just below the surface.  Then the band seem to get move in another direction…entirely.

With the first three tracks dabbling in noisier, goth-affected post-punk, the last two songs seems more to delve into sonic exploration.  They’re not nearly as focused on the songwriting here, relying more upon heavy chant-like vocals as on “Bloodstains.”  And “Wasting” seems to regain a touch of the songwriting capabilities, but it’s still not quite up to par with the three primary tracks featured at the onset–perhaps it’s just too short to really find its groove.

You see, this is the problem with EPs like Gothdammit: you find some great moments that get you really excited; you also find some areas where execution could be much stronger.  Personally, I think there’s a good future (and a good market) for a more concise version of the first three song–maybe cleaning up the drum sound.  Should they choose to go in that direction, things could get big real fast.  Should they choose to go in the other direction, there’s a market there too—either way, I’m sure they’re good, I just have my preference.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/GraveBabies_Nightmare.mp3]

Download:Grave Babies – Nightmare [MP3]

Gothdammit is out now on Hardly Art.

More Sweet Tunes from Dana Buoy

The Internet has already given some great coverage to Dana Buoy, who really is Dana from Akron Family.  His debut album Summer Bodies will be coming out in a few short weeks (May 8th) via Lefse, and we’re all pretty excited around here for the street date.  For me, I fell for this song because of the way it builds, using atmospherics, then his voice enters, then it continues to build with a bit of a background stomp until the end.  These sort of tracks are always entertaining, and for some reason, there’s a little bit of an emo affectation to his vocals that’s really working for me today. Just give a listen and see what you think.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/03-So-Lucky.mp3]

Download:Dana Buoy – So Lucky [MP3]

Haunting Track from Horrible Present

You’ve always got to support the bands everyone misses, especially when they make such incredible tracks as this one from Horrible Present.  This track is from the excessively titled 54, I love you but its time to get off record the band has just released on Cakes and Tapes, and regardless of the extensive album title you’re going to fall in love with this track.  The darkly tinged vocals give a bit of that haunting feeling to the track, but the minimal production slowly evolving in the background quietly sinks into your music listening soul.  If you’re looking for bedroom pop that sticks, then fall for this song!

[audio:https://austintownhall.com/wp-content/uploads/2012/04/01-cloudy-talks-1.mp3]

Download:Horrible Present – Cloudy Talks [MP3]

Show Preview: Hunx and His Punx @ Mohawk (4/18)

Date Wednesday, April 18th
Location Mohawk
Doors 900 pm
Tickets $8 from Frontgate

Need a little fix of poppy garage rock on Hump Day, then I think you better do your best to make your way over to Mohawk to catch this excellent show! Opener Hunx and His Punx just released Hairdresser Blues on Hardly Art, and it has some of the best songs he’s written to date, not to mention his always entertaining sets.  Then you’ll get the heavier, yet equally incredible Natural Child from Nashville, intent upon breaking into our hearts and ears.  And opening up the night are two other hot acts in our eyes, Grape Street and The Vomettes.  Probably one of the best line-ups I’ve seen in a bit, so be there or be square.

[audio:https://austintownhall.com/wp-content/uploads/2011/01/HX_LoversLane.mp3]

Download:Hunx and His Punx – Lovers Lane [MP3]

 

Introducing You to Velcro!

When we hung out with Twerps the other night, their bosses so to speak, Chapter Music, suggested we get to familiarize ourselves with Velcro, the next big thing to come out of Australia.  The Melbourne group has released two EPs already this year, with my favorite being the first, Highest View.  There’s elements of bedroom electronic pop that they experiment with (fleshed out on their later EP Inadequate Lover) on the track featured below, but I like the innocence the song takes on in its simplicity; it gives you that endearing emotional appeal that a lot of bands seem to short for nowadays.  The rest of their brief catalogue sounds a bit like a Calvin Johnson meeting Diamond Rings in a sunny place.  Familiarize yourself with the band by checking out their BANDCAMP page (free EPs!!!), and then keep an eye out for more great things from the group.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Curfew.mp3]

Download:Velcro – Curfew [MP3]

Show Preview: Chairlift @ Mohawk (4/17)

Date Tuesday, April 17th
Location Mohawk
Doors 630 pm
Tickets $12 @ the Door

Sometimes we don’t do our best to cover all the incredible female voices out there in indie rock these days, but that being said, tonight’s show at Mohawk is going to feature some of the best voices of that ilk.  The headliner Chairlift has been a huge success since they first appeared on iPod commercials, but their sound goes a lot deeper than what you’d expect.  Ramona Gonzalez on the other hand is the woman behind Nite Jewel, and her recent album One Second Love has made a huge impact on the Internet, so expect her to wow the crowd as well. Another female artist, Bell, will be opening the evening for us all, so if you’re looking for the musical genius on the female side of things, you know where to be!

[audio:https://austintownhall.com/wp-content/uploads/2011/10/Sidewalk-Safari.mp3]

Download:Chairlift – Sidewalk Safari [MP3]

Cool New Track from Sherpa

Everyone loves Oceanic music right? Well, here’s another great outfit you should give some love to: Sherpa. They’re from New Zealand, and they’ve just put up their new album, Lesser Flamingo.  Everything about their sound is winning me over today, combining vocal harmonies with ramshackle indie pop.  One of the reasons I really appreciate this track is the fact that they take a simple approach, running straight ahead with the song–no pretext or extraneous flourishes.  In the end, you’re left feeling uplifted and excited to have come across a band writing such fantastic gems.  Pleased to meet you guys!

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Lunar-Bats.mp3]

Download:Sherpa – Lunar Bats [MP3]

Show Pics: Jonquil @ The Mohawk (4/11)

Yes, more show pics.

I am still plowing through a backlog of photos from last week’s blitz of shows. This post features shots of Ladders, Jonquil and Keep Shelly in Athens playing the Mohawk’s inside stage after the Real Estate show. And you may notice the post title above being show pics of Jonquil even though they weren’t the headliner and the reason for that is Keep Shelly in Athens turned off the lights. The projected scenes lent for a moody atmosphere, but not-so-good for pics.

More show comments with the shots after the break…

Read more

Show Preview: The Wolf @ 29th Street Ballroom (4/16)

Date Monday, April 16th
Location 29th Street Ballroom
Doors 10:00 pm
Tickets Cheap

If you are able to recover from the ridiculous amount of great shows in town last week, then you should make it out to 29th Street Ballroom this Monday night.  One of Austin’s rising acts is The Wolf, and you’re going to absolutely fall in love with this band the moment you hear them.  They’ve got elements of surf, psych and all things in between–you can’t get better than that.  Plus, you can also catch one of our favorite acts, Shivery Shakes opening the evening.  Also on the excellent bill are Sexploits and Unknown Relatives.  Perfect way to spend a Monday evening!

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Jambourine.mp3]

Download:The Wolf – Jambourine [MP3]

 

New Rocker from The Trillions

Virginia’s The Trillions might not be on your map just yet, but they’re definitely a band you’ll want to familiarize yourself with today.  With named influences such as the Strokes and Big Star it’s easy to lump the band’s sound in with the masses, but I think the vocals give them an extra touch that sets them outside the usual realms.  I hear a little bit of Dr. Dog in the vocals, giving a softer underbelly to their rock tunes. They’ve got a new record coming out called Tritones, and this track below is the lead single, so wrap your ears around this goodness.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/05-The-Experts.mp3]

Download: The Trillions – The Experts [MP3]

1 3 4 5 6 7 11
Social Media Auto Publish Powered By : XYZScripts.com