The Black Keys – Turn Blue

bkRating: ★★★☆☆

What is left to say about The Black Keys that you probably don’t already know? Their last release, El Camino continued to propel them further into the limelight that Brothers brought on. After thirteen years, these two gentlemen have seven studio releases under their belt and Turn Blue marks for their eighth. With that kind of catalogue comes high expectations that this band has seemed to demolish in the past, but can they do it again?

“Weight of Love,” seems to open with an unsteady answer to that question, as the duo starts very slowly, easing into their way into the song in a bit of a psychedelic style to match the album artwork. Once they’ve meandered around for a while, they get to the track and Dan Auerbach’s harsh vocals push their way gently into the mix. It’s a soft and gentle open, which, for this record is an indication of a step back from the rip-roaring tunes that the band has made popular.

While you may be under the impression that the title of the record, Turn Blue, refers to a shift deeper into the bluesy sound that they’ve revived in their own fashion, but to me, I hear this title referring to the downtrodden lyrics and slightly beaten down feeling in the overall sound mix. Whereas past tunes seemed to be on the offensive, taking on a commanding, rock-n-roll sound, even the faster paced numbers don’t pack quite the punch that you’re used to, though this isn’t a bad direction all the time for the band. Take “Fever” for example, one of the snappier numbers on the album—the main sound comes from a synth riff and bass line that will have you getting down with the band, but it’s not the rocking that you’ve come to know. Same goes with “10 Lovers” a little later on; it’s a “down and out” track, but sometimes those are fun to jam along with.

Turn Blue, albeit a little long, has some tracks that you want to listen to in your car with the windows down and the sound turned all the way up as you drive through the countryside or even sit in traffic—it’s more of the commiserating feeling you get when you listen rather than the content. While I don’t know how many new fans this album will gain the longstanding duo, it’s got songs you’ll be skipping around to, though I’m not sure it will be enough for some old fans of The Black Keys.

Naomi Punk Ready New Album

naomiWhispers of Naomi Punk have been growing louder over the last year or so, as the Olympia group’s popularity is spreading greatly.  There’s an off-kilter guitar chug that opens up the track, leaving plenty of room for the vocals to make their entrance with a like-minded walk-along vocal.  Personally, I like that the song holds steady almost throughout, rather than rush through an anthemic punk moment.  We should be up for good things when the band releases their new album, Television Man, via Captured Tracks on August 5th.

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Come Rock with Street Eaters

reverseSorry we’ve been changing servers, otherwise I’d have you listening to this great new tune from Street Eaters earlier than today.  It’s a song that came our way a few days ago, and I definitely got hooked on it immediately.  The guitars are dark and grinding the minute you play, but as the cymbals begin to crash into your ears, the song takes on a more pop-centric feel.  Megan March’s delivery fits perfectly into this track, and the tune gets even more punch when John No trades places to take the lead role.  Look out for the group’s rocking new record, Blood Muscles Bones on June 17th via Nervous Intent Records.

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Show Preview: We Are Scientists @ Red 7 (5.15)

WeAreScientists-300x163

Date Thursday, May 15th
Location Red 7
Doors 9:00 PM
Tickets $13 from Red 7


We Are Scientists are blowing into town supporting the release of this year’s album, TV en Francais.  The record has done pretty well, but I’d like to advise you to catch the opening act PAWS.  The Glaswegian band brings a nice dosage of rock and pop to the table, but it’s also not every day a band from overseas gets to spend a little bit of time in our town.  You’ll also enjoy jamming to their most recent LP, Youth Culture Forever, or go even further back with Cokefloat.  Your Thursday night needs a dosage of fun? Then meet us at Red 7.

[audio:https://austintownhall.com/wp-content/uploads/2014/04/04-Owls-Talons-Clenching.mp3]

Download: PAWS – Owls Talons Clenching [MP3]

Stickers Sign with End of Time Records

swollenSeattle’s got a great music scene, and while there’s tons of great labels (Hardly Art, Suicide Squeeze, etc), there’s a new one on the rise, End of Time Records.  The local label has just signed no-wave act, Stickers, and they’ll be releasing the band’s debut LP, Swollen, come August 12th.  Our first little sample is this darkly brooding track that erupts into a wall of dissonance, with the whole band keeping the rhythm section locked town in a propulsive manner.  It’s a sign of good things to come from the band, but grab it quick, as the LP will be limited to 500 copies.

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Download: Stickers – Outlet [MP3]

New Single from Fresh & Onlys

freshI’ve been on a Fresh & Onlys kick for some time, only reinforced by the great interview they gave me during Psych Fest.  Now they’ve got a new single to get you just as excited about the release of their next album, House of Spirits; trust me, this is one of the standout tracks on the record.  The performance of Tim Cohen on this track is pretty incredible, soaring quite high while the rest of the band keeps their pace.  You’re going to need to have this record in your collection when it’s released on June 10th via Mexican Summer.

[audio:https://austintownhall.com/wp-content/uploads/2014/05/02-Who-Let-the-Devil.mp3]

 

Synth Jam from NUN

NUNSometimes I think I should just move on over to Melbourne; I’m somehow entranced with the music coming out of the Australian city.  The latest band to rise out of the ranks is NUN, which came to my attention via their association to Woollen Kits. This is one of the two tracks they’ve released in association of their self-titled LP, and this one’s a bit more subdued, taking on a slower pace than the other track.  While this one evokes more of a dark pop note, they have a few other tunes that seem like the female-fronted Australian version of Liars; it’s pretty rad, if I do say so myself.  Their album is available now from Aarght Records.

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Fresh Single from Twin Peaks

twinpeaksEven the press release from Twin Peaks acknowledges that the band bares no resemblance to the music of their television name sake, so don’t even expect something dark and gloomy.  What you will get from the minute you press play is a rambunctious sound, operating with a whole lot of swagger; this reminds me of the early stuff that Natural Child was pulling off. So, if you find yourself in the need of some bluesy guitar rock, then you’ll do well to jam to this new track from the band.  They’ll be releasing a new record, Wild Onion, on August 5th, preceded by a nice long tour, which includes a date in Austin on May 24th.

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Pleased to Meet You: Ginnels

ginnelsI owe a huge debt of gratitude to Finest Kiss for turning me onto this great tune/band.  Ginnels are an Irish band, who up unit know seem to have made albums of compilations, but their newest, A Country Life, is said to be the group’s first focused LP; you’re not going to find a greater piece of pop than this today.  There are obvious touches of pop all over the record, from indiepop to Elephant 6, showing a band who know their way around the great tradition of pop songwriting.  This is the first song on the record that I couldn’t stop playing, though others followed pretty soon after.  You can pick it up from Tenorio Cotobade.

Cheap Girls – Famous Graves

cheap-girls-famous-gravesRating: ★★★½☆

Michigan’s Cheap Girls don’t have some labored back story or some certain angle they can promote.  Instead, the group, now on their sixth record, just offer up really clean guitar rock; there’s not schtick, no pretense, just good songs.  It sets the tone for listening to the entirety of Famous Graves, an album chocked-full of really good songs.

Famous Graves jumps at you right from the start with “Slow Nod.”  A screech of feedback exits your speaker, and the drums immediately pound in while the guitar rings in discord. You’ll hear the vocals of Ian Graham wail steadily, with the music seemingly swallowing his melody.  You need a guitar jam to start off your day? Best begin here. It’s one of the harder hitting moment on the record, aside from the one-two punch of “Pure Hate” and “Man in Question.”  These two tracks offer a noisy dosage of guitars and crashing drumming.  But, if you listen to the chorus of the former, you can hear the pop-centric approach the group has taken, surely endearing them to fans of all walks.  On the latter, Graham offers a bit of a pitch-change in his vocal delivery, and it’s this touch that makes listening to Cheap Girls more than just your average alternative rock affair; vocal distinction does indeed go a long way…at least in my ears.

Still, one of my favorite things about the release are the melodic moments that come far more frequently than one might expect.  My favorite tune, at the moment, “Knock Me Over,” establishes that emotion on its opening lines, using a muted guitar while Ian’s voice carefully makes its entrance into the track.  Sure, the song picks up a slight bit, but the band never shies away from using great harmonies.  Perhaps this style is not mastered any better inside Famous Graves than on the closer, “Turns.” I like the usage of strummed acoustic guitar to dominate the track; Graham’s vocal performance here is also one of his best on this record.  The ability of Cheap Girls to hold onto that melody while still being loud enough to be considered a rock band  is quite important in regards to your listening experience; it’s that perfect balance that allows you to come back to each song again and again without growing weary.

In an age where countless bands are regurgitating power chords and alternative rock stylings, it takes awhile to find something that makes a nod while still sounding unique in its own right.  Countless hours of listening to Famous Graves indicates that this record is just that; it combines melody and loud rock n’ roll effortlessly, proving that Cheap Girls know precisely what they’re doing. If you like such things, then you’d be a fool not to stop in and spend some time on this album.

[audio:https://austintownhall.com/wp-content/uploads/2014/05/03-Knock-Me-Over.mp3]

 

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