Month: March 2015

Jimmy Whispers Still Uses a Casio

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jimHmmm.  Did Jimmy Whispers really bust out that old school Casio to serve as his background for his latest single?  Yeah, he did…and honestly, after my initial WTF moment, I’m definitely intrigued.  It’s his really his vocals that have won me over with his last few singles, so since those shine here, it’s still got me hooked.  I think some might be dissuaded by the song’s simplicity, but there’s something special in the oddity and audacity to just throw this track out.  Look for Summer In Pain, his new record, to hit stores on March 24th.

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SXSW 2015 Interview: Gengahr

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gengGengahr is building upon the hype they’ve been awarded in the UK, and now that they’ve got some acclaim overseas, they’re looking to make it big this year at SXSW…introducing themselves to US audiences.  We caught up with the band briefly for a little history on their name and some other points that should get you ready to catch one of the hottest new acts in Europe.  All answers come from Felix.  Read more

Digging This New Van Dale Jammer

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vandWhen you press play on the tune below, you’re going to think it’s your run-of-the-mill indie rocker; it’s got a decent pace, but it’s mostly relaxed college rock (not that that’s bad by any means).  Still, you’ve got to hold on as Van Dale unleashes some crunchy guitar that brings a boisterous bit of noise to the typical affair.  It takes on a tone of what I always dreamed and hoped Weezer would become…they didn’t…so we’ve got these guys to bring it instead.  On March 31st, the trio will release their self-titled album via Fleeting Youth Records.

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SXSW 2015 Hip-Hop: E-40

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In an interview during last year’s SXSW, California bay area rapper G-Eazy likened E-40’s influence in the bay area to Jay-Z’s in New York City. In terms of originality, innovation, longevity, relevance through several eras of hip-hop, and business prowess, it’s hard to argue 47-year-old E-40’s importance in hip-hop. This influence even includes E-40’s 27-year-old son Droop-E, who has been successfully producing for a bevy of west coast artists since 2004. One of my favorite revelations about E-40 came in 2014 when it was discovered that E-40 used more unique words in his work than Shakespeare in a side by side comparison of the first 35,000 words used in each artist’s work (he wasn’t the only rapper who out did Shakespeare, but definitely the only rapper in his genre of hip-hop). E-40 has been putting out a minimum of two albums per year since 2010 with his most recent album including guest spots from Dej Loaf, Ty Dolla $ign, Kirko Bangz, and others. And we all heard E-40’s verse on Big Sean’s break up anthem from 2014 “IDFWU”. E-40’s presence at SXSW is a huge deal and should not be missed. He’s scheduled to perform at The Roosevelt Room on Friday, March 20, 1:20 a.m.-1:50 a.m. E-40’s “Tell Me When To Go” from the height of the Hyphy movement is below.

Brand New Joanna Gruesome

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grewsumThis new Joanna Gruesome has to be one of the hottest commodities not yet out there; I feel like everyone is talking about it…and no one is saying a bad word.  So, when a band and a record like that comes along, the best thing we can do is to turn up the singles, and prematurely (possibly unjustly) make up our mind. This tune has a real soft side, which is one of the reason’s I’m in love with it. Still, the band brings  their tenacity, switching between that softness and a brash bit of rock n’ roll.  Look for Peanut Butter to hit on May 11th via Slumberland Records/Fortuna Pop.

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TV Colours Finally Get A US Release

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tvcLooking for a good rock n’ roll record? Well, you’ll finally be able to get your hands on the great TV Colours album, Purple Skies, Toxic River. The Australian group released this killer LP back in 2013, and there’s a real raw energy in it that just blows out your speakers.  It’s rare when you can find something that harnesses the energy and tenacity of a group on a vinyl format, but I feel like this little gem will win many over.  It hasn’t really been available in the US as of now, but on April 14th, Comedy Minus One will be releasing 500 copies over here, so be on the look out to add this one to your collection.

Bouquet Bring In Gentle New Single

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bouquetIt’s hard to really get into an EP.  It doesn’t always feel finished, but in the case of the new Bouquet EP, that’s not necessarily so.  Each of the 5 tracks on In a Dream is worthy of your time, especially this dreamy little synth-based burner.  I love the fuzz from the speaker, and especially when Max Foreman’s voice joins the foray to put the song on edge just a bit.  You’ll also find the ringing of the guitars, though rare and brief, really impacting the overall feeling of the song. Every track on the EP is equally as rewarding, so I hope you give it some time.

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You Might Wanna Check Out Penicillin Baby

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pbTired of the typical psychedelic influences growing in your record collection?  Well, perhaps you’ll enjoy the slight twist that Nashville’s Penicillin Baby have put on the sound, bringing in a more melodic focus to the structure that’s previously been established.  Sure, the sound of the guitar is still there, soloing off into the distance, but the vocals and the groove of the track below really implore you to appreciate a more pop-tastic approach.  As of now, they’re working on finishing up a new album, so this is the first taste you’ll get of good things to come your way.

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More Great Tunes from Life in Film

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10603538_10153070972063188_5939566581358695693_nUK boys Life in Film gave us news last month that they were planning on a new album this spring that is sure to swoon our ears.  Today I’m pumped to be sharing with you another new track from the upcoming album called “It’s What Happens Next that Matters Most”.  It’s just a bit slower than the upbeat pop the band has given us in the past, but it picks up and turns into a nice little jangly number about half way through.  Enjoy.

Debut album Here it Comes is due out sometime this spring on +1 Records.

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Hats Off to Eternal Summers

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Eternal SummersOver the last few years, Eternal Summers has become one of those bands that I root for incessantly; I’ll do anything to promote the band and their shows.  I even skipped out on seeing the much-hyped Modest Mouse Fun Fest gig to catch them at the GvsB show late in 2014.  It was their they announced they’d been working on a new album in our town of Austin, so I’ve been salivating since then, awaiting the arrival of such tunes. “Together Alone” definitely fulfills on the promise of the group, featuring tight angling guitar chords, beautiful harmonies and even an emphatic shouted chorus to really kick you in the face. They’ve titled their new album Gold and Stone; it will be released to my collection on June 2nd by Kanine Records.

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