Day: April 15, 2020

Stream Thousands of Thorns by Gabe Hascall

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The perks of running a web site and a record label? You get to toss up the stuff you release just because you love it. For me, when Gabe Hascall asked about releasing his debut solo LP, it was a no brainer. I spent many a night as a teenager watching him on stage in Austin’s beloved The Impossibles; I had to buy multiple copies when he and Rory went solo as Slowreader. So last Friday we put out Thousands of Thorns on our ATH Records imprint, and if you’re into stuff along the lines of Stephen Steinbrink or Angelo de Augustine, you’re going to love this LP! You can grab it HERE, or enjoy the stream below!

Sharing Some Urban Heat

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Urban Heat Island Effect is now just Urban Heat. Austin’s Jonathan Horstmann (BLXPLTN, V3CO) has a vocal that is goth-wave perfection while the modular synth tones from Kevin Naquin move tracks forward and the bassline from Pax holds all things down. They now have the track “That Gun In Your Hand” up on Spotify at their new band page and this performance video for the remaining quarantine days below. Check it out and let me know what you think. I dig.

Impressive Number From Muzz

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Muzz is the brand new project from friends and musicians Paul Banks (Interpol), Josh Kaufman (Bonny Light Horseman), and Matt Barrick (drummer for The Walkmen). These guys have known each other quite a long time, have made some music together in the past, and have finally decided to share their collaboration with the world. A taste of this new project can be found in this new dark, haunting new single called “Red Western Sky”. It features a brooding, folk inspired sound conjuring up images of dusty saloons and dark bars. This is the third single coming after previously released “Broken Tambourine” and “Bad Feeling”.

Muzz will release their self-titled debut on June 5th via Matador Records.

RVG Share Perfect Day Video

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Next week we’ll all finally get to hear the long awaited sophomore LP from RVG, one of the band’s I’ve been raving about for the last few years. Today they share their video for “Perfect Day,” which is just this huge twinkling pop song. The song uses these sharp guitar chords that seem to shine right through your speaker with Romy working her lyrical charms. One of the things I’m starting to notice with the collections of songs we’ve heard is how clean they sound, and I do mean that in a good way; it’s like the group just upped their pop sensibility with sights on being the biggest pop act in Australia. Feral is out April 24th via Fire Recordings. Oh…and the great video was shot by Geoffrey O’Connor of Crayon Fields fame!

Another Tune from Even As We Speak

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Somehow in the hubbub of Easter weekend I let this new single from Even as We Speak sneak right passed me. I’m aiming to rectify that, as it’s a really beautiful pop tune. It opens up with these thickened synths looped over heavy drum beats, with a guitar hanging out somewhere in the distance; it almost feels like the song’s looking back on the purity of trip-hop in the mid 90s. Then the angelic notes of Mary Wyer’s voice enter the scene and everything else fades away; this is one of those vocal performances you don’t forget. As the song draws to a close, a little ambiance and musicality is flexed…but I’m still thinking about those vocals. Another reason we should all have our heads turned towards Adelphi when it drops in June via Shelflife Records and Discos de Kirlian.

Abandoned Buildings Share Already Over

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You ever hear a simple note, something so minute yet so memorable that you can’t get it out of your head? That’s exactly how I felt upon my first listen to the latest single from Abandoned Buildings. For me, it was the the way the song just sort of dropped in at the 13 second mark; it changed the song’s whole dynamic, allowing this guitar chord to sort of skitter throughout. A simple moment that was gone, but it drew me into the song, allowing the haziness of the vocals to carry me through the song. There’s this quiet to the track, something subdued, but it’s juxtaposed by this really bright guitar that comes in and out, like around the 2 minute mark. I just dig it. This tune appears on the group’s new LP, Disappear Forever, out this week!

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