Heavenly!

Heavenly is not new obviously, it was the band we were in in the 1990s. But lockdown also gave us the time to delve into the storage boxes in our cupboards and get a bit nostalgic. Ian from Damaged Goods Records had suggested putting out a compilation of material a while ago. We thought it would be good to collect up all the singles and make an album out of them. Some of those singles are very hard to get hold of now. The process of putting the album together was great in that it also brought us back in touch with people wed known back then, and reminded us of the amazing scenes we were lucky to be part of. Sarah Records in Bristol, determinedly releasing music for the love of it in the face of contempt from the major labels and the London journalists who serviced them; K Records and the Olympia scene generally, where Beat Happening were creating great music and where Riot Grrrl was coming into being. Plus the vibrant indie scenes in Europe and Japan. Hearing the old songs brought that all back to us. We got hold of some old footage that was shot in the Capitol Theatre in Olympia in the 90s, and we edited it into a video for P.U.N.K. Girl. Its archive material, but it captures something of the time.

Buy from Damaged Goods

What We’ve Been Listening To: The Attendant – Goodbye 21st Century

The last live thing we did in the days before gigs stopped was to sing with Pete Astor (The Loft, The Weather Prophets). Pete had arranged for a dozen or so friends to sing a cover version of one of their favourite songs. (We did Jackson, with apologies to June Carter and Johnny Cash.) The gig was to promote Petes new album You Made Me. Anyway, since then, he has produced two singles as The Attendant. Its spoken word, with an excellent soundtrack. It feels like Pete has been on a parallel course to us creating new pop music, but also experimenting in the place where poetry and music meet. – Rob

Stream the Attendant HERE

Amelia and Rob Introduce the Drift

This is a venture that had been developing slowly over the past couple of years. Our friend Darren Pilcher, who lives just up the road, has developed an amazing system for creating soundscapes. He takes samples of real sounds: bunches of leaves, shingle, a church bell, the ambient hum of a power station, and then applies reverb, delay and loops to create potent textures and atmospheres. Wed started improvising material with him Rob playing heavy basslines and Amelia adding all sorts of other things we have lying around at home: harmonium, melodica, glockenspiel, omichord, ukulele, clarinet. We got into the habit of meeting up on Thursday evenings, creating a few tracks, and then throwing them away as it was more fun to make new ones a week later than to do anything twice.

Then we met poet Nancy Gaffield and got talking. She was interested in writing a series of poems about our local environment in Kent the ancient woods, the marshes and the shingle at Dungeness, and these were the environments wed had in mind with our music. Leaves and shingle foraged from those environments were already part of the music, buried in Darrens sound loops. We decided to combine forces and create Wealden a half hour of poetry and soundscape. The recording was made just before lockdown. We would have performed the piece live in the summer, but that was impossible. So we made a film instead. This is the final section of it.

What We’ve Been Listening To: Panic Pocket

Another event we had to cancel this year was our Words and Music At The Skep Festival we host in our barn. We had a great line-up of poets and musicians booked in for May, but obviously it never happened. We did a virtual mini-version of it on YouTube, which was fun, but not as fun as the real thing would have been. One of the bands we were most excited about seeing was Panic Pocket, a female duo (Selphie and Nat) from London. This is “Pizza In My Pants.” – Amelia

Song features on Never Gonna Happen EP; stream/buy it HERE.

Have You Listened to European Sun?

After a period of gestation that lasted several decades (Rob and Steve have been friends since they were 14), we made an album as European Sun. We were just finishing the album as we first went into lockdown. This was the first time the two of us had arranged and produced a set of someone elses songs, but Steve was very trusting. He is still talking to us, and WIAIWYA were happy to put the album out, so it clearly wasnt a disaster.

In the summer, during one of those periods when it was ok to meet up with friends, we all went to our local seaside town, Hastings, for the day. We admired the sea, ate chips and made a video for Favourite Day, one of the singles off the album. Rob decided he wanted to make a set of European Sun videos that would, over time, become a collection of cards that could be put on a digital mantelpiece. This is the first: a seaside picture postcard.

You can buy the album HERE or stream it HERE.

Meet Swansea Sound

Swansea Sound might never have happened if it weren’t for lockdown. It is our new band with Huw from the Pooh Sticks. Amelia used to sing with them, and they were one of Robs favourite bands. We had a feeling that Huw, like us, would be sitting around at home wondering what to do with himself. So we sent him some songs that we felt might suit his voice and suddenly we had a new band on our hands.

Huw recorded the vocals into a phone in a cupboard in his house in Wales, we did the guitars here, and Ian Button (of the Catenary Wires) developed an amazing way of playing drums using his fingers on his laptop at his home. It felt like pure indie we recorded it all ourselves, we didn’t use proper studios, we didn’t need anyone’s money and it was fun. Huws mate Ant runs a cassette label (Lavender Sweep, in Swansea) and agreed to put out the first single. It sold out in a few hours. It got on the radio. It was real! It felt like we were re-connecting with the spirit of punk and proper indie music: DIY and anti-corporate. We made a video too, using Robs phone as a camera and Amelia’s laptop for editing.

ATH Takeover: Amelia Fletcher and Rob Pursey – the Introduction

Thanks for having us ATH. Its a real honour to be allowed to take over the hall for a day! Our home – in rural Kent, England – is a long way from Texas, and we haven’t left it very often for the past few months, so its exciting to go on a long journey and hang out with you in Austin.

2020 has been a strange old year, and a terrible one for many people. Like everyone else, weve spent much of it in lockdowns of one sort or another. We’ve been pretty lucky compared to many. The worst of it for us is that we’ve not been able to play live shows. On the upside, being stuck at home has meant we’ve had the time to create lots of new things. So we thought wed take a look back on our 2020 the stuff we made, and a few things weve enjoyed listening to.

Follow them over on twitter via @heavenlyindie or @catenarywires

Belaver Shares Here It Comes Video

I know we’re supposed to be looking towards next year already, but with great tunes still out there, we’ve got to cover tunes like this one from Belaver, the solo project of BE Godfrey (of listenlisten). Listening through this, it has this sort of trashcan troubadour feel, like Jeffrey Lewis or John W. Coleman; its definitely oriented around big old ballad sounds with hints of that DIY aesthetic and artistry. There’s something nostalgic in his songwriting too, something that brings me back to my college dorm room…and oddly, I find that very comforting as of late. The good tracks are not gone…so be sure to delve into this one.

Aaron Troyer Announces Trappings of a Golden Myth

After several moves across the country and back, Aaron Troyer has found a new home here in Austin, and he’s already set to release his first bit of music; Trappings of a Golden Myth is set to be released on the first day of the new year, courtesy of No Coast Recordings. It’s interesting that Troyer should now call Texas home, as his voice sounds built for the landscape, carrying this huge heavy-toned troubadour feel. The music is right at home too, feeling a bit of a Western influence while sprawling across the great expanse of the song (or the Lone Star state). If you dig it, be sure to pre-order the cassette before No Coast runs out!

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