Launder Announces Happening LP

Launder‘s been lauded by tons of the heavy-hitting sites, claiming that his brand of “shoegaze” is super melodic, putting him on the radar of tons of people. Perhaps it caught the attention of DIIV‘s Zach and Colin, who helped pen the first two singles off the forthcoming Happening LP. The songs are really good, though I wouldn’t necessarily call them “shoegaze.” despite the sort of heavy-handed riff work being omni-present. Songwriter John Cudlip seems more fascinated by toying with melody, and the way you can work it in and out of heavier guitar sounds, with a hint of darkness at play too, which is where it kind of falls into that “gaze” category I reckon. I’m digging it, and interested to see how the rest of Happening shapes out; it’s release on July 15th via Ghostly International.

Baby Combat Share Heaven is an Izakaya

We’ve been jamming to Portland’s Baby Combat quite a bit the last year or so, and this new single continues to illustrate the beauty of Noel Yeo’s songwriting. It opens with a bit of restaurant noise, perhaps an allusion to the song’s love of an izakaya (Japanese pub). Then sharp guitar lines start to ring in your ears, with a heavy bass groove bobbing in the ocean’s beneath the front of the mix. I love how Yeo hits some high notes, like in the area right after the 1 minute mark, keeping the song earnest and playful. In the end, one of the reason’s I adore Noel’s songwriting is that it very much hits the notes of fuzzy pop, but it never quite settles; the track’s always seem to take a turn here or there, offering a little wrinkle that allows things to continuously captivate listeners and sound fresh.

Ted Tyro Release How Can Single

A band featuring members of Wombo and Murals, dedicated to the sounds of Talking Heads and Omni, is surely going to find its way on our pages. So, here we are with Ted Tyro and their latest single. Let the first half of the song set the scene, calmly wrapping guitar notes around you, allowing the vocals to sedate you as the drum work keeps time. Then, you hit the 1 minute mark and the chorus jumps in, shifting the focus into that more artful twist and turn you might find in a track from the aforementioned Omni. But, I’m digging on how its a little heavier here, at least in tone, just on the cusp the angular ways alluded to elsewhere, but rounded and darker…as the band are clearly making their own path with this fresh tune.

ViVii Drop New Single, Vegas

One of the acts Brian and I really enjoyed at SXSW was Swedish trio ViVii; they offered up a dreamy brand of pop that actually felt like it was crafted in Texas. You can hear that in the band’s new single, particularly in the way the vocals seem to tumble across the track like weeds out on West Texas roads. Musically, things back up that approach, with guitar notes bending and turning, all the while hitting those crisp notes that feel like Summertime. It’s a nice little dreamy dose of pop from an act we’re really enjoying; keep an eye out for their new MaviDavilon EP, out June 3rd.

Last Week’s Jams, Today (4.4 – 4.8)

Here we are folks, another Monday. We’re starting off the week, as we always do, looking back at last week’s hits, just in case our five followers missed a song or two. We’ve got new indie pop stuff from Red Sleeping Beauty and Jeanines, plus new tunes from long-time ATH faves, Stephen’s Shore. Then there’s a new Chronophage album on the way, so we’ve got that covered here too. It’s a quick little way to breeze into your week here, starting things off nice and light. Enjoy!

Best Bets Share King Cnut

If you’re feeling, like me, a bit overwhelmed on this Friday, and just want a minute to turn up the noise and bang your head a little, then hit up this new track from New Zealand’s Best Bets. It’s a rocking from the get go, hitting with heavy riffs and guitar noodling after the band count it off at the start. The vocals definitely are filled with passion, almost sounding exasperated in their tone, but with just enough melody in the tone to make it feel like a solid bit of pop songwriting. Earnest and loud, which makes for great guitar pop all around. Grab On An Unhistoric Night from Meritorio Records.

Red Sleeping Beauty Drop Single w/ Amelia Fletcher

It’s hard to not fawn over a track that takes Red Sleeping Beauty‘s pop craftsmanship then throws in the marvelous support of Amelia Fletcher (Swansea Sound/Heavenly/Catenary Wires) on vocals. The thumping drumbeat gets us started, with a stuttering guitar line faintly toying in the background while the vocals enter pushing the accompanying guitar bits towards more of an outright jangle. When the chorus hits, the vocals get textured backing and the arrangements swell, building it into this indiepop gem that’s going to resonate with all sorts of pop fans. This glorious pop song comes to you courtesy of Matinee Recordings.

Popstrangers Announce In Spirit

I’ll be honest, listening to the first 45 seconds or so of the new Popstrangers single had me questioning where I’d stand when it came time to talk about it; it opens at a trudge, like slogging through the mud; I liked it, but wondered how long they’d stay in that spot. Suddenly, at 1:09, the song erupts into this gloriously fuzzy slow-burn, crashing against my ears with this wondrous melody. They set me up! Then they slide back in, only to set us all up with the charm one more time; even stretching it out a bit further…sort of like we got from the Wrens so long ago! The trio will release their new album In Spirit on June 10th via Rice Is Nice Records.

Automatic Share Venus Hour Video

I don’t know what it is about Automatic, but the band seems almost too cool for me to listen to on a regular basis. Today they drop another track from their forthcoming Excess LP, and I just can’t help but get sucked into their tunes. At its bare bone, the songs are these bopping exercises in rhythm, with little else moving through aside form the bass and drum work. Yet, there’s something in the way the vocals feel sheepishly hip, like they’re unaware how much cool exists in their craft. They remind me of this weird mixture of Deep Time and Pylon, thrown in with a nod back to 60s pop groups; Excess is going to rule, and it drops on June 24th via Stones Throw.

Chronophage Share Black Clouds

One of the reasons the Austin music scene can be so frustrating is the fact that Chronophage aren’t one of the most talked about acts around. Just recently they uploaded the stunning “Black Clouds” with an announcement of their new self-titled LP, and I should have rushed to share. In the opening minutes, you feel as if the band have matured, sonically, coming off arty, but still headstrong…then, as the minute mark crosses the song begins to get a bit of a growl in the vocals; the song continues to grow, emphatically pushing itself into leaving you with the best song Paul Westerberg never wrote. This band should be your life. Chronophage is out on June 3rd via Post Present Medium/Bruit Direct.

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