Month: July 2022

Mo Troper Shares I Fall Into Her Arms

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You’ve got to love short little ditties, and right on the heels of Tony Molina’s short pop song execution is Mo Troper. He’s announced MTV, his latest LP, and he’s done so with this tight little jangler, twisting these beautiful falling guitarmonies into heart-felt melodies. Mo’s voice on this go round feels a little more distinctive, but I think that adds to the charm, keeping a sort of lo-fi sensibility that allows all of us to maintain our cool, right? There’s a video version of the song HERE, but otherwise, you, like the rest of us, will have to wait until MTV drops on September 2nd via Lame-O Records.

Ribbon Stage Share Playing Possum Video

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Ok, so this Ribbon Stage tune’s been out for a few damned days, and I’m super late to it. But, if ever something felt like the natural connection between modern DIY and Sarah Records, I feel like its surely gotta be this New York outfit. At times, the video simply feels playful, like your best friends made it in their spare time between inside jokes and cigarette breaks. Still, there’s this natural infectiousness, an almost sure-fire sweetness that has you circling back for more and more. Not to mention, is that a Shop Assistants reference in the album artwork for Hit with the Most!? The group will release the LP in October via K Records.

Cam Bina Shares Saturn in June Video

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Cameron Bina was an Austin staple, recording friends and helming Strange Mother, but he’s since found a home in Los Angeles, and is operating as Cam Bina. Today, we’re sharing a video for his latest single “Saturn in June,” which revolves around a circular guitar groove and these musical stretches that feel like they’re filled with desert gazes and astronomical flares. For me, the highlight comes when you hit the 2:26 mark, and Bina’s voice rises to the front, accompanied by the ferris wheel spinning from the background. Here’s to Cam and his great songwriting and to hoping we hear more soon!

CLAMM Share Something New

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I remember when Iceage caught hold in the US, with everyone remarking about how Elias would stalk the stage, but, despite that attitude, the band never really felt dangerous to me (I still liked them though!). But, when listening to CLAMM, who bring in a heavy post-hardcore vibe, the band just feels dangerous. Jack Summers just feels like he’s ripping apart his vocals as he growls into the microphone, with Maisie emphatically joining through the chorus moments to punctuate the tune; it feels like a warning that we’re hurtling towards the end of humanity. The tune feels like a heavy march on your soul, discordant guitar work screaming all the while, and as the tune fades, you get that saxophone squeal leading to the song’s fadeout. Care, their new LP, will be out on April 19th via Chapter Music.

Living Hour Share Miss Miss Miss

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Listening to Sam Sarty’s story in relation to the new Living Hour single, it’s easy to relate to the sentiment of missing something that symbolized your life or your love of a place or person, only to find it gone when you least expected; it seems to embrace a universal sentiment that only feels more real over the last several years amidst Covid and changing landscapes (esp. in Austin). All of this is set to a pensive vibe, one that kind of allows you to drift in and out of consciousness, as one would when waxing nostalgic about the past. You’ll hear jazzy little flourishes bubble up from beneath, as the band add depth with layering flourishes; you’ll ultimately find yourself enjoying the mental vacation the song encourages as it spins through your speakers. Someday is Today will be out on September 2nd via Kanine Records.

Why Bonnie Shares Nowhere, LA

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It takes nearly a minute for the rest of the band to catch up to Blair Howerton on Why Bonnie‘s newest single, which is fitting, as the song takes on a bit of a personal narrative about Blair being stuck in the middle of nowhere with an ex in Louisiana. But, while I love Blair’s voice, the song’s emotional appeal definitely gets upped when the drums hit and the song erupts, albeit subtilely. It’s one of the reasons the band’s forthcoming 90s in November feels so intimate; Howerton delivers this incredibly personal details in her storytelling, while the band builds the depth behind her; this song illustrates that point, with a perfect moment of punctuation in the chorus. We’ve always rated the band highly, and we’re looking forward to seeing how you all enjoy the LP; it drops on August 19th via Keeled Scales.

Grooving New Tune From Gold Star

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Marlon Rabenreither is a Los Angeles based songwriter who has spent the last decade creating music under the moniker Gold Star. Though it’s been quite awhile since we’ve heard from Rabenreighter or posted about him on our site, his new single “Cherry Red” is a nice way to welcome him back to the ATH pages. The song is perfect for his California home as one can almost envision oneself driving down a coastal highway with the driving nature of “Gold Star” on the radio. It’s atmospheric and hazy, yet also bright and full of Americana inspiration.

This track will appear on new album Headlights U.S.A. Parts I & II due out on September 30th. Pre-orders are live now.

New Age Healers Share Setting Sun

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Seattle’s New Age Healers will be releasing Demolition Stories later this summer, thus they’ve got to get the singles out into the world, like the latest “Setting Sun.” On my listens, it fits perfectly into where my favorite jams take me; there’s this explorative nature to it, be that sort of psychedelic or what have you, almost like a space-age version of many of the current shoegaze/dreampop acts. The vocals are sedate, hiding quietly in the middle of the mix, careful not to overpower the listener, but melodically moving the track forward. You’ll be able to get your hands on the new LP come this August, so keep your ears out!

The Reds Pinks and Purples Prep Still Clouds at Noon

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Glenn Donaldson continues his remarkable songwriting prowess with yet another album for The Reds Pinks and Purples, before many of us have even gotten our hands on his last LP! Personally, the opening track on the forthcoming Still Clouds at Noon might be one of my favorite Glenn performances; the musical element is striking, setting this sort of somber tone that feels like a slow-paced time lapse video. Donaldson’s voice, always familiar, feels like its one of those timeless voices that makes you nostalgic for friends and memories, drawing you deep inside his songwriting. Still Clouds at Noon will be out digitally on Friday, but no physical version is planned at this point (unless, Glenn reads this and wants me to put it out!).

Dry Cleaning Share New Single

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You can’t deny the popularity of Dry Cleaning; their new album Stumpwork is likely to make a bunch of year-end lists, if that matters to you. Personally, I’m digging how the band continue to mold their sound to their own sensibility and Florence Shaw’s voice, always seemingly taking a risk or two. In this one, you get Shaw narrating a conversation with a friend, all of it working over some jazzy improvisation; the rhythm section does hold onto some catchy licks, while everything else just seems to sort of expand out into the ether. It’s good to hear a band continue to push themselves a bit beyond the sterile confines of a genre; Stumpwork is out October 21st via 4AD.

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