Cozy Slippers Announce New LP + Share Single

I hope you’re not afraid of bears, as this video is chock full of them, or at least one! But, the video comes with the joy of knowing that an LP is on the way from Cozy Slippers, with the added bonus that that’s just around the corner in October. As for the tune, it splits a nice balance between some psychedelically washed guitar grooves and a sugary sweet bounce from the vocals. Generally speaking, both styles are great, but its been a minute since I’ve heard them both balanced so seamlessly. Psycho-pop for the win? Whatever the genre, the self-titled release is out October 14th via Subjangle and Kleine Untergrund Schallplatten.

Last Week’s Jams, Today (8.22 – 8.26)

Think you missed something awesome last week? Well you very well might have, and we did our best to cover what we were into all week long. Great to hear new stuff from the forthcoming Eerie Wanda record, as well as news that we were getting a new Robert Sotelo LP before the year wraps up. Melby might have dropped the greatest jam that hasn’t quite broken over here in the States, despite its brilliance. Oh, and RayRay caught up with Peter Matthew Bauer for an interview and premiere of a new single! So, go back and revisit the jams from last week!

Unkle Bob Release Invisible Single + Announce New Album

UK outfit Unkle Bob have returned with a brand new single, and the title track from their forthcoming Invisible LP, which caught my ear immediately. There’s this natural sense of calm that resonates almost immediately; it’s like they’ve built on slow-core tropes and built in a little bit more movement, letting the vocals kind of crest and meander through the dense cavernous sound. At times the song feels heavy and dark, but the synth and circular nature of those cresting vocals continue to bring in the pop sensation that makes this a jam to keep in your rotation as you map out your weekend playlist. We’ll give you more news about the LP as it comes our way.

Air Devi Share Ashrita Single

After sharing the last single from Philly’s Air Devi, seems like there’s no reason to back down when they’re writing great pop rock hits like “Ashrita.” While the song comes from a bit of heartbreak and disappointment in a fellow male musician (no surprise!), Devi Majeske turned disillusionment into a celebration of other artists who Devi admires for their own talents. I love the bite and growl that rocks in around the 2 minute mark, taking the pop hooks and really letting the angst flow through the speakers. As you’ll hear, there’s a bit of sweetness in the licks and melody, but a big old punch that definitely gives Air Devi the perfect bite to grab your ears!

Ollie Cook Shares Apocalypse Now

We’re close to closing out the week ya’ll, but before we do, take a moment to listen to this new tune “Apocalypse Now” from Wolverhampton based artist Ollie Cook. His songwriting is an impressive bit of rock meets folk with contemplative lyrics and subtle, yet well placed rhythms. Sort of like a Damien Jurado type but with more tendencies to let things loose and rock from time to time. You’ll find this song progresses like a dream in its near 5 minute length.

If you’re digging this one, Cook has a new album entitled The Boy With Pearls for Eyes streaming over on Bandcamp.

Peter Matthew Bauer – New Single & Interview

As previously reported, our pal Peter Matthew Bauer has a new solo album called Flowers coming out next month via Bauer’s own indie label Fortune Tellers. Prior to that much anticipated release date, I am beyond excited to share a new single with you today along with a few quick questions Peter was kind enough to answer the other day. We talk about what it’s like making music as a solo musician, how life is getting back to normal (sort of), and what new music he’s been into recently. All of that, with new single “21st Century Station” after the jump.

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Robert Sotelo Announces Indoors LP + Shares Caught in a Shape

Last year’s Celebrant LP from Robert Sotelo was a magnificent collection of tunes, and today we have news that there’s a companion album ready for release this September via Upset the Rhythm. Our first sample has a nice synth driven narration, driving the tune in this light-hearted electronic world, washed with warm colors that coat the robotic nature. Take that touch, mix it with the melodic rise and fall of the vocals, and find that you’re given an electronic jam that feels more organic than mechanistic. Things feel buoyant and filled with the promise of another brilliant release on the books; Indoors will be out on September 16th.

Strawberry Generation Share Miss Me

Strawberry Generation‘s latest single is a track that definitely has this nice wash of indiepop, spun with a bit of wistful daydreaming. That comes through in the lyrics and song title, but you can feel it in the song too. Jangling guitars are present, but they seem pleasantly dulled, like they don’t want to wake the ghosts of the past, allowing for the rest of the track to kind of operate like this warm cloak that hides the dreaminess in favor of this pop obviousness. It’s charming and warm, and makes me think of stepping into the warmth of your house on a crisp Winter day. Not sure on release plans, but let’s hope the duo have more up their sleeve.

Scout Gillett Shares Slow Dancin

You’ve got your Sharons and Angels, but now, we’ve got Scout Gillett, and personally, I’m loving this new single, if only for its refreshing nature. Immediately, the pulse of the track sets the tone, which is striking, considering Scout wrote the tune initially as a country ballad, but mixed it up in the studio recording. Vocally, this is all over the place, and I mean that as an endearing quality. It’s got this soft spoken curl to it, but then it can just as quickly turn and burst into this incendiary soaring performance (that reminds me of Emily from Dehd, though I know it’ll get some Angel comparisons). It’s nice to have a new little twist in the mix here. No Roof No Floor is out on 10/28 via Captured Tracks.

Jim Nothing Share Fall Back Down

Our friends over at Meritorio Records consistently unearth great acts and bring them to my attention, like New Zealand’s Jim Nothing. The band play just on the edges of modern jangle pop, perhaps mellowed on the edges to have a softer feel to the natural bounce. This fits perfect into the style, as the vocals are delivered in that manner that’s just above spoken word, steady and just hinting at the melody; that, of course, gets a little aid by the sped up jangle of the guitar when necessary. In the Marigolds is destined to win you over when it drops on September 15th.

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