Tin-ear Share Fling Straw Man

Tin-ear is a band we’ve consistently been raving about for the last month or so; they’ve got one last single to share with us before we get to hear the entirety of Cadastral Maps. I just love how it feels cacophonous from the get-go, swirling noise just ringing in my ears, though not in an abrasive fashion. There’s actually something soothing in the vocal work, a calm in the middle of this great musical storm, perhaps signaling the band’s allegiance to a mixture of twee and avant-emo. Please stick around to the very end of it all, as a glorious burst of emphatic joy awaits you. Cadastral Maps is out on Friday via Gentle Reminder Records.

Oceans Share New Single, High

The lockdown, while still looming in our thoughts, brought about a lot of creativity for artists, and it seems to have spun Australia’s Oceans in a slightly new direction. Now operating as a full band, there’s a bit of promise on the horizon, and I mean that in more of a metaphorical sense. You can still feel the darkened edges that were present on the Come So Far EP, but there’s an electricity that seems to be dashing through on this brand new single (the first as a full band). For starters, the time stamp has it at just over 2 minutes, meaning the band have to apply a frantic nature to it; you can hear that in the drum’s pounding away and the stabbing guitar lines that knife their way in and out. Still, that dreamy vocal seems to rise and crest, just as the guitars hit with more enthusiasm, blasting you with a cool breeze of delightful melody. This new single is brought to you courtesy of Shelflife Records.

The Smashing Times Share Lost, When I Remember

One of the records I picked up last week was the forthcoming LP from Smashing Times, and today there’s another new single out there that illustrates the group’s musical growth. You can hear sort of a late 60s psychedelia in the guitar work, just hanging in the twang, but the vocals definitely feel like they’ve been chiseled out of early 90s Britain. So you get this interesting juxtaposition, putting melodic pop balladry right alongside the smoke-filled rooms of the past; I’m totally digging on the mixture of the two, kind of like traveling through time in a kaleidoscope of rad sounds. Bloom is out in late October via Meritorio Records.

YNYS Share Nothing the Sea Doesn’t Know

It’s funny that the email I got about YNYS mentions T. Rex in a nod to the string work on the band’s latest single, as I was just thinking there was something about Bolan lurking in the shadows of this song. There’s this bit of bravado and swagger to the performance of Dylan Hughes here, but don’t let that deceive you as this is every bit a big sweeping pop tune. From the arrangements to the backing melodies, every note seems intent upon carrying you away with huge emotions, albeit with a little bit of that effortless cool. Guess I’m just a big old sucker for pop tunes; the band release their self-titled album on November 4th via Libertino.

Stream Skinny Dippers The Town & the City

We’ve covered a majority of the single from Skinny Dippers new LP, and well, it dropped last week, so we wanted to be sure that you were reminded to spend some time with The Town & the City. When it opens, you get some light guitar pop, akin to acts like Real Estate, drawing light melodies from the vocals to build your interest. But, what makes the entirety of the record so rewarding is that Ryan Gross has no problem switching gears, offering the lonesome ballad of “Big City, Small Apartement” before bouncing off to classic indie pop vibes with “Past Selves.” But, be sure you don’t ignore the album closer, “I Would Like to Say I Always Loved You,” which might be the best song Nada Surf never wrote. Anyways, stream it below, and enjoy!

Catching Up with Big City

So, I’ll admit that I’ve been sort of swamped as of late with life and such things, so occasionally things slip under my radar, like this forthcoming EP from Big City. As of right now, there’s one single from the group’s new release, and its this cavernous mixture of guitar pop and techno vibes coursing through. You can hear the guitar line cutting through the fog in the distance, allowing the track to build on this atmospheric tip that lets the vocals waft on through to the other side. Really looking forward to hearing where the rest of this musical journey takes us; they drop Liquid Times this week via Perennial and K Records.

Winter Share Good Video (featuring Sasami)

The closer we get to the release of Winter‘s new LP, the more I’m getting anxious to hear it from start to finish. Today, we get another glimpse at Samira’s songwriting, this time in a steady fashion that really drives home the melodic nature. It’s almost like a spiritual move, a mantra of being good, however that plays at. Sasami‘s vocals just beckon you, like a siren begging you to crash upon the shores of this glorious slowcore masterpiece. With all the folks having a hand in the new release, from Sasami to Hatchie, you know we’re in for one hell of a ride; What Kind of Blue Are You is out October 14th via Bar/None Records.

Last Week’s Jams Today (8.29 – 9.2)

Strangely, I felt like we didn’t cover a ton of territory last week, but then I noticed we have quite a playlist, and that’s even with a few jams not quite making the streaming services of choice. I opened the playlist with “It Keeps Happening” from Germany’s Matching Outfits; I couldn’t stop playing the tune all week, so I figured it was best up front. We also got new stuff from forever-faves like Peel Dream Magazine and the Boys with the Perpetual Nervousness. Stoked on both the new Eerie Wanda and Submotile tunes, and RayRay loved that latest Disq tune. Settle in for the day and turn it up nice and loud.

KT Laine Shares Dumpster Fire

When I first heard the latest single from KT Laine I was really drawn to her voice; it has this sort of soaring bravado like Angel Olsen, though with a bit more sharpness to it. But, the more I spin it, the more that guitar line just feels like it fits naturally into my everyday jamming sessions. It’s like a heavy jangle of sorts, giving the song this swinging swagger that successfully sends shivers your way. Still, Laine’s confidence, even when penning self-deprecating lines, is precisely why you stick around until the very end. A rad tune, and a relatively new artist to keep on your radar.

Red Pants Announce New EP + Share Century Phaser

For starters, you should all put your playlists on pause and go spend a little bit of time with Red Pants last album, When We Were Dancing; it came out this past Winter, and I raved and raved, as I do about such things. But, we’re all lucky because the duo has announced the Gentle Centuries EP, which is coming out in just a bit. This tune’s super rad if you love electronic production being woven in to some rhythmic jam sessions, but it’s not all about that intoxicating mixture, as the vocals have this futuristic feel to them that guarantees us that this is the music of our future. If you’re looking to disappear into a song, I can’t imagine a better one, so crawl inside the depths of Red Pants. The new EP will be out via Painted Blonde Tapes.

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