Mo Troper Covers Jon Brion + Announces Toper Sings Brion
It’s likely that you’ve heard Jon Brion‘s work, even if perhaps you weren’t aware. It’s more likely that you’ve heard Mo Troper‘s work, particularly if you’ve hung around on our site for a minute or three. Good news, Mo Troper is covering Jon, but he’s dedicating an album’s worth of material to tracks Brion never officially released, or at least in terms of a collection of tunes, such as 2001’s Meaningless. Interestingly, Troper’s version, like his own latest opus, plays high upon the pop heartstrings; I love the way he’s polished his voice into something distinctive and sugary. There’s a mid-tune guitar noodling, tying the work of Brion and Troper together. Whether you’re listening to this as a fresh Mo Troper bit, or from the Jon Brion aficionado, you’re going to be instantly rewarded. Toper Sings Brion will be out next Friday via Lame-O Records.

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It may not have been a week covered in big names, but there were tons of ridiculously quality tunes dropped this last week. We had tons of ATX stuff, from Daily Worker to Wet Dip to S.L. Houser to Voxtrot, so we were all over that. I fell in love with Dumb Things, which is the Aussie outfit opening up this week’s playlist. But, it’s probably a toss up for me whether the new track from The Witching Waves got more plays than that new Weakened Friends. A ripper of a week with some new names we hadn’t come across before like Amelia Coburn, so give the whole mix a Monday morning spin.
Seeing as we’re all living in Austin, somehow, we always have to try and hold up our end of the scene by throwing our weight behind what we love. So, seeing as it’s Friday, there’s a few new releases to get on your radar.
I knew almost instantly that I was going to love this track from
When I was younger, most of my friends were super into grunge, but that’s where my dads taste got me into Townes and Nick Drake, then my record store of choice turned me onto Elliott Smith; I just naturally gravitated towards singer-songwriters that embraced this sort of solitude. All this to say,
If you were going to put out a record that sounded equal parts late 90s DC scene and the entirety of the Stereolab catalogue, then you’re going to get what