Show Preview: Bear in Heaven @ The Parish (4/24)

Date Tuesday, April 24th
Location The Parish
Doors 800 pm
Tickets $14 from Frontgate

Just looking at the opening bill for this show at the Parish on Tuesday should get you excited; both Doldrums and Blouse have made big waves in the indie pond this year, earning new fans and much acclaim.  But, the spotlight surely has to be on Bear in Heaven, a band that continues to push themselves.  Their recent release, I Love You It’s Cool, was exceptional in its construction, coming off a great deal brighter than their earlier effort.  You can also be assured that they’ll bring some elaborate lighting/video with them as they did during their recent SXSW performances.  Put that with the always excellent sound at the Parish and we’re all going to have a great night.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/Bear-in-Heaven-The-Reflection-of-You.mp3]

Download: Bear in Heaven – The Reflection of You [MP3]

 

New Music from Richard Hawley

Richard Hawley’s been one of my favorite songwriters of the last decade, but this time around we’re about to get an entirely new Richard. On his last effort, Truelove’s Gutter, we were treated with the smoky cool crooning that Hawley brings to the table, yet this new track doesn’t really play in the same ballpark.  He’s got a full band with him, and from the tracks that I’ve heard the whole affair is going to be more rocking.  You can get your hands on this new effort, titled Standing at the Sky’s Edge, on May 7th.  It might be a twist on his usual style, but I’m interested nonetheless.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/01-Leave-Your-Body-Behind-You..mp3]

Download:Richard Hawley – Leave Your Body Behind You [MP3]

Jack White – Blunderbuss

Rating: ★★★½☆

Jack White‘s pretty much done everything musically speaking at this point: he’s played in various bands (White Stripes, Raconteurs, etc) and he’s produced/written with music legends.  Heck, he even got to date Bridget Jones and marry a British super model, so what does he have left to prove to us?  Absolutely nothing…and that’s the point of Blunderbuss.

Old fans of Jack’s will probably enjoy the album opener “Missing Pieces;” it seems like one of the simpler songs he’s written in a long while, not to mention the fact that his distinctive voice really takes the song’s focus.  It’s also got a muddy feel with the chorus, which provides that raw energy his early White Stripes stuff carried with it. But, he then goes into “Sixtine Saltines,” a tune that I could probably do without.  It’s a definite rocker, so if that’s the Jack you’re looking for then it’s in this song; I just hate that it comes off as braggadocio rather than fragility and ingenuity.  The juxtaposition of the many faces of Jack White is something you’ll encounter time and time again on Blunderbuss.

“Love Interruption” was the first single from the album that really grabbed hold of me because of it’s stripped down structure.  Ruby Amanfu’s presence provides Jack with a familiar female counterpart, but the delivery of the two vocals is something that varies greatly from the work he’s done with other ladies. There’s something about this tune, as well as “I Guess I Should Go To Sleep” that demonstrates White’s ability to work others backing vocals easily into his songs.  What amazes me is that on Blunderbuss they all sort of seem to come off as a bit of impromptu jams, which probably isn’t too far from the truth in the end.  These are great songs that any fan will add to their favorites list.

There’s probably some songs on this album that most people will find appealing that just haven’t sunk in as of yet.  “I’m Shakin” and “Trash Tongue Talker” delve into White’s fascination with traditional blues-influenced rock n’ roll that first won over teenagers in the early years. It’s definitely clever, and his voice is more than fitting, but these songs don’t seem to be his strength–still, you can’t blame anyone for wanting to throw a rocking stomper out there.  Funnily, these two songs (my least favorite) move right into what’s my personal standout, “Hip (Eponymous) Poor Boy.”  This tracks is centered around a nice bit of barroom piano, and what I suspect is a bit of banjo in the background.  It stands out to me because it illustrates just how strong a voice Jack White actually has (no matter how often I forget).  It’s not even the most complex song in the world, but you better believe it’s a sweet tune all around.

With Blunderbuss you get sort of a mixed bag of Jack White.  He throws in a few rockers (not my cup of tea) to appease that side of his fans, but for the most part these are blues/country/bluegrass/barroom influenced tunes that are by and large pretty successful.  I guess there’s only a few stunning tracks on the effort, but he’s still able to accomplish a lot more in one album than most people will do in an entire career; I’ll gladly take a solo Jack over 99.9 % of the rest of the music out there. Such are the gifts of one of America’s finest songwriters.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/04-Love-Interruption.mp3]

Download:Jack White – Love Interruption [MP3]

Nice Instrumental Jam from Humans Don’t Be Angry

I’ve long been a fan of Malcolm Middleton, as the pages of this web site can attest, so when I heard the former Arab Strap member was starting a new project I was rather excited.  His new effort will be under the name Human Don’t Be Angry, and from what I’ve heard from the affair up to this point it is going to be a mostly instrumental affair.  It’s actually a pretty nice listen once it gets underway, similar to what other Scottish post-rockers have done.  Of course, I’ll always want to hear Malcolm, but I’ll happily take this as well.  You can get your hands on the self-titled LP next week if you dig it.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/CHEM172DD-02.mp3]

Download: Human Dont Be Angry – H.B.D.A. Theme [MP3]

Oddball Dance Jam from Phedre

I’ll be the first to admit that I don’t always fall head over heels for predominantly electronic music; it has to do something really special (or just be completely out there) in order for me to get involved in it. This new track from Phedre definitely I really like the vocal sample used in the track, with it’s deep resonation.  It’s just enoug quirkiness to the construction here to keep me interested.  You can find this track and some others on the self-titled debut that is in stores all over the world as we speak.  Happy Friday folks!

[audio:https://austintownhall.com/wp-content/uploads/2012/04/02_02_APHRODITE.mp3]

Download: Phedre – Aphrodite [MP3]

Dreamy Pop Number from Pure Bathing Culture

It’s been a pretty busy week all around, and I almost let this one slip though my hands, that is until I saw that Pure Bathing Culture is comprised of members of Vetiver, a band we think highly of here around the house.  They’ve compiled four new songs that they recorded with Richard Swift, and that EP should come out on May 22nd via Father/Daughter Records.  While there’s a definite element of haziness at work here, I really love the quality of the vocal, with just a hint of raspy/smoky quality.  It will be interesting to see what a full length effort sounds like, but for now, this EP is doing just fine!

[audio:https://austintownhall.com/wp-content/uploads/2012/04/03-Ivory-Coast.mp3]

Download:Pure Bathing Culture – Ivory Coast [MP3]

Crafty New Track from Arc in Round

I’m really excited by the possibilities in music nowadays, especially with the layering of various instruments and the varying movements within tracks.  With that in mind, take a listen to this new jam from Arc In Round; you’ll find this song on their self-titled debut, which hits stores on June 5th via La Societe Expeditionnaire. There’s all sort of things occurring within the track, not to mention the actual main piece of music itself, and it all works, it’s all unified.  Perhaps I just like to see how much one can cram into one song and make it still sound structured and beautiful, and if that’s the case, well, so be it; this track works just fine in that sense.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Hallowed.mp3]

Download:Arc In Round – Hallowed [MP3]

Great Pop Jangling from Sea Pinks

Last year we talked about our adoration for Sea Pinks and their record Dead Seas, which you need to get if you haven’t.  But, I’m here to talk about a new track, sort of; this song, along with several others will comprise The Flip Side cassette being released by the Belfast group next week; it’s basically a collection of B-Sides and demos since the band’s incarnation. Every time I listen to this song, I can’t help but wonder why on Earth it didn’t make a proper album? I mean, it’s got the bounce, a nice cool vocal chorus, and everything else one needs to make a stellar hit! Just think, if these are the sort of tracks the group bangs out as B-Sides, you know something great is about to happen.

[audio:https://austintownhall.com/wp-content/uploads/2012/04/Staycation.mp3]

Download:Sea Pinks – Staycation [MP3]

Tiger Waves – Don’t Be Yourself

 

Rating: ★★★★☆

When I first encountered Austin’s Tiger Waves, I was caught off guard by their experimental inclusion of bits of noise that eventually shifted into snippets of grandiose pop.  However, on their recent release, Don’t Be Yourself, the band tends to switch it the other way around–clearly indicative of a band who have grown in their songwriting capabilities. 

“From the Start” begins with a bit of a noise snippet, but the impressive forcefulness of the track quickly breaks into full stride.  Personally, I like how the lyrics are hiding just a bit behind the music, almost like the classic rock we all grew up jamming to in our parents living room, and then it ends. But, the motif of classic songwriting comes in with the hints of psychedelia that are present on “Quebec.”  Perhaps it’s just that jangling tambourine and the affected vocal that gives it the San Francisco effect, but it fits perfectly with the mood of the entire album.

When Tiger Waves breaks into “I Hope You’ll Feel Alright” you can tell that the band has abilities beyond just living with their influences; they’ve created their own sound with fluid movements amidst many of the tracks.  Here, you get almost a quieted chant from the get go, but the lurking backing vocal seems to make way for the entire group to make some mono-syllabic noise in unison.  And this is where you’ll find Don’t Be Yourself really taking hold of listeners, as the record moves into “Summer.”  It’s the sort of constructive pop that recalls bands like Youth Lagoon or Ducktails, but only done more effectively since they’re utilizing the songwriting of an entire group in the studio.  Layering the vocals atop the music on this track definitely creates special moments that you won’t want to miss.

As Tiger Waves prepare to wrap up the whole affair, they close things out with the perfect juxtaposition of their unique sound.  Of course, “I Love You George Harrison” surely harkens back to the careful craftsmanship alluded to in the song’s title–and I’m sure it would make George proud.  But, then you end Don’t Be Yourself with the hauntingly brilliant “Underground.” It’s the quiet atmospheric touches, mellow pacing and steady dosage of pop writing that initially drew me to this band; it comes full circle as the band closes out this EP, going out in quite a fashion.

Hopefully this isn’t your first introduction to Tiger Waves, but if so, do yourself a favor and spend some time with the group’s music.  If Don’t Be Yourself is anything with which to judge these young lads by, then they’ll probably be around for some time, hopefully writing more great tunes such as these.  You can grab this EP, as well as other great tunes by visiting the band HERE.

[audio:https://austintownhall.com/wp-content/uploads/2012/02/14_Underground.mp3]

Download: Tiger Waves – Underground [MP3]

 

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