New Tunes from The Octagon

octagon1webOnce again New York hits right at my heart, now offering me the great sounds of The Octagon. They’ve released their latest album, Warm Love and Cool Dreams Forever, on Serious Business Records, but I have a feeling not too many people have heard much from this group yet, but that should change soon.  The group has the ferociousness of old punk tunes with a lot of lo-fi tendencies, which might recall a little bit of Guided by Voices.  You can even grab a free EP from the group with several B-Sides HERE.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/04-Radio-Days.mp3]

Download: The Octagon – Radio Days [MP3]

Yeasayer – Odd Blood

yeaRating: ★★★½☆

Finally the time has come for the release of the much anticipated follow up to All Hour Cymbals, and Yeasayer has switched it all up for you with the newest release, Odd Blood. Where they once dabbled in world music with a hint of electronic elements, they have turned the tables, choosing instead to go with electronic music that takes aim at taking over the world.  Your first listen might not offer too much, as this is a listen that requires several listens to completely unfold what lies beneath.

“The Children” opens up the album with some gothic samples that recalls old industrial music from the eighties, and the dark auto-tuned vocals keep the mood quite eerie, but there are some moments of lightness, which set the tone for the rest of the album.

We then come to the spectacular “Ambling Alp,” the band’s first single off Odd Blood. You wouldn’t be too far off if you didn’t notice some resemblance to Animal Collective, at least in the usage of samples, but the vocals don’t seem as intrusive as the latter band.  Really, this song is all over the place, which is perhaps why it’s so charming after repeated listens.

For the next three tracks you get transported immediately back to the eighties with Yeasayer. This isn’t an entirely bad thing, as the group doesn’t in their own particular way, incorporating more of their tribal meets world music instrumentation to the tunes. The opening moments of “Madder Red” as the vocals kick in just bring pure ecstatic joy, and “ONE” is just wonderful.  I love the way they play with the vocals, and then bounce right into the dance elements for the chorus.  All these songs benefit from the fact that there are extemporaneous elements all over the place, which makes the spin on such music more diverse than most of their modern-day equivalents.

When you come to the latter half of Odd Blood, you’ll find that the energy isn’t as fast paced as the early part of the record.  It feels as if the band is rushing themselves, especially when you come to songs like “Mondegreen,” a song full of horns and rhythmic vocal displays, but the elements here don’t seem to be as cohesive as they were on the early half.  Those extra touches that added so much to the first six songs sort of dissipate; this is something that causes the second half of the record to seem a bit less powerful than the first.

Throughout its duration, Odd Blood is full of so many different twists and turns that you have to give the band credit for being so exploratory in their efforts.  It might not be the most complete album the band will make, but it demonstrates that Yeasyer are willing to push themselves, and their listeners, towards a maximum musical listening experience. Cheers to that.

[audio:https://austintownhall.com/wp-content/uploads/2009/10/01-Ambling-Alp-1.mp3]

Download: Yeasayer – Ambling Alp [MP3]

New Tunes from Snake Rattle Rattle Snake

snakeWe’re happy to tell you about some new friends we’ve made from Denver, Colorado: Snake Rattle Rattle Snake. They’ve just released their self-titled EP, and they’ve already got us wanting more.  We’re offering up one of these tracks to you, which showcases the brooding vocals of Hayley Helmericks.   For some reason, this recalls a really dark version of Pretty Girls Make Graves if they were more post-industrial than post-punk, if that makes sense to anyone but me.  The group is making their way to Austin for SXSW, and we’ll be sure to keep you posted on their arrival, along with other various details.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/03-Parallel-Lines-1.mp3]

Download: Snake Rattle Rattle Snake – Parallel Lines [MP3]

The Album Leaf – A Chorus of Storytellers

thealbumleafRating: ★★★☆☆

A Chorus of Storytellers is Jimmy LaValle’s third album for indie label Sub Pop, and at it’s finest moments, it proves that this is the most cohesive Album Leaf record to date.  While it maintains many of the electronic flourishes that existed on past works, the latest piece somehow comes together a little bit tighter, forming stronger collection of songs.

For me, it all starts with the title, and for that part, the cover art.  Artists of this ilk can rely upon these mediums to further their message.  Sure, all artists should do this, but it’s even more important with acts that remain instrumental.  And the title,  A Chorus of Storytellers, should really say it all.  While I’ve lambasted electronic music in the past, it is works such as this that strive to make a coherent story, to create a plot within their music.  Such is the story within this record, as illustrated on the cover.   It just begs you to create your own story of the man ashore while his boat drifts aimlessly away.

Of course, one thing that differentiates this album from purely electronic or post-rock music, if you wish to call it that, is the inclusion of songs which use lyrics.  “Falling From the Sun,” for example, is a pleasant enough tune, and you can easily follow as the melody rises and falls, especially in the vocal performance.  But, moments such as this make things to clear for the listener; this is something that detracts from the overall listening experience.  Lyrics, in this case, push a story upon you when you’d rather just float off into your own world.

You can take a song like “Within Dreams,” which in itself recalls the ability to drift off with your own thoughts.  Slowly, you can feel the song fall asleep on you, as if you too are going into that deep REM sleep.  Then you can hear the faint touches of string instruments, and you’re off an running in a dream of your own.  It is here where LaValle succeeds the most, as he allows you to immerse yourself in the song, and take the song wherever you want to go.  Happily, it’s not constructed of mere loops, and the national progression lends itself to the telling of tales.  “Until the Last” is another such song; it is along the lines of Balmorhea or even a less-dangerous version of Mogwai.

Up until the middle point of the album, the record is really strong.  It has its ups and downs, but it also adds enough diversity for you to be invested wholly into the album.  However, towards the end, there are a bit too many songs with vocals.  This isn’t a disaster by any means, as the songs are actually really good, “Almost There” in particular, but it does break up the flow of the album.  Still, A Chorus of Storytellers provides many listenable moments that prove Jimmy and The Album Leaf still can concoct magic out of their post-rcok potions.

[audio:https://austintownhall.com/wp-content/uploads/2009/12/05-Falling-From-The-Sun.mp3]

Download: The Album Leaf – Falling From The Sun [MP3]

FTC: Dr. Octagon

FTC_droctagonUsually we don’t do a lot of write-ups on hip-hop, but that’s mostly because we don’t know too much about it, but we do know about this guy.  Kool Keith has been all over the place for years, sometimes as KK, sometimes as Black Elvis, but his most prominent persona for me is Dr. Octagon.  His rhmyes are odd, and quite vulgar, but not in a “I just want to cuss a lot way,” more in a disturbed MC sort of way.  I used to listen to the first record, Dr. Octagonecolgyst (the best in my opinion), all the time in college.  For some reason, I just  felt like travleing down memory lane with this record today. Blue Flowers!

[audio: https://austintownhall.com/wp-content/uploads/2010/02/Half-Shark-Alligator-Half-Man.mp3]

New Tunes from Sambassadeur

sambassadeurIf you follow labels closely, they always lead you to new gems.  Such was the case when I hit up Labrador Records, the label that releases lots of killer Swedish tunes.  This time around they led me to Sambassadeur, another up-and-comer from the Swedish scene.  You’ll find this tune on their new album European, which comes out at the end of Ferbruary.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/02_Days.mp3]

Download: Sambassadeur – Days [MP3]

The Soft Pack – s/t

soft packRating: ★½☆☆☆

A few years back a band by the name of The Muslims exploded out of California with the supposed surf-rock answer to The Strokes. Now, the band has changed their name to The Soft Pack, and have released their self-titled album on Kemado Records. It’s exactly what you would expect from a California garage group.

Upon listening to the first track, “C’mon,” the band’s formula is immediately apparent.  They combine mild surf guitars with the fueling of a garage practice space, and they lyrics have a slight hint of punk drawl delivery.  But, what listeners will see is that the lyrics are severely lacking in the developmental sense.  The only words that really stand out are “c’mon,” uttered over and over again.

By the third track, “Answer to Yourself,” nothing much has changed in the structure of the album.  Lyrics are overtly redundant, and clearly lacking in any creative sense. Musically, it just seems like a consistent re-hash of song after song.  There’s a definite energy to the group, but you’ll be hard pressed at this point to find much else in the offering.

When you get to “Pull Out” the bass is a little bit heavier, while the guitars are reminiscent of living close to the waters.  Still, water is the only thing that really comes to mind at this juncture in the album.  Everything about the band just comes across as watered-down, and just out of touch.  It’s not something that you can stand up and say that you hate because it really isn’t horrendous musically, it just isn’t anything that warrants listening to time and time again.  It’s almost as if the band is treading water in the same place for the duration of the record.  Tired of the water analogy?

What once seemed like a promising moment for the band seems to have slipped away as The Soft Pack has compiled a solid set of forgettable songs that you won’t remember when their gone.  It’s quite a shame that all this work and popularity came to nought for the band.  Garage moments and surf-guitars are great, but in this day and age something has to be done to distinguish yourself from the masses in order to reach the pinnacle of the genre, and it’s hard to find a standout moment on the album, aside from the joke track “Move-Along,” which is more of just a “WTF?” moment than anything.  This is just one man’s opinion, but you won’t find the self-titled album from The Soft Pack spinning around my house any time soon.

New Tunes from Nick Curran

curranI can’t help but sort of fall in love with Nick Curran, in a musical sort of way.  The guy mixes classic punk sounds with the romance of Motown, and since I’m an avid fan of both, this is the perfect thing for me.  Nick’s an Austinite, and he has a new record coming out on February 16 titled Reform School Girl. Unfortunately, he’s been sidelined with tongue cancer, so if you’re in Austin, or just a fan of good tunes, you should keep him in your thoughts.  Get well soon Nick…and here’s his title track.

[audio:https://austintownhall.com/wp-content/uploads/2010/01/03-Reform-School-Girl.mp3]

Download: Nick Curran – Reform School Girl [MP3]

Black Tambourine Anthology Coming Soon!

Black+Tambourine+BT3If you haven’t gotten to know Black Tambourine, as very few did, then you’re lucky this time around, as Slumberland Records (the one who brought you lots of goodies like Pains of Being Pure at Heart) will be releasing an anthology of the band on March 30th.   BTambourine only existed for a few short years, but this new anthology will have four new songs (two originals, two covers) for your ears.  Just another thing to be excited about in 2010.

[audio:https://austintownhall.com/wp-content/uploads/2010/01/Black-Tambourine-Black-Car.mp3]

Download: Black Tambourine – Black Car [MP3]

Midlake – The Courage of Others

Midlake-The_Courage_of_OthersRating: ★★☆☆☆

When Denton, TX band, Midlake, released The Trials of Van Occupanther in 2006, they received critical acclaim, which put the pressure on the group to follow up with similar success.  Four years later, the band has finally prepared the next installment in their catalogue, The Courage of Others.  Influences for the album are said to rest somewhere in the British-folk era, but would the four years since their last release match the acclaim the band received last go round?

Upon first listen, “Acts of Man” opens the introduction with Tim Smith’s trademark vocals, seemingly floating on the winds.  As a completed song, it does have the wintry affect one would associate with a lot of 60s folk-undertakings, marked most notably by the way the guitar is strummed.  Still, there isn’t a wow factor, or something that stands out as brilliant, like “Roscoe,” but it’s only the first track.

But, herein likes the problem with The Courage of Others; you can make it through the first four songs of the album, and nothing really differentiates itself; nothing is begging for you to come back for a repeat visit.  Admittedly, all the songs are pleasant enough, with gentle guitars and Smith’s floating vocals, which can’t really hurt the overall value of the album.  However, it doesn’t bode well that nothing really seems to change in the craftsmanship of the songs either; they all sort of stay in the same place, as if they’ve been created as small pieces to fit into a larger puzzle.

“Fortune” is one of the few songs on the album where the approach to writing the music seems to have been altered.  It’s got little to no percussion, and the song rests on the idea that Smith appears as some sort of musical bard, just picking his way through his life.  It also touches with imagery that is more personal than some of the more nature related themes you’ll find elsewhere on the The Courage of Others.

This isn’t to say that all the blandness doesn’t have its rewards.  “Bring It Down” is worthy of repeated listens, and though it clearly has roots in the past, the barely audible female vocal buried beneath the lead vocal tracks adds an extra bit of layering that the entire album could of used as a whole.  “In the Ground” is another number that grows with repeats.  It begins a bit slow, but there’s just a bit of a quiver in the vocal delivery, which does just enough to make it come across a bit differently, though those flutes (are they horns) get a touch annoying.

After four years of waiting, you would have hoped that the next work from Midlake was as rewarding as their previous effort, but it seems that letting the songs fester for too long might have led the band down the path towards complacency.  For what its worth, The Courage of Others is listenable, but other than that, it’s far short of remarkable, which makes it a disappointment to many, if not most.

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