Joyce Manor Share I Know Where Mark Chen Lives
I think if Bob Nanna was working in the modern pop scene, he’d probably sound an awful lot like this new Joyce Manor single, and I mean that in the best way. There’s something about Barry Johnson’s delivery in the middle of the verses that just has this natural bounce to it, and in doing so, it opens up the chorus for this massive hook. That chorus hits you with this explosiveness that doesn’t shy away from being catchy, embracing the band’s lineage and pushing forward simultaneously. Personally, I’m drawn to their naturalness, if that makes sense, as the track’s don’t seem put on or like their mimicking their heroes, so it’s refreshing to hear a song hit in this fashion. Looking forward to I Used to Go to This Bar, out January 30th via Epitaph.

Billy Childish shouldn’t be a surprise name popping up on our end, especially as his project
Amidst the year end goings-ons, I kept trying to circle back towards
Just before the end of the year rang out, we brought you news of a new act from Sweden helmed by the Angergard brothers; the duo are known for their roles in Red Sleeping Beauty and Club 8, respectively, but they recruited Eleni Tzavara for vocals as they kicked off Milano Flash. Once 2026 hit, the band wasted no time dropping this heavily synthetic banger; the thumping alone got me excited, but then they added some nostalgic “whoa oh” moments throughout to maximize the hooks. Eleni’s performance almost feels like its disco-adjacent, smoky and nearing digitalization, with each line delivered as the groove punches through the roof. Have a little fun with this ditty.
It amazes me how indifferent the indie scene seems to be to
Welcome to 2026 my friends! Thought I would kick off this year with a tune from
November was filled with tons of last minute releases, often overlooked as folks hustled towards their list-making. One record I’ve been digging a lot is The Love Synthesis LP from