Author: nathan.lankford

Red Sleeping Beauty Cover Zara Larsson

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I have no idea who Zara Larsson is (though I remedied that with a quick google search), but I do know I love anything the Red Sleeping Beauty team pull off. They drive their synth-laden pop into overdrive on this cover, pulling back with the memorable chorus that starts with “I want you to ruin my life.” It seems like the perfect chorus for this band of pop enthusiasts, so it’s possible I might only hear it from now on as a RSB original. If you need a good pop song, I think you need this one real bad.

Hutch Harris Quietly Releases Solo LP

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I’m not sure how much fanfare there will be in regards to Hutch Harris‘ solo LP, his first post-Thermals release, but I’m going to give him some love. The songs on Only Water are as catchy as anything Hutch kicked out with his old outfit, but the whole album is charmingly underdone, production-wise. It gives the whole thing this DIY aesthetic that reminds me a lot of Ted Leo’s Tyranny of Distance. Maybe it’s because I came of age with the Thermals, and I’m nostalgically listening in on one of its key songwriters, but I think if you listen through its entirety, you’ll find that Hutch still has that incredible gift we all appreciate. I know I sure as fuck do.

Indiepop Fans Should Keep an Eye on Jan Flu

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It’s Monday, and it’s the end of the year, so this post isn’t our typical post, but worthy for indiepop music fans nonetheless. Japan’s Jan Flu reached out over the weekend to share a video of themselves recording their latest album. It took me all of about 13 seconds to realize that while I don’t know anything about the band, I absolutely love them. They sound like a prettier version of Literature, with a deeper vocal presence that actually gives it this indiepop timelessness. All they have available at the moment is this their debut After Image that you can stream on the Spotify HERE, but wanted you to just get ready for great things.

The Perfect Indiepop from The Perfect English Weather

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The more I see indiepop used as a descriptor, the more I try to decipher what exactly it all means. In my mind, the music being crafted by Simon and Wendy (of Popguns fame), is the ideal indiepop sound, if only for those that appreciate the softer underbelly of the genre. As the Perfect English Weather, the duo have been crafting these songs of fond yearning; I love how the guitar work is textured and subtle, setting up Wendy for her beautiful vocal display. I always feel better having listened to the group, and I assume that’s the feeling I’ll get from the band’s next album, Don’t You Wanna Feel the Rain, released by Matinee Recordings next week.

Give Brutus VIII a Chance

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There’s not a lot out in the world that sounds like Brutus VIII, the project of Jackson Katz (Slow Hollows). He just released his album AHackney Pursuit within the last few weeks, and now there’s this great video for “Watch Me Dive.” The song has this pulsating rhythmic push, driving you forward, and the deep throaty vocals are definitely something that gives the sense of a enchanting peculiarity to the track. The video is black and white, with a no-faced stranger dancing and grooving to the music. It’s not your run of the mill electronica, and for that, I encourage you to go enjoy the song.

Burning House Bring Out Noisyy Shoegaze

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Burning House have quiet a live tour resume, having played with Wire, Moon Duo and Shonen Knife (to name but a few), and lucky for us, their new single has the punch to illustrate why the band is such a hot commodity. This track, if you peeled back the pop sensibility, would be a pretty heavy banger, filled with noisy guitar noodling and walls of feedback. But, the reason I love it is the gentle feel of the vocals, set perfectly against the sonic wall; it sort of reminds me of the shoegaze version of my late 90s heroes The Comas. Turn this jam up.

Gentle Pop from Toledo

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Some days I want my rock n’ roll nice and loud, some days I want it with a little jangle, but in the case of Toledo, I want my rock n’ roll nice and chilled out today. The group just dropped the latest single from their Hot Stuff EP, and while it takes on some dreamy tendencies in the meandering guitars, it’s a very settled piece of guitar pop music. I love how there’s this delicate quality to the vocals, as if they’re afraid that they could shatter the rest of the song by bursting forth. It’s the best sort of guitar tune, letting you drift off into your weekend adventures, at least mentally.

Boy Least Likely To Share New Single

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I still find a place in life to throw in a Boy Least Likely To track from time to time, so it’s great to have a brand new track to throw in the mix. This tune comes with the announcement of the band’s Greatest Hits collection, grabbing all the singles from the four studio records, not to mention a studio version of George Michael’s “Faith,” and the brand new single below. It captures the spritely spirit of the band, always playful, forever infectious. They remain one of those bands that you can’t help but sing along with, even if its as silly as singing about hitching your apple wagon.

Brand New Bayonne Music

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We’ve long been supporters of Roger Sellers and his Bayonne project; he’s been one of Austin’s most creative artists over the last several years. For those unfamiliar, just listen below, as Roger builds layer upon layer, honing in on just the right dose of pop sensibility to guarantee listeners always come back for more. There’s quite a bit going on behind this track, so it’ll be interesting to see Roger pull those textures out in the live setting. I bet we get a chance at that real soon, as Roger’s just announced Drastic Measures, his new LP, which will drop in February of next year!

Cherry Glazerr Shares Daddi

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In the first 20 seconds of this brand new Cherry Glazerr tune, you quickly realize that Clementine and her posse are changing things up a bit…but really just a bit. You get 45 seconds of almost playful vocals and electronic beats; it seems to work with the nervous questioning of the lyrics at this point. But, then Creevy lets loose on the guitar, emphatically taking back control of everything; it could be a nameless narrator or it could be Creevy herself, but whoever comes out in the chorus is doing things on their own terms. I thought I loved the early stuff, but this is a really great song, balanced between hooks and the bravado that the band always bring to the live setting. This track will appear on the group’s new LP, Stuffed & Ready, which drops on Secretly Canadian on February 1st.

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