Category: News

Kaputt Share Carnage Hall

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Glaswegian act Kaputt seem to have answered a call of sorts put forth to them by many a no-wave act, most recently with Bodega coming to mind. For starters, the band’s spinning their political sensibilities in this tightly manufactured no-punk. The title-track from their forthcoming release is filled with these saxophone skronks and feverish bounce that’s sure to get an audience up and about; this all leads to a riotous tension that seems to put the band and listener on edge, shooting off-kilter chords to a calamitous close. Just imagine a less-formulaic Parquet Courts and you’re in the ballpark here. Carnage Hall drops on September 27th via Upset the Rhythm.

Thoughtful Post-Punk from Shiny Darkly

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Danish outfit Shiny Darkly most recently dropped their Bronze LP, but as of today, they’ve got something that seems most fitting of their band name. They’ve employed Sharin Foo of the Raveonettes to join in on the main vocal role in their new track; they craft this mesmerizing post-punk soundscape that draws in the listener rather than frighten them with squalls of beautiful guitars. The guitars are clean, working over what sounds like a digital drum loop; the vocals weave themselves around the negative space, creeping in with a slight curled pop billow during the chorus. A nice way to join in on your Monday, don’t ya think? This track will appear on the Crunchy Frog 25th Anniversary Compilation.

Michael Bain Shares Dad Rock Video + Austin Show

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Earlier this Summer, Sun June member Michael Bain released Tidal Ways; it had some slight sonic nods to SJ, but clearly he’s found a sound entirely his own. You’ll find that guitar lines are sharp and crisp, while his vocals have a little studio growl to them; the percussion seems almost entirely played on the rim of the drum. It almost seem to have this nice haze upon it, which at times, seems matched by the imagery of the accompanying video. If you fancy the sound, you can find the whole album available HERE. But, if you’re super lucky and live in Austin, you can catch Michael playing at the Mohawk tomorrow night; he’ll be joined by our dear friend David Israel, as well as Thank Light; more info HERE.

Our Ithaca Creek Release It’s 09 and the Future Looks Good

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I’m a little weary of buying into the story of Our Ithaca Creek, as there seem to be various accounts of the creation of both band and this album, It’s 09 and the Future Looks Good; I can live with just a hint of mystery. All I know is that I’ve really been enjoying the album’s lead single all weekend long, which really has its own sound, and while sounding great, doesn’t wholly fit into my own preconceived notions of current Aussie music. There’s this softness in the chorus that sort of gets stomped out, like they’re kicking down the door to save the world. The rest of the song seems to have this similar wistful feeling, like we’re out here searching for great answers to life’s questions; there’s a lot of promise in the future, if you care to look.

Have A Nice Weekend

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I continue to be amazed by the highly ambitious Drift project Underworld set out on, to release a song with a visual every Thursday. Yes, some have been re-imagined works, but the excitement is in new material that is good most of the time, and phenomenal the rest of the time. Check out the latest release “Imagine A Box”.

Aside from that, it is a fun weekend for shows, especially Saturday with Missions doing a record release on one stage at Barracuda, locals covering Radiohaed songs on the other. Cheer Up has ATH faves like Annabelle Chairlegs and Go Fever, while next door Black Pumas will be on night two of three in a row at Mohawk. I’ll leave you with a favorite cut from Missions great album Subcreature. “Glimmer” drifts in and evolves to a fantastic exit.

Kae Astra Joins Mod Out

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At a recent show, I was rather impressed with Kae Astra. The artist recently joined the Modern Outsider family with an EP on deck for later this fall. Here is the first single, “Medicate”. Perusing info from the press details, the new record has a strong team behind it with the mix by Danny Reisch who has worked with Wye Oak, The Octopus Project and White Denim and mastered by Dave Cooley who has worked with M83, Animal Collective and Washed Out.

Helenor Shares “Fall Off”

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Helenor is the project of David DiAngelis, Boston based indie rocker, who is on his way to releasing his debut LP, something twice. He’s already dropped a slew of great tracks from that release, but today’s offering is “Fall Off,” which is a mellow and unassuming song that really opens up towards the end of the track. What starts out as a bit of a twee psych track jangles along, with DiAngelis’ meek vocals gracefully leading you. The guitars are sleek and refined, with twinkling synth elements and doo wop esque backing vocals joining the mix before a nice little instrumental break down at the end. Take a listen below and look out for more from Helenor soon.

Pleased to Meet You: Chad

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Okay, so I know a lot of Chad’s but this is Chad, the band! It’s the new project from Sarah Lane and her partner Trevor; Sarah appeared on these pages quite a bit not too long ago. The band have only recently formed, and already there’s an EP on the way; it features the slow dance jam below. For me, this song is all about the sonic landscape the band have set up; it relies upon this precision rhythm moments that steady the entire tune, allowing for the guitar to move in and out and provide accents where needed. The important in all of that is that it rights the ship, so to speak, leaving this playground for Lane to put down her smoky vocals as the song bobs and weaves its way through. Their EP will drop later this Fall.

Spinning Coin Share B-Side

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I wish more people wrote tracks like Spinning Coin; they have this knack of tying their songs into things I adore about music. There’s this stream-of-consciousness vocal delivery, offering commentary on one’s desire for a momentary drop out of the world that never quite comes to fruition. Musically, they’ve got it all. The opening 20 seconds or so of guitar sound just feel like home; it’s not quite jangle but definitely in my wheelhouse. They go on to combine vocals, not quite harmonizing but supporting one another…all dreamily drawing out the song’s chorus. Plus, they even step on the pedal to offer some fuzzy riffs later on in the tune, always returning to their poppier craft. So damn good. This is the B-side to their new 7″ for Domino, out August 30th.

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