Driving Pop from Get a Life
There’s something about Chase DeMaster’s writing for Get a Life that seems built for the every-man. It’s accessible and hook-laden, crafted with just enough flare of indifference to make the cool kids swoon. It probably doesn’t hurt that Yuuki Matthews (Shins) handled the production for the recording; it’s clear that there’s a sense of layered pop sensibility, particularly in the way vocals are trapped on top of one another. Of course, no great pop song is complete with out its ability to relate to the listener, so just spend time listening to all the people telling Chase to get a job in this song. You’ll know exactly how he feels, which likely means we’ll all find ourselves relating to the hooks and lyrics from the band’s new album, Our Band Could Be Your Life, out next February.
Yesterday I compiled a huge list of traditional indiepop, my own Best of 2018 for the genre. In there, I exclaimed how I was really digging into Indonesian indiepop scene, but apparently I hadn’t dug deep enough because a friend pointed me towards 
I feel like 
In case you didn’t notice our earlier Best of Indiepop, we’re huge 
Everyone has their own definition of indiepop; but I tend to ascribe to the original craft where DIY aesthetics and a softer response to punk were all the rage. But, to each their own. So I went through last year to compile what I think is a pretty all encompassing Best of Indiepop 2018; there’s no order, just a collection of really great indiepop. Some of the below are songs, some are albums, some are just bands or labels that were important. Click on for my picks and a playful playlist. 
We haven’t heard from 