Category: Tunes

Pop Vibes from Steve Buscemi’s Dreamy Eyes

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Those of you in search of dreamy pop from Sweden need look no further than Steve Buscemi’s Dreamy Eyes. The up-and-coming act just dropped this delicious new single from their forthcoming EP. It opens with a delicate guitar line walking over the percussion. Vocals slowly enter picture, taking on deep tones to match the song’s mood. Eventually, they rise into the ether, shimmering in the most captivating manner…with added touches from the band providing more textural depth to the tune. Look for Four Waters to drop on November 24th via Rama Lama Records.

Even More New Mammoth Penguins

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Fresh off the release of their thematic John Doe release, Mammoth Penguins are already back with a new release, this time curated by Fortuna Pop (the label that refuses to die). These delightful two tracks appear as part of Kingfisher Bluez Singles Club, which has 12 7″ curated by some of their favorite labels/friends. It’s a subscription series, and if this is where the club starts…then we’re in for a good ride. I love the patience shown on the opening track of this 7″, waiting until the 1 minute mark to unleash its beautiful fury. The B-side is a subtle charmer, illustrating yet again why we love whatever Emma Kupa touches. If the 7″ club is your thing, do it…otherwise just enjoy these great jams.

New Music from Most Likely (formerly Planet Manhood)

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You read that right, Planet Manhood is no more. Instead, Sam Houdek (who also plays in Growl) has changed the name of his project to Most Likely. With that name change also comes new music, hinting at a future LP in the works. Perhaps my ears are deceiving me, but his vocal work here seems to recall the early stuff of Elf Power (my favorite EP period), and you’ll also get some of Sam’s signature guitar sound, even as he needles away at bent strings and feedback. We already loved the work of Planet Manhood, and with more great songs, wouldn’t expect anything to change, other than the name. Enjoy Most Likely.

The She’s Drop New Video

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Much has been said on ATH about San Francisco indie rockers The She’s over the last couple of years or so. It’s clear we are fans right? I’m continuing our fandom of the band with this sweet new single and video for “Sorry”. I love how this band can trick you into thinking this is going to be just simple, sort of upbeat indie rock song, but then they drop in a bridge about 2.5 minutes in with some heavily distorted guitars and power. Check it out below.

The She’s drop all female rock and roll quartet on November 17th via Empty Cellar Records.

New Music from Rainbow Reservoir

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Press play and you’re off, bounding down this quick little number from Rainbow Reservoir, who just announced their brand new LP yesterday. The title track for this number is rather fitting, as “Fuzzy” guitar dominates the track, though don’t think the band left out the hooks. Angela Space’s performance makes the number an undeniable hit, vibrant and emphatic, the way the best performers do. You’ll be happy to know that Channel Hanna is being handled by the very esteemed Oddbox Records; the release date is set for January 26th.

New Music from Odd Hope

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A few years ago Odd Hope released a simple single on Fruits & Flowers, and it was enchanting; it still plays in many of my playlists to this day. And quietly, the group just announced another release, with this charming pop ditty. The bending guitar notes move quickly into a tight little jangle, matched by a delicate vocal that leads to the chorus of “I’ll still love you.” It’s really just a simple pop song that is executed so perfectly that you’ll be playing it over and over again the rest of the day. Look for a new release from the band on November 16th.

The Jesus and the Mary Chain @ Emos (Tomorrow Night)

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Thirty plus years into their career, and people, such as myself, are still clamoring to catch The Jesus and Mary Chainlive. I’ve been fortunate enough to catch the legendary act twice, though both have been at festivals, so perhaps the intimacy was missing…until now. Tomorrow night in Austin, the Scottish act will grace Emos, allowing those in attendance to get just a little bit closer to the band. They’re touring in support of their recent album, Damage and Joy, which was their first release of original material in almost 20 years. Even if you haven’t listened to that new LP, they’re guaranteed to play some of their “hits,” so fans will be sure to get a taste of nostalgia. Plus, the Dig are opening up, who’ve started to map out some solid performances in their own right, so be sure to show up early.

Doors are at 7 PM; tickets still available HERE.

A New Release from Freshcard and Stanley Brinks

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Both Freshcard and Stanley Brinks feature here on the site many a time, and they’re back with a brand new collection of songs titled Midnight Tequila. While the two tend to wear their folk influences, this batch of tracks really seems to stretch the genre, especially on tracks like “Africa” or “I’m the Boss.” Every song has redeeming qualities, though admittedly I’m partial to “Limestone” and “Olives and Wine.” You can stream the whole ten songs just below, and if you’re so inclined, you can order the CD version directly from Freshcard.

New Music from Soltero

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Soltero has been fairly quiet over the last several years, but you can’t keep a good songwriter down. This Friday Tim Howard will released Western Medicine Blues, and fans of literary folk will want to take note. He opens this new song with careful wordplay over lightly strummed chords; this would normally be enough to win me over, but Howard isn’t settled with just enough. Backing vocals enter just after the 1 minute mark, guitar chords become more pronounced in the mix…then we’re off with percussion rolling and guitar accompanying guitar flares. If you find this song as endearing as I, then look for the new album to drop on Friday!

Airy Indiepop from The Seashells

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It’s been just about two years since we last heard new music from The Seashells, and thankfully, they’ve just unleashed this delicate indiepop gem to warm you today. An angular guitar line is the dominant instrument here, working atop programmed drums loops as the charm of the vocals wash over you. Very slight backing vocals seep in, but the mood is still dominated by those guitar lines and the soft presentation of the lyrics. Mondays are made for being unexpectedly charmed, and this track does just that; we’ll keep you updated on release news if it comes our way.

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