Digging This Fist City Tune

fisterI hadn’t really heard of the angular post-rock of Fist City until this latest single bounced into my inbox, yet it’s sloppy in all the right places, making it the perfect tune for this Friday.  There’s definitely an inner tenacity in the band’s sound (especially if you look at the title of the single, “Fuck Cops”), and things are loose enough in both the playing and the recording that it fills you with just enough angst to have a little fun doing something dangerous. They’ll be releasing Everything Is a Mess on June 23rd via Transgressive Records.

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Pulsating Pop from VOWS

wvosListening back to this latest tune from Vows, I’m finding this odd mixture where Caribou meets the world of the Flaming Lips.  It’s a strange sensation, sometimes pulsating with electronic magic, yet still holding onto what one would call a sense of oddity.  The oddball  sensation definitely permeates through this track, yet the groove ultimately fulfills your listening needs, giving you a little bit more oomph in your step.  Soon Enough Love, their next release, will be released later this summer via Vermont’s Section Sign Records.

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Here’s the Next Guantanamo Baywatch Single

gbI have an inkling that it’s going to be a really good year for the trio that is Guantanamo Baywatch.  They had a really good buzz both before and after SXSW, and the more we hear from their forthcoming album, the more we here at ATH are falling in love.  Their latest track has the band falling in line with like-minded artists the Shivas or Shannon and the Clams; the bands all have a knack for blending elements of garage rock with the purity of doo-wop.  It’s the sort of tunes you’d play to let your folks get hip to your good tastes.  Look for Darling…It’s Too Late, their latest, on May 12th by way of Suicide Squeeze.

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Toro Y Moi – What For?

toroRating: ★★★☆☆

Over the past five years, we’ve seen many stages of Toro Y Moi as expressed through Chaz Bundick’s prolific musical career. He’s had ups and downs through this journey of soulful indie and synth pop. What For? makes for his fourth LP under this moniker, and its one filled with a mix of tracks to delight in their pop grooves.

Opening track, “What You Want,” is a good expression of what the album as a whole holds for you in that the song blends a few genres while holding onto that distinctively groovy Toro Y Moi sound. Its got licks of cutting high and low electric guitar, streaming synths that fill in the gaps. You also get Bundick playing around a bit vocally, with some exclamatory yips and yalps. While I like this song as an opening track, as it eases you into the music, I am far more interested in the second track “Buffalo,” which sounds like a mix of a 70’s disco track mixed with the indie pop of today. Lyrically, this song plays around even more than the first one, running with the disco-vibe, and Bundick spits out couplets super quickly: “And you see the buffalo/just another one in the road.” The track also utilizes start and stop to create some drama, and just that easily you’re hooked.

The singles that we’ve already been graced with hearing make up the majority of the standout tracks on the album. Take “Empty Nesters,” as an example of pretty straightforward indie pop track, but a good one nonetheless. Later on there’s the positively groovy “Spell It Out,” which has got to be one of my favorites, if not my favorite track from this album because it grips you and holds you for its duration. The guitars on here are funky and psychedelic, swirling around the song with ease, almost giving you a bit of an Ariel Pink feel to it. Building on itself, the song really goes for that disco-pysch rock feel to it, blossoming into something you can surely get your feet dancing to.

The problem with What For? is that the good tracks really shine above the rest of the album. You’ll find yourself skipping airy tracks to get to those meaty grooves on which Bundick shines. When the album is good, it’s really good, but when you’re not in those solid tracks you can easily lose focus on the music at hand. In the future, the challenge for Toro Y Moi is to create a more cohesive work, but for now I’m okay with skipping some tracks now and then.

 

 

Love Me Some Quiet Folk From Axel Flóvent

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While I’m always a sucker for music on the folksier side of things, often I’m not easily impressed by all kinds of this music. Rather, I wait for those tracks that really knock me off my feet, and “Forest Fires” is one of those. Axel Flóvent is an Icelandic gentleman who is putting out a new EP on May 25th that shares the same title of this track from it. Once you listen to this song you’ll know that you’ll have to pick that up; this track ebbs and flows naturally but with a force behind the acoustic guitar and entrancing vocals that push the boundaries of what you expected from a folk song.

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Soft Ballad from The Weather Station

weatherThe tunes today have been pretty amped up, for the most part, so I was lucky to run across this really warm ballad from The Weather Station, which is the project of Toronto’s Tamara Lindeman. I really the sound of the guitar on this tune; it’s light, but there’s this whimsical touch to it, reinforced by the extra musical flourish that occurs around the 1.5 minute mark.  It doesn’t hurt that the instrumentation is the perfect playscape for Lindeman’s voice either.  She’ll be releasing her album, Loyalty, on Paradise of Bachelors on May 12th.

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ATX Spotlight: Legendary Skies Release Novarupta (4/10)

11081179_1091877397495744_644842800649873449_nAustin’s been known to host an instrumental post-rock act or two…from Balmorhea to Explosions in the Sky, and everything in between.  Enter Legendary Skies, one of the newer acts on the scene, who are ready to unleash their album Novarupta to the Austin masses (and hopefully beyond). Interestingly, the band draw from all the forebears in our local post-rock scene, building crash atop crash, yet always falling in step with more intricate guitar pieces made for long drives along sparse Texas highways.  Head over to Hole in the Wall this Friday night to catch the band live, and help celebrate the release of their album.

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Damn This White Reaper Tune is a Gem

reapyThere are times when you make a mistake at SXSW.  My big regret, especially after hearing this track, was missing out on White Reaper.  I heard they absolutely killed it, throwing an energetic live set together to match their equally rambunctious tunes.  They seem to have shredded a bit of that psych approach that got them some early attention, wrapping this new song in nothing but huge hooks and solid drumming.  It’s the sort of tune that’ll appeal to your punk friends, but will grab your on-the-fence indie rock bros too.  Their debut album, White Reaper Does It Again, is set for a July 17th release via Polyvinyl Records.

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Premiere: Shy Mirrors Ready New LP

7076592515_9e13e8dfcd_oThe moment the discordant guitars blasted through my headphones on the new Shy Mirrors single, I was absolutely hooked.  It’s a sound that resonates with a great bit of my music collection, especially when Mike Downey’s vocals join the distorted track, similar to the voice of Mac of Superchunk.  I love the track’s gritty lo-fi style, bringing about a sort of indie rock crunchiness that puts you on edge, while endearing itself simultaneously.  You love great pop songs offered on a platter with a side of distortion and passion? Then you’ll definitely need to get your hands on Dodging the Column, which is available this week via Mirror Universe Tapes.

Enjoy This Tasty Mumrunner Tune

solitiThe new Mumrunner hit my inbox a short while ago, and I’m happy to share one of the five songs offered on the extended play with you today.  There’s an immediacy that hits your ears right away with guitar lines and drums crashing into your eardrums, just before an airy vocal washes atop the track.  It identifies the band as something of an outlier, applying their trade as mixers of 2000s alternative and modern dream pop; usually you get one or the other, so this one is definitely refreshing. The Full Blossom EP will be ready for your ears in its entirety on May 15th, courtesy of Soliti Music.

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