Download Lost Track from Sister Flo

floRecently I posted about the Finnish legend, Sister Flo, trying to get some love for the band in honor of the group releasing Tragician’s Hat on its 10 Year Anniversary…it features a whole disc of unreleased tunes.  But, one tune that was lost to the world that unfortunately didn’t make it onto the collection of rarities is “The Look.”  Clerical errors and Finnish gnomes are said to be to blame, but Soliti Music is now offering the dream track for free download.  Those of you who long for the days of Grandaddy and the like will find yourself absolutely in love, which will hopefully encourage you to go back and discover the band for the first time; you’ll be happy you gave it some spins.  Soliti has the album for sale HERE.

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Download: Sister Flo – The Look [MP3]

Show Preview: Shivery Shakes and Templo X @ Mohawk (9.16)

Shivery ShakesRock n’ roll season is in full swing here in Austin, and there’s a great local show that requires your attendance on Tuesday evening at the Mohawk.  Our boys in Shivery Shakes will be headlining the night, and we love them so much we’re releasing their debut LP in October with our friends from Punctum Records.  But, let’s not forget Templo X is playing.  One member currently resides in Philly, while the rest of the band is staying local.  Sounds like the making of a great history that’s not too far off from the one begun by our boys in Literature.  Ultraviolet open up the night, so show up early to make sure we’re all supporting the local jams.

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Download: Shivery Shakes – Sidewalk Talk [MP3]

She Keeps Bees – Eight Houses

skbRating: ★★★★☆

Ever since 2006, She Keeps Bees, hailing from Brooklyn, have been creating under-the- radar blues-inspired rock music. They have three records already under their belt, but chances are Eight Houses is the first you’ve heard of the group, as they’ve somehow evaded popularity. Consisting of Jessica Larrabee on vocals and guitar and Andy LaPlant on drums, the duo has generated a fourth, slow burning and soul itching album in Eight Houses.

To say that Eight Houses is a light record may be one of the biggest possible understatements that you could make—their sound here simply aches with the blues at every twist and turn. “Feather Lighter” begins this trip down the soulful winding road by showing the more mellow face of this group. The start out here with a slowly haunting number—the track really only consists of Larrabee’s retro-vocals, guitar, drums, and a hint of piano. Instead, the group lets the vocals and lyrics dominate the song, which serves to warm you up a little bit before they bust out the rock next on “Breezy.” Whereas the opening number had the band reserved in their little world, the second song sees a fire lit underneath them, which you can hear clearly in the vocals and the new presence of growling electric guitar. This song introduces you into the burning element that She Keeps Bees encapsulates so perfectly; especially the last break down, or rather build up, that they end the number with. Larrabee’s voice is pushed to its max as the guitar gets gritty and intensifies.

However, while the album is quite heavy, at no point does it feel overly weighty or grueling to listen to. A large part of this seems to come from the tempering of this heaviness with the simplicity of some tracks that don’t try to overcomplicate the tunes, similar to the style of bands like Wye Oak. This is especially apparent on the last track of the album “Is What It Is,” which features Sharon Van Etten on backing vocals. The song begins with just vocals and drums, laying it out to you earnestly and letting you come to it on your own. Though this is the way the song starts, when Larrabee strikes out with the line “Do not surrender,” her voice quivering with force, you can feel the tugging of this emotionally charged music pulling you in. It’s a gorgeous and simple end to the album.

Though it was somehow possible that you had yet to encounter She Keeps Bees, I do not see this being a probable phenomenon after this album starts to makes its way around the indie-sphere. This comes with good reason; don’t be the last to get on board with Eight Houses and its epic simplicity.

Song Premiere: New Tune from Glass Ghost

glassesThe folks in Dirty Projectors and Here We Go Magic have been crafting arty pop music for some time now, and several members of said groups have united again to continue their work as Glass Ghost.  Tomorrow the band will release their album Lyfe on the heralded Western Vinyl, and it’s being met with much anticipation…from us especially.  In this single, you’ll find those arty elements, including little touches of sampling and quality lyrical writing.  There’s creativity in the songwriting that you’re not likely to find in other corners of the indie genre.  Be sure to pick up your copy this week.

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Austin Spotlight: Jonly Bonly Unleash New Single

jbIf you did what was right last week, you picked up the excellent Put Together LP from Austin’s Jonly Bonly.  The band, if you haven’t caught wind,  is the project of Jason Smith (formerly of OBN IIIs) and his buddy Stephen Svacina (Sweet Talk).  As always, Jason just kills the guitar licks on this tune; they’ve got an old school rock n’ roll feel while drawing some similarities to modern acts such as Parquet Courts.  This album’s filled with really sharp guitar playing, energy and a cock-sure attitude; you should head over to 12XU Records and pick it up now!

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Austin Spotlight: Institute Sign to Sacred Bones

institootSeems like Austin has had a pretty good year, musically speaking.  Bands from all corners are getting a lot of much deserved recognition for their work, and I’m really impressed with this new tune that’s been hopping around by Institute.  The act features members of a lot of local acts you should be familiar with like Wiccans or Glue, though this new entity seems pretty impressive.  They’ve signed on with the great Sacred Bones Records to release their Salt EP, and since I didn’t get around to it earlier, I’m getting you amped now.  The rhythm section owns this song for sure.  Pick up the EP on October 14th.

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Guitar Pop from Pity Sex

pityI have a sneaking suspicion that this tune will get a lot of play on my list for the next few weeks.  It’s the perfect sort of guitar pop, using distorted guitars to  wrap the band’s pop sensibility in a gentle blanket of noise.  There’s even a nice balance between male and female counterparts in Pity Sex.  This song features on the group’s new split 7″ which they will be sharing with Adventures; it’s slated for a October 7th release via Run for Cover Records.  It’s a nice jam to wrap up your Friday listening.

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Glam Light from Evil Arrows

evolI was looking for something a little bit softer on this Friday for your ears, so I’m lucky this tune from Evil Arrows came through to us.  Of course, it’s not entirely an ode to glam rock; there are touches of psychedelic endeavors here too, though I just love the sound of the guitars. It also doesn’t really seem to fit into any particular sphere of music, which is refreshing in and of itself.  Their new effort, EP 4, will be released on September 30th, and I think there’s definitely a need for you to give it a good solid listen.  See for yourself.

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Tennis – Ritual in Repeat

TennisRiR1500px-608x608Rating: ★★★½☆

A few years ago, I heard a lot of buzz around the husband and wife duo, Tennis, from Denver, but somehow I never got around to really introducing myself to the band. Needless to say, I missed not one, but two albums from the group, as Ritual in Repeat marks their third full-length studio effort of groovy indie pop dance music, and it seems like this time around their challenge is to create an album with more that just a few killer singles.

They start the album out with a slow opener in “Night Vision,” which has these tinny drums that roll along from the very beginning. Alaina Moore’s sugarcoated vocals dance around the drums and a bob-your-head-to-it bass line, while the track builds up to its catchy chorus. It’s a good little warm-up number, but it gives me the impression that the band is holding back. While the chorus is a burst of energy, the rest of the song comes across as just filling space before the band really gets going. The real song that catches your attention and begs you to get on your feet is “Never Work For Free,” which follows the first track. Instantly, from the second the first drumbeat hits you square in the face, Tennis just takes off. You get these electric guitar riffs streaming in with just the right amount of rock to balance out the jumpy drums while Moore’s vocals get playful, pushing themselves for the chorus while a backing vocal track of quick “ohs” loop over. It’s simply a great pop song that will get stuck in your head for long periods of time.

Other solid numbers come later on and are scattered around in the scheme of the album. Immediately you get to “I’m Callin’” after the first few tracks and you’re taken back to the seventies in a little bit of a disco vibe as synths bee-bop through the song. Further into the thick of it you have a more lo-fi tinged number in “Solar on the Rise.” The slightly gritty guitar on this number that cuts through the fuzzy drums and vocals makes the track stick out from the rest as you get down the last stretch of jams.

When you listen to this album all the way through, while cleaning your house, or doing your every day chores, it’s easy to let it play all the way through while dancing away—Tennis will keep you doing just that. However, when you go back to listen to each individual track, there’s a handful of songs that stand above the rest on Ritual in Repeat. It’s up to you to find them.

Dream Pop from Another Green World

agwMy mind is all over the place, so it makes sense that my musical tastes today are all over the place.  Right now, I’m feeling the synth dreamscape crafted by Another Green World.  It’d be easy just to throw the music in with an ode to Brian Eno, but there’s more of a wash of distortion that’s reminiscent of the work of every 80s band and those that followed in their shoegazing footsteps.  I like the string emphasis that leaks through my speakers; it’s a nice little touch. Look for his new album, Memorial, to come out on October 12th…you can also visit his site and revisit his older sonic constructions.

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