Show Preview: Mirror Travel Tour Kickoff @ Hotel Vegas (10.15)

mirrortravel

Date Tuesday, October 15th
Location Hotel Vegas
Doors 10:00 PM
Tickets Cheap


Formerly Follow That Bird, Austin’s Mirror Travel are prepared to make waves all across the United States.  Their new album, Mexico, is being released tomorrow by Modern Outsider, which happens to coincide with their tour kick off set over at Hotel Vegas.  You’ve got to be there to check out these great new tunes, and to show support by buying things so they can pay for gas as they conquer the States. They’ll be joined by Suspirians and RF Shannon on the night, making it an event you can’t miss.  Plus, it’s indoors, so you have a chance to stay dry during a rock show. Be there or be square, says I.

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The Black Watch – The End of When

theblackwatch-coverRating: ★★★★☆

No matter the line-up or the slight changes in sound, one thing you can always be sure of is that The Black Watch are possibly the most consistent act to ever release music in the underground scene.  The band’s latest effort, The End of When, is just another fine example of a group that puts great songwriting at the forefront, leaving you with 11 tracks that will please any music fan.

Like most things, there’s really two sides to the opening track, “Don’t Feel the Same.”  It’s bubbling bass line works in step with the delivery of the vocals, providing listeners with an emotional attachment that’s built for singing along.  But, the guitar lines are filled with discordant noise that seem to work against the inner design of the track.  Somehow, its cohesive and enthralling, sucking you into the record from the get-go. And as you move along, the softer side of the band emerges on the following tune, “Meg.”  I don’t know whether it’s the presence of former Chills guitarist Steven Schayer or the band is just this good, but the guitars alone make every second of this song stand out among the band’s peers.  The gentle quality of the vocals just serves as a reminder that people don’t make pop music like they once did; my only complaint is that it’s the second shortest song on the record.

After spending the last three days with this record playing every chance I get, it’s getting harder and harder to find a bad track within the confines of what The Black Watch have created.  The interplay between guitar and bass on “Oh Oh” is only a precursor to the vocal interplay that comes into the foray later in the song, all leaving you with another gem that you’ll beg to share with your friends. Perhaps you’ll find yourself attracted to the dreamier quality of the vocals on display in “Sum.” The way “again” is drawn out just hits me perfectly every time, as the guitar swirls around each syllable. And then maybe you’re one of those with a soft spot for quiet ballads such as “Unlistening.” It may seem like an outlier in the grand scheme of The End of When, but it’s every bit a song in the vein of the group’s accomplishments, layering loops and strummed strings to encourage the voice.

When you’re finished with the record, you’ll likely come to the same conclusion about this album as I have.  There’s nothing better than a release by The Black Watch.  Their formula, though it’s changed slightly, has always been pretty simple: write incredible songs.  They’ll offer you noise, then follow it up with tune featuring horn enrichment, then turn things back by ringing power-pop guitar work. Sometimes they’ll do it all within one track.  They’re brilliant, and The End of When is just a further reminder that there are only two consistently great bands in the world: The Wedding Present and The Black Watch.

[audio:https://austintownhall.com/wp-content/uploads/2013/08/1-02-Meg.mp3]

Download: The Black Watch – Meg [MP3]

The End of When is available now from Pop Culture Press Records.

 

Screaming Females Rock Again!

screamingfemalesI know this tune’s been all over the place, but it’s really hard for me to support one of my favorite artists, Screaming Females.  Rock n’ roll’s tiniest bad ass just belts note after note throughout the track, while her band set the landscape for a metal stomper that prepares to rupture your ears.  Personally, I love the way Marissa Paternoster plays with her lyrical delivery, often drawing out notes and syllables.  You can find this metal burner on a new split 7″ the band recently put out with Tenement.  So glad Marissa is feeling better and the band is back at rocking.

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Austin Spotlight: Tele Novella

teleThose of you who’ve been following the local Austin scene surely are aware of the blossoming act, Tele Novella, but if not, now’s the time for you take notice.  The group is pretty sensational, creating some of the best pop music to come out of city, and dare I say, the world as a whole.  There’s a soft spin on the vocals for this track, and the construction of the track allows for inspired listeners to take the most out of every spin.  You’ll find the group  releasing their debut 7″, Don’t Be a Stranger, on November 5th, with some great Texas gigs lined up.  Going to be a nice year (and beyond) for this four-piece.

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Crystal Antlers – Nothing Is Real

crystalRating: ★★★★½

For two albums, Crystal Antlers have successfully combined their love of noise and hooks to create some pretty fascinating music.  But, that being said, I don’t think anything fully prepared us for Nothing Is Real.  It’s sonically exploratory, yet catchy in every way, showing a band that finally has found the perfect balance between captured raw energy and pop sensibility.

“Pray” slowly drops us into the midst of Nothing Is Real, teasing us momentarily before we’re rushed off with a frantic pace into the realm that we’ve come to know so well from these guys.  There’s a harsh quality to the vocal delivery, yet just beneath that growl, you can hear this pop presence.  It’s made even more clear by the howling “oooh” that lurks in the mix.  For me, the focus on making the negative space into meaningful music is what makes this listen to perfect.  And, as you bounce along in the opening moments of “Rattlesnake” the whole of the record begins to take shape. A slow spoken vocal takes control, before you’re pushed into the erratic shout of “rattlesnake.”  In returning to that softer space you can see just how far the group has come; they’ve built this song just for you.

For most of the record, they stick to the same formula, though I haven’t heard Crystal Antlers execute it as well as they have here.  Even so, there are still some beautiful surprises that I didn’t expect.  “We All Gotta Die” is a sprawling ballad, coming in at just under 6 minutes long.  I fully expected the song to erupt with bombast as the song neared the end, and while there’s definitely a louder sound drawn out, it’s nowhere near the explosion I thought I’d get.  It’s nice to know that bands you adore can still change things up on you from time to time.

Just don’t think that the dudes have gone entirely soft on you; you only need to listen to “Persephone” as proof.  It takes a mere seconds for the distortion to introduce you to the group’s heralded wall of noise, though with their special restraint.  This jam illustrates to me the group’s best dynamic, walking a fine line between insanity and pop stardom.  Just imagine the Fresh and Onlys in a mosh pit. “Better Things” also offers a glimpse at the captivating live aspect of the group, featuring an explosive percussive sound working in unison with these sharp guitar chords and shouted vocals.  I don’t know how they’ve captured this energy, but one can immerse themselves within the confines of a sweaty pit while listening to this track; please be safe.

As a fan of Crystal Antlers, I’ve been waiting for this day.  They’ve always captivated me with their live energy and raw power, yet it hasn’t always translated perfectly to tape.  Nothing Is Real, however, does just that.  It fits the explosive power of a group at the top of their game into a concise album that’s still brimming with accessibility despite its dangerous undertones.  This is an album to be reckoned with for some time to come.

[audio:https://austintownhall.com/wp-content/uploads/2013/10/03-Licorice-Pizza.mp3]

Download: Crystal Antlers – Licorice Pizza [MP3]

ACL Weekend 2 Highlights: Friday (10.11)

Walking into the park this past Friday, I should have seen the warning signs; there was a light drizzling rain as I made my way over to the Samsung Stage to catch Wild Nothing.  It would rain off and on throughout the day, though the weather remained clear until the evening sets. We saw some jams, we did things to our livers.

Read on for my highlights of the day and some snap shots of our man, B.Gray.

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Fresh Jam from Jeffrey Novak

jeffI’ve been a fan of Cheap Time for some time, and I’ve really enjoyed the way the hardworking Jeff Novak has stepped out on his own.  There’s some obvious lineage between his main act and his solo act, but I think this new tune really demonstrates his ability to stand out on his own.  The delivery of the vocals on this song are really catchy, offering up a jangling swing.  Plus, there’s a bit of noisier elements that oddly remind me of the layering Neutral Milk Hotel used to employ.  He’s got a new album titled Lemon Kid coming your way on November 19th via Trouble in Mind Records.

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New Music from Night Terrors of 1927

1370I always wondered what happened to Blake Sennett after Rilo Kiley disbanded and his group, the Elected, had gone quiet.  It appears he’s been working with a friend under the moniker of Night Terrors of 1927.  Yes, it’s a bit much to say, but I’m digging the music that they’re creating. It features this folk-influenced grand ballad approach, though they are trying to diversify by offering some electronic beats in the background during the chorus.  I think the song would survive without that touch, but the soft spot in my heart for Joey the Rat allows me to look the other way.  See what you think as the band ready the release of the Guilty Pleas EP on November 5th.

[audio:https://austintownhall.com/wp-content/uploads/2013/10/youngandvicious.mp3]

Download: Night Terrors of 1927 – Young and Vicious [MP3]

ACL Cancelled – Stay Home

Official Statement released…

AUSTIN – October 13, 2013 – Due to current weather conditions with flash flood warnings, the Austin City Limits Music Festival organizers have canceled the festival today.

“Our first priority is always the safety of our fans, staff and artists,” said Shelby Meade, communications director for C3 Presents, the promoter behind Austin City Limits Music Festival. “We regret having to cancel the show today, but safety always comes first.”

Refunds will be issued automatically by check from Front Gate Tickets within three weeks. One-third of ticket price will be refunded to all ticket buyers based on original ticket price paid, and will be mailed to the billing address on the original order. For questions, please visit support.frontgatetickets.com.

Wow, right? We needed the rain, but we want the party.

Pics of the grounds from last night making their way around the intarwebs.

Show Review: Local Natives ACL Taping (10/10)

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Riding high on the waves of their stunning sophomore release, Hummingbird, Local Natives, from Los Angeles, took the familiar stage of the Moody Theater to a fairly enthusiastic crowd. Sandwiched between the two ACL festival weekends there was chitchat amongst those who had seen the group on the big stage last Friday, who would be seeing them the second weekend, or those who were just lucky enough to catch them at such an intimate venue. Having taken advantage of this bands’ delight in playing in Austin, I knew we were in for a real treat, as these gentlemen pack a great deal of passion and energy into their live shows, and Thursday night was no disappointment.

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