Paper Bird

While stumbling aimlessly around this great city of ours on Saturday night, I had the good fortune of catching an intimate, middle of the night set by Denver, CO band Paper Bird.  Finding a band worth watching at 2 in the morning is pretty rare so I thought I’d throw a little love the way of this Rocky Mountain band.  Paper Bird is a band earning quite a following in their home city of Denver and surrounding areas.  Upon first listen, the 7 piece acoustic band come off sounding like a grassroots old timey folk band with 3 lovely ladies sharing vocal duties.  Oh and those vocals… These 3 ladies might win the award for best female vocals ever.  Yes, they’re that good.  The band is currently touring in support of their 2007 debut LP Anything Nameless and Joymaking.  See what all the fuss is about with hearfelt tune “Sacrifice” below:

[audio:https://austintownhall.com/wp-content/uploads/2008/10/14-sacrifice.mp3]

Download: Paper Bird – Sacrifice

Stream Cardinology On iLike

The not yet released new album by Ryan Adams & The Cardinals, Cardinology, can now be streamed for free on the Facebook iLike page (don’t worry non facebook users, you don’t have to sign up to listen).  The physical edition of the album isn’t out till the 28th, but you can pre-order it now.  I’ve heard the album a few times but I’ll keep my opinion to myself until you guys have had the time to hear it (we aren’t Stereogum).  This is the first full album with the Cardinals added on to Mr. Adams name since the underrated 2005 releases Cold Roses & Jacksonville City Nights.  Anyone ready to form an opinion? 

Sebastien Grainger – Sebastien Grainger & The Mountains

Rating: ★★★½☆

The majority of the world might not recognize the name of Sebastien Grainger, but most of you know who he is, and I’m sure some of you saw him play. Grainger is the former drummer for Death From Above 1979, that dueling barrage of blips and banging that burst onto the scene a few years back. Dude’s on his own now; the question is can he deliver like he used to do when he stood atop his stool breaking our ears and his drums?

Upon first listen, you will immediately discover that Sebastien has long ago departed from the intensity he once carried into our bedrooms. “Love Can Be So Mean,” the opening track, is about as deliberate a step into the pop spectrum of things we could expect him to go; he goes there unexpectedly, but he still brings a punch or two with him.

For some you might hear a touch of his past in a good amount of these songs, as the guitars usually carry a large amount of fuzz with them, much like that horse we’re beating into the ground. Another similarity in transitions is the vocal quality built into these songs; the vocals never sound very clear, coming off muddled in the mix. It’s not horrible, especially since he attaches a lot more melody this go round, but you can still see the shadow of his past looming just over his shoulder.

“I’m All Rage Live 05” is Sebastien doing Wolf Parade, which is okay since they both hail from north of the border, but the most disheartening thing about this song is that Sebastien holds back during the chorus; he has every opportunity to let loose like we know he can, but he holds back instead. It gives a less angst-ridden approach to the song, but most would love to see him belt it out. And it’s clear he has plenty of angst to let out, as evidenced by songs such as “I Hate My Friends.”

There are steps in all sorts of directions here, which makes this album a little unfocused. There are some allusions to 80s power ballads mixed with shadows from his past wrapped around various other late-nineties influences (see Saddle Creek Records, the label releasing this album). You’ll even find more direct approaches to ballads and harmonies, but you won’t find focus. When he’s on, the record has amazing moments worth playing again and again; when he’s not, you just hope he can rein it all in for the next go round. Really, you just want him to let loose completely.  A record without the evident inhibtions from this record could just prove brilliant.

Have a listen to latest single “By Cover of Night” below:

[audio:https://austintownhall.com/wp-content/uploads/2008/10/03-by-cover-of-night-fire-fight.mp3]

Download: Sebastian Grangier – By Cover of Night [MP3]

10/18 Portugal. The Man @ Emo’s

The city of Wasilla, Alaska is best known for one of two things: The first, and the one we keep hearing about in the news, is how the city was once home to vice presidential candidate Sarah Pallin. The second, and much less widely known fact, is that Wasilla was also once called home by members of psych-rock band Portugal. The Man. Regardless of where they came from, the one time Alaskan outfit (now in Portland) known as Portugal. The Man rocked the house at Emo’s on Saturday night. Follow the jump to read more about the show.

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New Music From Trail Of Dead

…And You Will Know Us by the Trail of Dead have some new songs online from their EP released today Festival Thyme.  You can hear the song “Inland Sea” over on Stereogum and “The Bells of Creation (Machete Mix)” on the band’s myspace page.  You can also purchase and download a digital copy of the EP on the Justice Records website today.  If your’re more hands on oriented, the EP is available in limited edition 10″ picture disc vinyl from any fine record store like Waterloo Records.  Is this a return to form for the Austin boys?

The Dears – Missiles

Rating: ★★★★½

Years into the future, we will look back upon the “oughts,” searching for those few bands that we all seemed to forget about, but that completely deserved our love and affection.  Already I can see The Dears being one of those bands; so adored by fans, yet never given the chance to completely blossom before us.  Their latest release, Missiles, again has them chasing down labels, losing members and still coming out on top of the world. They settled with Dangerbird Records in order to release the album in these United States.

Much has been made of singer, Murray Lightburn’s, tendency to come off as a black Morrissey, but throughout this album you get a peak at a more mature Murray, one that is comfortable in his own skin, singing as carefully as his music requires.  Opening track, “Disclaimer” features one of the most laid-back Lightburn vocal performances to date, which is still ridiculously wonderful in its own right.

One of the more apparent attributes of this album, and possibly the one fault, is that this album doesn’t sound quite as complete as The Dears albums from the past.  There are some empty spaces throughout the record, which is most likely due to the loss of every member in the band other than Natalia and Murray.  Although their traditional soundscapes are not nearly as dense as they once were, it makes way for a lot more intimate moments for the listeners, not to mention the full emergence of Natalia’s vocals.  But, most will find that the grandiose soundscapes of typical construction are strikingly absent here.

As usual, there is evidence of a certain sense of melancholy and ruination, as evidenced by songs like “Demons,” but the unique organization of the lyrical content in the songs carefully allows for the continual movement of the songs’ statements.  After all the trials and tribulations of the band, and couple, heading this album, it’s difficult not to empathize with everything they’ve gone through, even in song.

Admirably, they solider on into that good night.  Creating wondrous songs full of lush guitars, ebbs and flows, and subtle defiance.  Many of the songs go beyond the 5 minute mark, which really means you have more of The Dears to listen to night after night.  The build up towards the final launch in “Missiles” is just an example of the mastery this group has over their songs, perfecting nearly every one.

In the end, we might all skip over this one, or this band for that matter.  We may see their absence of credibility with various labels, or the decrease in interest building up to this new album; but, always present will be the incredible songs the group has written, and continues to write, in the face of more adversity than most of us will ever care to endure.

Check out the song “Meltdown in A Major” elsewhere on our website.

White Denim @ Club Deville

A White Denim show has just been added to the bill at Club Deville this Wednesday (10/22).  The Austin boys will be headlining with Dayton garage rock outfit Heartless Bastards opening things up.  Tickets for the show are only $9 and I suggest you buy them now before this thing sells out.  The show is in support of the band’s debut US LP Exposion which you can buy/download today before the November 3rd vinyl release date.  You can also head elswhere on our swanky site to preview the outstanding track “Sitting” from the new album.

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