• Levitation Freakend Friday in Photos

    When the Levitation team made to the decision to move the fest back to being a single site festival atmosphere, the Haloween adjacent tradition was broken. BUT, they had a

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  • ACL 2025 In Photos: Sunday

    Sunday at Austin City Limits Festival was pretty photogenic. I took too many photos (again), but that’s cool. It was fun. Over three days, I clicked in 18 miles on

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  • ACL 2025 in Photos: Saturday

    Today, we have the big gallery from Saturday at Austin City Limits Festival‘s first weekend. It is another big one and features our chosen headliner for the fest, The Strokes.

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PUSA @ Stubbs (10/8)

One of the great pop/rock bands to make it out of the 90s, The Presidents of the United States of America, will be making an appearance at Stubbs Wednesday evening. Lucky for you, local Austin act The Black and White Years will be opening for the veteran band. Doors for the event are set to open at 7 with The Black and White Years starting around 8. Get them tickets now! We also finally have a reason to post “Peaches” on our site. YES!

[audio:https://austintownhall.com/wp-content/uploads/2008/10/32-peaches.mp3]

Download: The Presidents of the United States of America – Peaches [MP3]

Japanese Motors

We read about this new SoCal band, The Japanese Motors, a few places online and thought they were worthy of mentioning. The song we have for your listening pleasure is entitled “Spendin’ Days” and appears on the bands self-titled effort due out 10/7. It’s quite the catchy little diddy.

[audio:https://austintownhall.com/wp-content/uploads/2008/10/japanese-motors-spendin-days.mp3]

Download: Japanese Motore – Spendin’ Days [MP3]

Deerhoof – Offend Maggie

Rating: ★★★★☆

Deerhoof is often inexplicable; difficult to pinpoint their location in regards to musical genres, and Offend Maggie poses many of the same questions for listeners; a fact that completely works to the benefit of the band.

Their newest effort offers much of the same discordant guitar work accompanied by the unique vocals of singer Satomi.  This unique dynamic, or unique sound I should say, keeps the album interesting throughout, as you are not quite sure what to focus on: vocals or music.

Musically, this is the most accessible set of songs that the band has created, wavering back and forth between classic pop structures and post-punk sounds.  On the first listen, you can tell that the band put forth a great effort by creating entire songs, rather than the stop-start song structures of their last album, Friend Opportunity.

Offend Maggie would earn fans of all genres based entirely on the music.  Their are elements of grunge, early-emo, post-punk and, honestly, commercial rock n roll.  All of this demonstrates that the sound of the band is growing and developing beyond what most adoring fans expected, yet the continual focus will always be the listener’s interpretation of Satomi’s vocals.

Deerhoof will always risk total adoration due to these vocals.  At times, the heavily accented voice makes comprehension difficult for listeners, and as their focus heads toward deciphering the lyrics, their attention detracts from the overall listening experience as clever band interplay is missed.  Although the formula is so simple, one often finds that following the band is quite difficult, as if we all had ADD. They do offer a more traditional song by way of “Family of Others,” which lends its sound to that of west coast Beach Boy revivalists, yet the absence of Satomi on this song makes it entirely unfitting as a Deerhoof song.

Nonsensical vocals make it difficult to take much from the album, meaning wise.  One listen to “Basketball Get Your Groove Back” will lead most listeners to question the seriousness in the band’s approach to songwriting.  Still, it is the dark contrast between instrumentation and vocals that always makes it difficult to define such a genre splitting band.

At the end of the day, you’ll find that despite its incessant pitfalls in the lyrical department the album is ultimately one of the more rewarding listening experiences you will come across this year.  Deerhoof continue to explore their options whilst maintaining their ability to rest upon what has always made them interesting, Satomi’s inclusion as lead vocalist.  It’s the dark horse for 2008’s Top Ten.

Department of Eagles – In Ear Park

Rating: ★★★★½

Daniel Rossen probably receives the majority of his acclaim from his participation in Grizzly Bear, but as more people catch on to his side-project, Department of Eagles, that won’t last long. The band’s second album, In Ear Park, has enough bedroom beauty to take the acclaim to an all new level.

Much like his other band, Department of Eagles specialize in ethereal pop gems, catering to the changing of fall into winter. Every inch of every song seems so carefully crafted that one would find it difficult to recreate the moments that exist on this album, no matter how great an ear they had.

The first stand out track, “No One Does It Like You,” begins with an extra step, but quickly goes into subdued harmonizing vocals, reminiscent of multiple harmony bands such as Fleet Foxes. Layer upon layer is piled atop the song until the track completely transforms into perfection.

“Teenagers” is driven to fruition by delicately dark piano work, and the hollowness in the vocals seem to echo from the past, that is until the hand-claps come into play, carrying the song further, only to return to the lone piano work you hear at the beginning.

Amidst all those perfect moments come some dense atmospheric sounds, but they don’t necessarily detract from the album. In the strangest of ways it provides a haunting element to the album, deepening the emotional connection  between the band and the listener. Each song progresses as they should, but each listen offers more and more, as layers reveal themselves to the listener in an unusually gratifying listening experience.

The vocals differ from those of Grizzly Bear due to the more personal touch Rossen has placed on this album, which is said to be due to the unfortunate passing of his father. As the album touches on the personal emotions of their own world, the listener, too, can dive into the subconscious where our own innermost desires and fears may rest. See “Floating on the Lehigh” or “Classical Records.”

Their is a quality to this record that is difficult to place. At times the songs are haunting, ultimately revealing themselves as gems. During other moments it’s touching, as harmonies are shared between listener and band. In the end, you might find that the overall beauty in this record changes depending upon what your ears and mind bring to the table; you might find that it surpasses pieces for which Rossen has already achieved great success. No other album is more fitting to the onset of winter.

Saviours @ Emo’s Tonight

On this Monday night, Emo’s Austin has chosen to bring the metal back into your life with Saviours. The band hails from Oakland and is one of the few bands that can still play metal the right way. If you’ve got a case of the Mondays, Saviours will knock you out of that coma and slam your week into high gear. Doors for the show are at 7 and you can read more on the Emo’s website. Also, check out song “Cavern of Mind” for a pretty accurate show preview.

[audio:https://austintownhall.com/wp-content/uploads/2008/10/4-cavern-of-mind.mp3]

Download: Saviours – Cavern of Mind [MP3]

The ACL Bottom 5

Yeah we’re going there ACL. For all the numerous good things that happen during our little festival, there are always a few things people tend to complain about (whiners). We’re keeping this list just a bit short because I think most agree that the positives of the weekend always outweigh the negatives. Things not included on this list are complaints we have every year like: $8 Lonestars, $6 hamburgers that taste like dirt, long bathroom lines, and the like. Those are things we all hate but won’t be changing anytime soon. No, with this list, we hope the good people at C3 hear our cries and makes this festival the one everybody talks about.  So without further ado….. The Austin Town Hall Top 5 worst moments at ACL after the jump.
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