Free Josh Reichmann EP

The good people at Paper Bag Records are bringing you a free digital EP download from Josh Reichmann’s latest project The Josh Reichmann Oracle Band.  If you aren’t familiar with Mr. Reichmann, he was a founding member of Tangiers and later performed under the moniker Jewish Legend.  If that still doesn’t ring a bell, download the free EP (after providing a legit email address) or check out track “Believe in Souls” below.

[audio:https://austintownhall.com/wp-content/uploads/2008/10/04-believe-in-souls.mp3]

Download: Josh Reichmann Oracle Band – Believe in Souls [MP3]

Ting Tings Ticket Contest

Let the season of giving begin!  One of the hottest bands in the UK right now, The Ting Tings, will be embarking on a rare US tour which includes a stop at the Parish in Austin. The show isn’t until Sunday the 19th of October, but we’ve got a couple of tickets to give away to one lucky winner. On top of the free tickets, our winner will also receieve a signed drum head from the band. That’s not all.. just to keep things lively around here, we’ll award a runner-up with a copy of the band’s latest CD We Started Nothing. To enter, drop a comment that tells us why you’re excited about the Ting Tings leaving their island home and stopping off in Austin. Entry for the contest closes next Thursday and winners will be contacted by e-mail (so leave one). Preview the show with The Ting Tings catchy single “Shut Up and Let Me Go”

[audio:https://austintownhall.com/wp-content/uploads/2008/10/05-shut-up-and-let-me-go.mp3]

Download: Ting Tings – Shut Up and Let Me Go [MP3]

Vivian Girls – s/t

Rating: ★★½☆☆

Everyone seems keen on the Vivian Girls lately; you’ll find their name on every independent blog or web site across the world.  Despite their recent rise to glory, it’s completely clear that the girls have a great deal of work to do in order to rise all the way to the top.

After a set of 7 inches, and a short run of their self-title debut, the girls have re-released the entire debut; this time on In the Red Records. It’s odd how such a short career has risen sky-high, and one must question whether the downturn in the global market has finally led to inflation in the minds of indie connoisseurs .

“All the TIme” opens this album, and the earnestness in the song definitely creates a sense of interest for the listener. The soulful female vocals, reminiscent of ancient R&B singers, carries the song amidst waves of sheer noise.  This is about as far as one can go with garnering loads of praise upon the band; their efforts here fail in regards to the critical praise they have recently achieved.

Throughout the entire album, the drum work is somewhat shoddy, relying upon the cymbals and pounding snare work, which harks back to the more straightforward punk sounds that came out of New York in the eighties.  For some reason, the drums lack the proper clarity in the final mix, which destroys their overall effect, almost rendering them the label of juvenile.

Every song seems to follow in the footsteps of the first track, playing upon the the female harmonies.  Momentarily, one might be distracted from the walls of noise and feedback at first, but as the album continues to push forward with the varying levels of sonic noise it appears as if Vivian Girls are trying to hide their capabilities behind such noise, disguising their talent from the ears of listeners.

No one seems to be linking the girls to the fame and popularity of Beat Happening.  Sure, Calvin  Johnson carried the band for years, but just go back to the album Jamboree and listen to Heather Lewis sing on “In Between” and you will clearly see that the Vivian Girls have quietly lifted their style from everything in that song.  The only difference is that they surround the pop elements with unnecessary noise.  Clearly, they have work to do if they want to achieve the longevity of Calvin’s low-fi pop genius.

Listening to this album is something that one should do with skepticism.  All the hype in the world just doesn’t come through your speakers the way that you want it to do.  You can’t blame the Vivian Girls for this, for it’s clear that they didn’t rise to fame without merit.  There are elements of enjoyment here, along with promise, but the punch in the face you all hoped for doesn’t come through in the end.

More New Matt & Kim

About a month ago we gave you the new Matt & Kim track “Good ol Fashion Nightmare” and now we give you more. This new track is called “Daylight” and is oddly released by the new Mountain Dew/Pepsi label Green Label Sound. Who knew Mountain Dew was puttin’ out tunes. Regardless of their label choice, Matt & Kim continue to make some pretty solid pop jams.

[audio:https://austintownhall.com/wp-content/uploads/2008/10/matt-and-kim-daylight.mp3]

Download: Matt and Kim – Daylight [MP3]

ACL Interviews: Stars

Amy Millan is a quite the busy lady. She sings for major Canadian bands Stars & Broken Social Scene, tours with both acts, and somehow found the time to put out a solo record. The Canadian songstress, currently on tour with Stars, answered a few questions for us before her band’s performance at last weekends ACL festival. Amy and I discuss why she won’t be doing a BSS Presents album, how Stars can win a Juno award and why MP3s are just as good as vinyl. Read about these topics and many more after the jump.

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Jay Reatard – Matador Singles ’08

Rating: ★★★☆☆

Surprisingly, Jay Reatard is releasing all the songs off of his latest seven inch series on Matador Records in an easy to use CD format, not to mention the fact that you will actually be able to get your hands on this compilation, rather than bidding the hundereds of dollars required to acquire the 7 inches.

Okay, so there might be some bias in that first paragraph, but now that the CD version of the 7 inches has been made available, does it live up to the adoration for those Jay Reatard fans out there?  Yes, and no.

Opening the album with “See/Saw” is a good choice, as it is one of the two best songs on the entire collection.  It’s full of that classic pop sensibiliity that the band incorporates into their garage-punk sound.  It’s a good introduction to the collection–but the band has to step it up from here in order to win over the listener on this compilation.

But, the band doesn’t really go much further on the album, aside from “Always Wanting More,” which is one of the better songs the band has created. It’s easily the most pop driven effort that you will find here; this is the best formula for creativity with concerns to Jay Reatard.

Aside from those two highlights, there isn’t a lot of quality offered on the rest of the complilation. Sure, you get a cover of Deerhunter‘s “Fluorescent Grey,” but even that isn’t the most remarkable of covers.  There are also a lot of flaws, such as the quality of the vocals.  It seems that the lo-fi recording process could have been a little more fleshed out here.  Sure, it’s got that 7 inch quality, but is that what you want on CD?  It’s an entirely different medium, and the vocals sound nothing at all like they did on Bloodvisions.

So at the end of the album, you have to judge the compilation as one would judge a complete album.  As far as complete albums go, most will find that its a fairly poor effort.  Some extreme high points, but nothing as consistent as the band’s last full length.  In fact, you can find lower moments here, then anywhere else in the band’s catalogue (extended and as Jay Reatard).  It seems that as prolific as this man has become, that it might do him well to take a break.  He might get more from spending a little time in the studio writing and mixing, and we, the listeners, might get more as well.

Still, as a different medium, as the collection was orginally intended and produced, it was pretty glorious; this despite the fact that various record stores–I’m looking at you Waterloo–hoarded the 7 inches for their employees, or even for eBay sales, which will cost you two arms and a knee-cap to get the final 7 inch.  So as compilation it fails, other than providing you with an easily transferable format to carry with you, but as a collection of 7 inches, go Jay Reatard!

ACL Interviews: CSS

Austin Town Hall caught up with guitar players Carol Parra and Ana Rezende of CSS after their bands killer set Saturday at ACL Festival. We discuss their favorite American foods, why Brazil is struggling in the soccer world and what the iPod commercial meant to them. Check out the entire interview with CSS after the jump. Read more

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