Walkabouts Share You Go Single

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There’s a plethora of solid songwriters in Austin these days, particularly when it comes to a modern guitar pop sound, like Walkabouts. They’re sound takes on that sort of cosmic guitar sound, where the notes sort of skitter off into the horizon, as the rhythm section just keeps us all locked into place. A little bit of added texture throughout allows for the melody on the vocals to have just the faintest hint of a hop to it, kind of bouncing along the central groove and sweetening the pot for the listener. Definitely a new act we’re keep our eyes and ears upon going into 2026.

Last Week’s Jams (10.27 – 10.31)

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During this time of the year, there’s slim pickings in terms of what’s out there, as labels and bands prepare to kind of whole up for the Winter, but we still have a really solid collection of jams for you. For starters, B. Gray and I met long, long ago at a Twilight Sad show at the OG Emos here in Austin (not the blasphemous new spot), so their new song gets precedent to show our love. We were really stoked to see our Internet pal Matt Kivel, currently of Austin, drop a single form his forthcoming LP, so that, of course, shows up. Then there’s just quality hit after hit, with Diles Que No Maten and Twin Shadow and Vilde and Devin Shaffer (sorry for the polysyndeton). There’s a little bit for you all!

Victoryland Announce My Heart is a Room With No Cameras In It

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I know this hit the other day, but really loved the newest single from Victoryland, which is the new project of Julian McCamman, formerly of Blood, and formerly of Austin. He’s been working out of Brooklyn and his new project celebrates some of his previous band’s approach to pop songwriting; the sounds and feelings are obscured, with the track settling in this bright groove that delivers this rising syllabic punch at the end of each poetic line. While that hit delivers a big poppy hook, there’s just a faint pained grimace in the delivery, tying the work to a more punk aesthetic. The album My Heart is a Room with No Cameras In It is out on January 23rd via Good English Records.

New Ripper from Bee Bee Sea

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We’re big fans of Italian garage rock outfit Bee Bee Sea, and as they prep for the release of Stanzini Can Be Allright; we definitely wanted to give a shout to their newest single as it encompasses their approach to gritty grooves with infectious hooks. If you just take the surface of the single, it’s rough and sounds like the group pressed record in their recording space. But, there’s this natural joy in their song, and you certainly feel it as the “you” gets stretched through what one might consider a chorus. Hoping a few copies will make their way overseas in these trying shipping times; the album is out November 21st.

Twin Shadow Still Brings It

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While combing through some new music this morning, I realized that it has been a super long time since we posted on our old pal Twin Shadow. He has certainly been busy over the years, but for whatever reason, the music hasn’t been mentioned here. Today his new song “Love Gently” really stuck with me as I am easing into my chilly morning and finding my way through the day. If you’re in a similar sort of mood, I think will find some chillness here along with mellow beats and an overall nice groove. We apologize for the absence.

Twin Shadow will release this song as part of his seventh full length entitled Cadet. You can go ahead and pre-save that one now.

New Song from Diles Que No Me Maten

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One of the disappointments of missing the last day of Levitation this year was that I didn’t get to see Diles Que No Me Maten, the Mexico City outfit who have just dropped this single from Mexican Summer‘s Sitting on the Moon compilation. There’s this sort of journeyman storytelling to their style here, accompanied by this subtle meandering of guitar notes and light percussion. They’ve incorporated some imagery from DF, celebrating the beauty of the city, tying it to the majesty of their songwriting. Totally enamored with their songwriting and storytelling; they’ll be hitting a brief tour on the West Coast, starting tomorrow.

New Music from Blue Tomorrows

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There’s a certain joy you get when you stumble upon an unknown artist that really feels aligned with your tastes, like when I heard Blue Tomorrows. Sarah Nienaber’s project has been around for a few years, so that miss is totally on me, but I’m really loving the latest single from the new LP. There’s this sort of marked journeying from the track, like its running through a field of billowing, knee-high grasses, albeit accomplished with this synthetic buzz. Nienaber’s voice rises and crests, like it’s finding its footing in between the bounding piano notes; there’s a nice little texture on the voice too, giving it just a faint hint of mystery that I adore. Really looking forward to discovering what lays in store on Weather Forever, which drops on December 12th.

New Music from Basavriuk

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When I first put on this single from Puerto Rico’s Basavriuk, the natural bounce was what drew me in; the jangle of guitar notes curling around wasn’t too shabby either, blending in seamlessly with my typical listening rotation. Then, the vocals pulled at me; they’re way down in the mix, almost as if they’re drowning beneath the melodic punch. I loved how they hid in there, careful to add another layer of brightness to the song’s spring, though done in a fashion that simultaneously hangs onto the dark tones of the guitars and washes of keyboard. A fun little pop ditty to get under your skin.

New Music from Vilde

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I know that B.Gray is our resident electronic head, but the work of Vilde has been speaking to me this morning, and with a fresh single out into the world, let’s visit the Aussie artist. On the surface, you get this dense bit of upbeat electronica, using little flashes of ambiance echoing in the tune’s distance; it sets up this contemplative spirit, allowing songwriter Thomas Savage to deliver his message about relishing in the human experience, fighting back against our fears and hesitancy. The uniqueness of his voice draws you into the poetic lines, then your lost in the cavernous maze of his beat work, willingly following one note or another. Be on the lookout for Qualia at Odds, the new LP, in the very near future.

New track from The Twlight Sad

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How can it be almost seven years since It Won/t Be Like This All The Time? Robert Smith has been a massive advocate for the band since; they have opened for The Cure on several tours and will again later in 2026, but only after the band headlines shows in Europe in April and May, hinting that the new full length will land just prior. “WAITING FOR THE PHONE CALL” marks the return of The Twilight Sad with a stamp of authority.

A synth loop opens the track, drum machine and distant guitar riff are chased down by more and more layers, more and more noise, hitting that eventual carthartic release. James’s vocal is clear as his accent will allow while Andy’s signature noise weaves in and out and there is even a guest spot on guitar from Robert Smith. The Twilight Sad brought me to ATH and therefore gave me lifelong friends, so new songs are special around these parts.

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