Torrey Share Moving Video

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If you follow the Oakland scene or Slumberland or just good pop music, then you’ve likely already penciled in the release of Torrey‘s new LP. Today we get another addition to their story, with “Moving” dropping a bit more dissonance into the picture. Just spending time with the guitar sounds might have you a bit uneasy; they seem to reverberate in the speakers, but almost as if they’re stuck, leaving you in a bit of a disoriented listening state. Still, there’s textured layers of atmospheric melody that allow you focus on the band’s pop sensibility once you’ve returned to your senses. The band drop their self-titled LP via Slumberland on March 8th.

Daniel Brouns Shares Lizard Killer

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RayRay and I are DJing an emo night over at our favorite spot Oddwood this week, and over the last several weeks I’ve been diving through my own collection, digging for the hits. It’s brought me back to some certain styles that may even be considered emo-adjacent, but I feel like this tune from Daniel Brouns slides right in, particularly when you put it alongside acts like Pedro or early Good Life. The beat is sampled, with guitars carefully woven into the tapestry, as Brouns distinctively croons atop the mixture. It definitely feels like early Saddle Creek with bits of home recordings sampled within the song’s confines, adding to the personal narrative being woven. He’ll be releasing Stock Music for the Cosmos via Anxiety Blanket Records on May 17th.

Meet the SXSW Band: The Ophelias

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We are here and in full force now with some SXSW band previews coming at you several times a week leading up to the festival. Today we are thrilled to share a preview with one of our favorite up and coming acts, Cincinnati based outfit The Ophelias. We get into some great discussions about new music along with a debate about who would be the best dual threat rhythm guitar player to have in your all time band. All that plus show details and a brand new song(!) after the jump.

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Non La Shares Take Care Video

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When DJ On put out the first Non La LP, it was filled with poppy guitar hooks and constant energy. But, as they prepare for the release of Like Before, it’s becoming clearer that DJ has really changed up the approach to songwriting. Upon pressing play, there’s nearly a minute of building, courtesy of DJ’s voice softly walking through your speakers. Then, drums tap and the song takes a march into a slow swing of light guitar pop; there’s something more pensive in the craft, perhaps owed to On’s reflective mood through the new LP. It’s changed my own perspective in the way I hear the music, but I’m looking forward to digesting the personal narrative and experiences the LP will offer; it drops via Mint Records on March 29th.

Rosie Tucker Drops Paperclip Maximizer

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When I first got into Rosie Tucker, there was something insanely catchy about the way they played with the vocal notes in their songwriting. A few years later, I feel like “Paper Maximizer” immediately puts that on display; there is a dynamism to each note, always falling between sharp and playful, which inevitably ties my joy to their work. That doesn’t even get me started on the wordplay and craft; I even learned about “paperclip maximizer,” which in short, discusses the possible dangers of AI and the end of humanity. Learning and catchy, and all of it leading me to think that you’ll be singing along to every track on Utopia Now…out March 22nd via Sentimental Records.

Mo Troper Shares The Billy Joel Fanclub Video

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I know he’s gotten lots of praise, and we’ve certainly lauded all his work, but listening to the latest single from his forthcoming LP, I want to make sure we don’t undervalue the work of Mo Troper. For starters, I don’t think I’ve ever gotten a record from Mo where I think “yeah, this is exactly like the last LP.” Each time, he seems to channel different influences and recording techniques to really work on his craft. On this one, he alludes to late 60s era Paul McCartney work, but in my ears, and maybe I’m weird, I immediately felt like he was channeling a bit of the Zombies, at least when that first vocal bounces into the picture. Sure, his voice is distinctive, but he just keeps challenging himself, and we get to sit back and reap the rewards. Svengali is out May 3rd via Lame-O Records.

The Macks Share Nice Single

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Portland’s The Macks have been flexing their psychedelic garage rock for years, and with The Macks are a Knife coming down the pipeline real soon, it’s time we give a nod to their latest single. On this first single, it’s also a stomping mantra of sorts, with the guitar work ringing, rolling, then returning to the starting position to go at it again; they lock into that groove, allowing the vocals to really offer up the exuberant discord via shouts and emphatic vocal punches. The continuous build of tension is finally unleashed around 2:26ish in the tune, giving a nice little guitar ride that punches through your speakers before the song wraps up and calls it a day. The Macks are a Knife is out on May 17th via DevilDuck Records.

Yasu Cub Shares Elevator Video

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Those of us looking for sounds that would be traditionally described as slow-core might want to check out Japans Yasu Cub. They’ve just released their Elevator EP, and the title track gets the video treatment, featuring the falling snows of Tokyo. Aside from the pacing, there’s some really nuanced moments that really hit me smack in the face as I was listening through, like the crispness of the guitars that ring out carefully. I loved how the song seemed to also circle back on itself in spots, with layers lapping over one another ornately, allowing the song to feel like its bending and coiling up…held together by the heavy vocal notes in the center of the mix. If you’re digging, then be sure to check out the whole Elevator EP.

Meet the SXSW Band: Native Harrow

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It’s here! Well, almost here anyway. Yeah SXSW is right around the corner you nerds and of course we are ready and prepping for the most exciting and enjoyable week of the year. We had a ton of fun with our “Meet the band” pieces last year and thought it’d be a great idea to carry on with them in 2024. Hopefully you find them as an interesting and brief peek into band life and what it means to play SXSW. We are super excited to kick these interviews off this week with responses from Philadelphia based outfit Native Harrow. You’ll find their responses, schedule, and tunes after the jump.

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Eric Schroeder Shares Stayed the Same

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Nathan and I are prepping for another week of tunes you may or may not love. My week is kicking off with this acoustic pop number “Stayed the Same” from San Diego based crooner Eric Schroeder. He has this expert way in the song of at times having a playful tone but paired with reflective and personal lyrical content. Well done sire.

Schroeder will release a new album entitled Turn On the Stereo on April 26th via Enabler No. 6.

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