The Hepburns Drop Five Miles of Line Video

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As soon as I clicked on the new single from The Hepburns (featuring Esteslla Rosa of Nah), I knew that it had to be the first track I’d post this morning. The horns light the song up almost immediately, sort of begging you to take in the sunshine as you sip on your morning coffee or tea. Crooning vocals, both male and female, offer up a smooth little lounge vibe; I feel like I’m being serenaded at some matinee show on a cruise ship for aged hipsters. I guess I’m just a suck for really lush orchestration, which this song has in abundance. Yet another reason to keep an eye out for the new LP, Architecture of the Ages, out via Elefant at the end of November.

 

Driving New Tune From Sei Still

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Berlin by way of Mexico based upstarts Sei Still released a stunning debut LP last year but have no plans to slow down in 2021 with more new music on the way. The first taste of new music from the group comes in the form of this driving new single “Exilio” which is the crazy melding of German style electronic music with a new wave meets gothic influence. Sort of like Cold Cave if they leaned a bit heavier into a Joy Division vibe. I do hope you dig it.

This track will appear on new album El Refugio due out on November 26th via Fuzz Club Records.

Levitation Review: The Hives

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My priorities for Levitation were simple. Take photos, vibe to Nation of Language, get melted by A Place to Bury Strangers, get in the middle of it for The Hives. I am happy to report that my mission was accomplished.

Ah yes, The Hives. White suits, energy overdose, hits, jams, cathartic chaos…

Along for the ride on the closing night of Levitation were Pussy Gillette and The Mystery Lights. I saw old friends, made new ones, overshot every band and loved every minute. Click on through for more thoughts on the night and all the photos. Yes, I got mic stand shenanigans, crowdsurfing guitarists and the iconic jumpshot.

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Nightlands Announce Moonshine EP

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Dave Hartley’s Nightlands project has undergone some recent changes, mostly due to a change in locale, with Dave moving from Philly to Asheville. In his new home, Hartley was able to really focus on his craft, touching up the details on the Moonshine EP, and writing enough songs to finish up a new full length (coming your way in 2022!). In announcing his new EP, Dave is sharing “Hymn to Me,” originally recorded by Brinsley Schwarz back in 1970. I love how he takes that sort of paisley folk sound from the classic rock era, and sort of coats in this more modern dreamscape, giving it this openness and breathing some of that fresh Asheville air into the song. The Moonshine EP drops on December 10 via Western Vinyl.

Hearts and Rockets Share On/Off Single

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Feels like its been a minute since I’ve hit up the old Australian music scene, so I wanted to make sure that rectified that, and what better way than to jam with the latest single from Hearts and Rockets. The Melbourne act have a new EP on the way entirely based on their love/hate relationship with television, and here they seem to be battling with that addiction. The guitar chords have this old school sort of surfy-punk vibe to them, while the rhythm propels the song with this insatiable bounce. Kalindy’s vocals always remain central to the listener’s focus, offering up this vibe certain to draw similarities to the likes of Le Tigre. If you like what you hear, the TV is Boring EP will be out on November 26th.

Pleased to Meet You: Glimmer

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Our friend Jeff from Dead Stars recently undertook a new project named Glimmer, just like many artists during the pandemic. Today we get our first listen to the project, and of course, it features these heavily fuzzed out guitar riffs, with Jeff’s voice remaining central to the natural melody rising from the tune itself. In a way, it sounds a lot like Dinosaur Jr, balancing noisy riffage and melodic tendencies, so I’m sure that we’re all going to appreciate what’s coming through our speakers, as its a pretty timeless sound. All of the recording was done in his new home up in New Paltz, NY after he moved away from Brooklyn, so let’s hope we get to hear more from Glimmer, sooner rather than later!

Marissa Paternoster Shares I Lost You

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One of the great things about a songwriter you love going solo, even for a one-off, is that they get to spend the narrative of their craft in an entirely new direction. Such is the case with Marissa Paternoster‘s latest single from her forthcoming solo album, Peace Meter. On the first single, you could hear some sort of tethering to Screaming Females, but in the latest track, you’ve got to really peel back the layers to get to the core. Honestly, the voice carries a lot of the mood, accented by a tight little drum beat; its only as the song unfolds in the latter half that you really get to hear the guitar kind of make its case. I actually love the fact that it feels nothing like Marissa’s work, yet definitely feels tied to her work as you come to the song’s end; I hope she keeps pushing herself, which we’ll find out when Peace Meter hits via Don Giovanni.

Stream Crabber’s Latest LP, Who Let the Ducks Out

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We’ve covered German outfit Crabber since their first LP a few years back, and, well, I feel like I’d be remiss if I didn’t encourage you to take a peak at Who Let the Ducks Out, the band’s latest LP. This go round, you can start with a little nod towards the crisp jangling pop of the Lucksmiths on opener “Climb Into My Mind,” and its a sound that pops up throughout the whole of the LP. But, you also get a bit of a heavier edge, a la early Boyracer, albeit with a push towards the more melodic; you can just listen to “A Kind of Tragic,” to get where I’m coming from here. Each time I listen, a new reminder pops up, so let me sum it all up for you. This new record is specifically for those who love Field Mice, Lucksmiths, Buzzcocks and Boyracer…then all the various bus stops in between. Seriously, just stream this album; its available via Jigsaw Records!

Show Preview: Luna Play Two Nights @ 3 Ten ACL (11.9 & 11.10)

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It’s been a busy year for Dean Wareham, having released I Have Nothing to Say earlier this year. But, now it looks like he’s focusing on Luna, bringing Britta, Sean and Lee to Austin for a two night special over at 3 Ten ACL. The calendar has the band playing Bewitched in its entirety on one night, and Penthouse on the next, though having seen the band in the past, I’m sure they’ll have some bleed over for other tunes…or at least that’s what I’m hoping for! Plus, our friends in Caroline Says will be opening up the show, so we should be able to ease our way into the evening with some great opening vibes. You can grab yourself tickets HERE. Stream both albums below…and fingers crossed maybe this entices the band to write a new LP!

Stutter Steps Drop New 7″

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When I first heard Stutter Steps, I’ll admit, the jangles had me up in my feels. But, over the last few releases, Ben Harrison has kept the jangles, but rounded them out just a bit, bringing about these more circular notes, the sort that ring high above with sparkling melody. This past week, the band dropped a new 7″ via Blue Arrow Records, and while the ever-present warmth remains intact, there’s almost a classic rock aesthetic to what Harrison and Co. are offering here; it borders on Americana even, though these little finite details on repeated listen tend to offer up a certain DIY ethos. On the B-side, there’s this great almost radio friendly ballad, but the buzz of the guitars in the recording keeps the song just left of center, the way I like it. Always great to hear what Stutter Steps are up to, and if you’re so inclined, grab yourself a copy of the 7″.

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