Love, Burns Announces It Should Have Been Tomorrow
It seems only fitting that we begin covering music in the new year by covering our first release of 2022; It Should Have Been Tomorrow by Love, Burns. The band is the solo project of Phil Sutton, who plays in Pale Lights (among other acts like Cinema Red and Blue and Comet Gain!), but the album features help from Kyle Forester, Hampus Ohland-Frolund, and Gary Olson…so it’s kind of a big deal! We’re releasing it in conjunction with Kleine Untergrund Schallplatten, Calico Cat Records and Jigsaw…all great labels run by admirable persons, so we’re fortunate to be part of this release (we’ll be handling the cassette version)! But, we can’t really convince you to pick it up without a little taste now can we? Here’s a few tunes from the album, which will be out on February 4th; buy it from us HERE.
Plus, Phil recently recorded a wonderful cover of the Wake’s “Crush the Flowers” with Suzanne Nienaber for Soleado, a Tribute to Siesta Records, organized by Fadeawayradiate. You can hear that below:
Phil photo courtesy of Dominick Mastrangelo Photography.

While we’ve mostly shut down, we’d be doing you a disservice if we didn’t immediately share the latest track from K. Linn’s
We’re about to ride off into the holidays with a two week break on our part, so while I love writing about jams, a little respite is always nice. That’s why I love listening to this
T.G. Shand
I’m sure you’re all tired of hearing it, and honestly, I’m not complaining about the job, but teaching this year (my real job!), has been absolute whirlwind, holding on for dear life all the way. So, I’ve missed some things I new I’d love, and am just not getting to dive deep into them, like this
I’m sure if you frequent our site, you’re likely thinking…what the hell?
New Zealand’s
Strange feeling to already be looking wholly at the release schedule of 2022, but this