New Stuff from the ATX…

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We’ve all got to represent our neighbors, right? So, here’s a few new tracks from Austin you should have on your radar. We’d be remiss if we didn’t give a shoutout to our friend Josh from Marmalakes, doing his solo thing under the name J. Halp. His Ahlen EP will be out at the end of the month, and there’s another sneak peak below; this one has a little bit more of an electronic vibe, giving off the range his EP will offer listeners.

We’ve also got the recently released tune from Urban Heat, the recently formed project from Jonathan Hortsmann (who used to play in ATH faves BLXPTN). There’s a bit 80s feel with his synth work here…and you know we feel you can never go wrong there.Go on and enjoy!

Slow Pulp Announce Debut Album

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After year filled with tons of turmoil for the band, not including the current pandemic, the Chicago based outfit known as Slow Pulp will finally be releasing their debut LP this fall. The album, recorded mostly in 2019 while on tour with Alex G, features 10 beautifully crafted numbers about the band’s resourcefulness and resiliency during their unthinkable times as a band. To preview the new album, the band has shared the lead single “Idaho” which features the always striking vocals of Emily Massey in front of a sort of slacker, yet powerful brand of indie rock. I love how the slower moments show this bit of restraint as the tension builds and things really tend to pop off during the heavier, banging moments.

Slow Pulp’s upcoming album Moveys will release on October 9th via Winspear.

New Indie Pop From Stray Fossa

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Man we get a lot of things labeled as “indie pop” sent our way and typically the tune is either super commercial, pop star style or simply to slow and meandering to be considered pop music. Well today I have a truly bouncing and bright pop number called “For What Was” from my old pals in Charlottesville based group Stray Fossa. This ladies and gents, THIS, is what I truly consider an indie pop number. It’s super catchy, the synths come in perfectly and the beat is incredibly infectious. Mark it up as one of the best I’ve heard in the genre over the last few months.

 

Dehd Share Month Video

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Up until now, we’ve mostly been hearing the Dehd singles through the voice of Emily Kempf, but this round, we get to hear Jason Balla take the lead, so it offers a slightly different twist. You get about 15 seconds of his voice hanging out in the air alone. Suddenly, the rhythm section drops in and speeds up the song’s energy; the churning guitars still have that crispness you’ve by now begun to associate with the band. Balla’s performance doesn’t differ too much from Kempf’s, other than perhaps tone; they both have this knack for holding their notes and sort of draping them on top of the energetic propulsion of the band’s sound, working to provide that perfect contrast. Flower of Devotion is out next week via Fire Talk.

New Music from Iska Dhaaf

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I felt like I need some solace and some clarity this morning as I was getting ready, and lo and behold, a new tune from Iska Dhaaf pops up in my world. I hadn’t heard from the band in about five years, and that track “Shut Up” was a polar opposite of the intimate performance they offer below. You can feel yourself sitting in the room with the group, hearing the vibration of the plucked strings echo in the room. The vocals have that fragility that almost makes you want to cry, almost as if they struggle to exist as soon as they hit the air.

Anjimile Releases Maker

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Prepare yourself for a special single here, with the latest from Boston’s Anjimile coming along with the announcement of Giver Taker for Father/Daughter Records. At first, they reel you in with the powerful vocal performance, mostly working operatic notes over a quieted picking of guitar notes. My fascination grew, like a traditional linear plot. The song begins to build in light rhythm/percussion; you get some small layered conflicts via little flourishes in the distance, then the song begins to roll forward, still propelled by voice. The 2.5 minute mark reaches the song’s climaxes before it all begins to subside, ending abruptly and fading out. Giver Taker will be out on September 18th.

Sorry I Missed This: The Crystal Furs Beautiful and True

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I’m having to circle back on this new album from the Crystal Furs, as it slipped by my coverage when it initially dropped a few weeks ago. We were big supporters of the band when they were one of the few indiepop gems of Texas, and that’s not changing now that they’ve upped and moved off to Portland. Their new album Beautiful and True actually feels more like a nostalgic indiepop record, which for me is my favorite of the genre. You’re going to get these brimming melodies throughout each track, with the rhythm section tossing out this haphazard bounce while guitars churn those sharp jangles in your ears. I think my favorite standouts are “Hey Maxine,” “The Robber Barons of Lombard Street” and “Pretty Mind,” but we encourage you to get in on your own favorites. The LP was released in limited numbers via Subjangle, but is still available digitally.

Merce Lemon Announces Moonth LP

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Admittedly, Merce Lemon was not a name I was familiar with until earlier this year when Crafted Sounds sent the “Moon (Demo)” our way. But, that’s one of my favorite tracks of this year, so to have her turn around a few months later with a collection of new songs is quite exciting. I’m fascinated by how full this song feels, despite falling beneath the 1.5 minute mark. Opening with Lemon’s voice offers that songwriter vulnerability, and there’s almost just a hint of twang hanging on the notes. Soon, a steady percussive element breaks the track open, giving it sort of this rambling pop feel, raising the song’s bar even higher. Short, sure, but another bit of endearing spectacle. Look for Moonth on August 14th.

Driving Number From Pynch

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As we all continue to push through more quarantine life this summer, it’s been fantastic for us music bloggers to keep receiving so much new music from artists working from home. Today we have this new tune called “Somebody Else” which was written and produced by songwriter Spencer Enock for his band Pynch. The tune definitely has a more lo-fi take on the garage rock genre of a band like The Strokes if their songs incorporated a more driving sound with epic progressions. As someone who typically looks for those solid and spell binding song progressions, this one is right up my alley.

“Somebody Else” is available on all streaming platforms now.

Film Review – Relic

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Rating: ★★★★☆

Synopsis

After an elderly woman goes missing in the woods surrounding her home, a mother and daughter return home to find her but are haunted by her ever worsening, and all consuming, dementia.

Relic comes out this Friday, July 10th via all streaming platforms and I’ve got a review for you if you’re into the horror/thriller genre.

Please hit the jump for my thoughts on this upcoming film by Natalie Erika James.

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