Caroline Says Announce Ohio River EP

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Been a hot minute since we’ve heard from Caroline Sallee and her project, Caroline Says…until today. Today we got news that there’s a new Ohio River EP coming out in the not-to-distant future, courtesy of Western Vinyl. The song is said to be about returning to a quaint Southern town whilst looking through a new lens; finding a fondness in the past, but perhaps a bit of sadness in the realization that nothing stays the same as our memories. Musically, it’s perfectly matched with the river image, as the song sort of moves in that fashion; the musical waters are twisting, snaking, crawling to the mouth of the . It’s there we find Sallee’s vocals, washing over the song, lapping at the melodic edges with this smoky grace. The band will be on tour with Hovvdy throughout the end of October and into November; the EP drops on November 22nd.

United Waters Share Harbor and Rail

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People are surely missing out if they haven’t turned an ear towards United Waters; I’ve been really enjoying the few song’s we’ve heard from Coma to Coma, including this new track. If you removed the vocals, just for a minute, you get this strange land where slowcore meshes with the guitar pop tendencies of Galaxie 500; it’s heavy and yet filled with this huge wash of pop sensibility. Reinsert the heavy vocal tones and you get this exercise in patience and reflection, a rarity in the climate; you can feel yourself looking back at the world as you sit and let the song wash over you. Believe you me, this is another reason to keep any eye on this outfit; their new LP drops on November 8th via Drawing Room Records.

Fuzzy Indiepop from Stars on Fire

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Everyone should be listening to this song from Stars on Fire today, so grab a friend, bring them over and set this song before them. You can revel in the driving force of the guitars, peeled back ever so carefully to reveal these bright sparkles of melody. There’s just something about it that feels so special, something that feels like the world finally understands me. There’s almost a nostalgic indie rock in the guitar, as if Thurston Moore wrote these riffs, but its spun behind this fuzzy blanket of soft vocal lines that are maximizing the tracks’ melody. Definitely needed this song; look for the Songs of the Summer to drop on October 25th via Emma’s House Records.

More New Music from Fran

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As we draw near the end of the year, there’s only a handful of records I can think of that have my attention, and this Fran LP is definitely one of those. There’s this unending sense of playfulness in the music crafted by Maria Jacobson and her team, and its buoyed by the performance in this video as well. You’ll hear these slight upticks of vocal inflection a that are most assuredly digging their hooks into you as you listen; still, you can also find a smooth softness that helps carry the melody through the bounce of the riffs and rhythm. A Private Picture drops on November 15th via Fire Talk.

Young Guv Offers She’s a Fantasy

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It seems Young Guv is going to continue his shapeshifting ways on Guv II, as he shares another track from his forthcoming album. It’s interesting, as there’s this sort of soft power-pop vibe stomp that circles back and back again, but the it’s been the harmonies in the song that have really drawn me into the track. Honestly, I can’t help but hear touches of the Grateful Dead when they weren’t jamming lurking in this tune, only furthered by some of the “everything and the kitchen sink” work going on in the song’s latter half. Looking forward to seeing how this all ties together when Guv II drops next week via Run for Cover Records.

Husbands Share 3AM

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You know I’ve got to back our new Oklahomies up North in Husbands; we’ve already covered the first track from their forthcoming LP, so why not back the next one, eh? The group are crafting this lush pop, partly rooted in the dreamier landscape of now, but also kind of nodding to the fun side of guitar pop. For me, this song is all about the hook in the emo-ish shout of “there’s nothing left to see;” it gives the track a certain youthfulness that will keep you circling back for enjoyment. Stoked to have another tune, and looking forward to the band’s After the Gold Rush After Party LP, out early next year!

Bright Number From Eldren

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Now that we’ve emerged from the madness of festival weekends one and two, it’s time yet again to start sharing some music with you fine folks. Today I am pleased to be back in the new music world with this new song called “Oh, Wait” from Denver based outfit Eldren. It features a lovely bit of indie rock music with an Americana/folk flair akin to a band like Dr. Dog or even Foreign Born. It’s a perfect fit to improve my mood on this dark and dreary day in ATX. Enjoy.

New Austin Music: Astrobleme and Nolan Potter’s Nightmare Band

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Even as the year begins to head towards the exciting landscape of meaningless year-end-lists (our site included!), Austin’s still buzzing with fresh tunes all over the place. Just yesterday, we got a couple of new tunes out there that we really enjoyed, so I’m flexing for the ATX…and oddly, both of these have a personal connection here. So…

First up is the new tune from Astrobleme, the project of Matthew Shepherd; he plays in a few bands we like, such as Feverbones (we put out their LP) and Abram Shook, among others. His new tune’s got this blossoming pop sound, though it incorporates these slight dreamy touches to embellish the edges of the song. I love his guitar play here too, which may surprise you since he’s best known for his talent behind the drum kit. He promises more tunes to come.

On the flip side of the Austin coin is Nolan Potter’s Nightmare Band, who’ve sort of exploded onto the scene with their psychedelic flute-core and great live shows…the band also features one of my former students on drums (he also played in Tres Oui). Here, however, they’ve got this heavy space-age sound, fueled by these deep riffs and electronic flourishes. They’ve got a new LP coming out on Castle Face, so you’ve got John Dwyer’s blessing.

The Figurants Share Horrible Horses

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I kept thinking hard upon how to describe this new tune from The Figurants. How could I explain to you my adoration for this track without using the every day pigeonholing techniques? It’s tough, but I feel like the band reminds me of that one guy everyone worked with who wrote songs while hanging out on break smoking cigarettes; it’s just on the edge of arty, but teetering along the line of neediness. It definitely makes sense that the band call Seattle home, as there’s a certain lineage to the Northwest I hear here. Is nerdcore a thing? Can we make it happen? Whatever, this song rules. You’ll find it on the band’s new album, Indoor Words.

Show Review: Toadies @ South Side Ballroom (10/11)

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I recently made a playlist that was attempting to fit my top 100ish songs into a single list. Early on, it was apparent that I needed a rule that only one song per artist could be included to maximize the artists and genres in the playlist and truly be a list that represents my listening habits. That was usually easy as for so many artists/bands, I have a clear favorite song. For others it was a difficult process. One of those bands was Toadies. How do you pick from “Possum Kingdom”, “Away”, “Tyler”, “Backslider”, “Happy Face”, “I Come From the Water”, and “I Burn?” Also, how were all those songs on one album (Rubberneck)? I also realized during this process that I had never seen Toadies live. So I confess a shiver when Spotify sent me a helpful email a couple months ago that Toadies would be at Dallas’ South Side Ballroom on October 11. Hit the jump for more.

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