New Jam from Soccer Cousins

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Soccer Cousins have now released three singles, and they’re all pretty special. They dwell near the boundary line between indie rock and emo, but this new single has them sitting pretty firmly in the indie rock side, almost right next to the Thermals. The guitar notes bend around the lyrics, almost playfully teasing you. Then the “ba da ba ba bahs” enter with a more emphatic guitar ring in the chorus, and you’re absolutely hooked on it. This just goes to show you that in this end-of-year madness, there’s still some gems lurking, so don’t overlook this one.

New Indiepop from The Proctors

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Okay, so it’s a Christmas themed indiepop tuned, or at least related to the holidays. Still, The Proctors made my Best of Indiepop, and here they are not a day later sharing this joyous tune. It’s a slow moving affair, more about the storytelling and the warmth of the melody than anything else. The tambourine feels like jingle bells, and there’s this fuzz on the mix that feels like snow falling from the skies. We’re not far away from holiday season, as my wife’s living room decorations can attest, so why not get in the mood with a nice slice of drifting indiepop from one of the genre’s finest.

Another Juan Wauters Tune

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I was tempted to write this entire post in Spanish, but the red lines from my spell check were driving me crazy. This is the second single from Juan Wauter‘s new album, La Onda de Juan Pablo, with this song revolving around a stop in Mexico City. If you’ve spent any time in the city, or the country, you might recognize some of the signature sounds filtering through Wauter’s tune, like the stellar accordion; it also just feels like being in that city, lively and calm all at once. While the whole album is in Spanish, you’ve got to give to Juan for going out on a limb and tracing his Latin roots and spinning it into accessible tunes. The new album will drop at the end of January via Captured Tracks.

Listen to New Deerhunter

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It’s interesting listening to this new track from Deerhunter, especially if you’re aware of Bradford hanging out with Cate Le Bon and Tim Presley last year in Marfa. That’s only important if you listen to either of those artists, as it feels like their spirit has seeped into Bradford’s songwriting. Regardless, the song’s wonderful, stretching the harmonies with these grand string arrangements behind the band. The more I listen, the more I become immersed in little moments like the group vocals behind Cox during the chorus; it’s intoxicating in the best way. Why Hasn’t Everything Already Disappeared will be available on January 18th via 4AD.

Drifting Pop from Margot

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We’ve filled these pages with Margot songs in the past, and I think the band are embarking on their finest hour. First, this is one of 3 forthcoming singles taking on the subject of mental health…a heavy subject no doubt. But, the way the guitar chords work in combination with the gentle vocals, it feels like the band is focusing on the light at the end of the tunnel…or the dream of that light. There are moments when it feels like they’re playing with jazzier vibes in the vein of Real Estate, whilst other times it seems smooth and polished like indiepop…all good things in my book. We’ll keep you posted as more the next 2 singles drop.

Jonathan Wilson Shares Lovely Video For “Me”

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Jonathan Wilson shared a new video for his track, “Me,” yesterday and announced a string of tour dates in support of his most recent release, Rare Birds, which came out on Bella Union not too long ago. The track is a soft rock gem, but a deeply contemplative one at that–Wilson thinks over his place in the universe while also lamenting overthinking about himself. He finds himself in dirt holes and then staring into the sun, while the track starts to really take off. About three minutes in, you get this break from the build and everything explodes. Even the video switches from bleak shots to psychedelic, animated visuals. I’m shocked I missed out talking about this record before it was released, but better late than never, right? You can pick up your copy here.

 

Driving Pop from Get a Life

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There’s something about Chase DeMaster’s writing for Get a Life that seems built for the every-man. It’s accessible and hook-laden, crafted with just enough flare of indifference to make the cool kids swoon. It probably doesn’t hurt that Yuuki Matthews (Shins) handled the production for the recording; it’s clear that there’s a sense of layered pop sensibility, particularly in the way vocals are trapped on top of one another. Of course, no great pop song is complete with out its ability to relate to the listener, so just spend time listening to all the people telling Chase to get a job in this song. You’ll know exactly how he feels, which likely means we’ll all find ourselves relating to the hooks and lyrics from the band’s new album, Our Band Could Be Your Life, out next February.

Pleased to Meet You: Grrl Gang

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Yesterday I compiled a huge list of traditional indiepop, my own Best of 2018 for the genre. In there, I exclaimed how I was really digging into Indonesian indiepop scene, but apparently I hadn’t dug deep enough because a friend pointed me towards Grrl Gang. In circling back, it seems that there’s a huge gap in my coverage that needs to be filled; this band is so so good. The opening tune, “Love Song” on the band’s Not Sad, Not Fulfilled EP is jumping, fueled by a steady beat and delicious vocal harmonies. For me, the winner of the five tracks is the forlorn feel of “Night Terrors;” lightly twinkling guitars, subdued vocals made me an immediate convert. The band are currently giving these songs away, so do them a favor and throw them a dollar or two so they can write more; do that HERE.

Murray Lightburn Shares New Solo Single

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I feel like Murray Lightburn and the Dears never got the praise they deserved. For me, I’ve always loved him, even more so when he climbed into the crowd at the Parish many years ago to belt out notes midsong. Here, on Murray’s latest single from his forthcoming solo work, we get the gentle side of Lightburn; he has this angelic way of hanging notes out there in the air, letting them sort of quiver at the tip of his tongue. And, of course, it’s a Murray production, so he’s surrounded himself with these gentle and lush arrangements that only accentuate the magic of his voice. His new album, Hear Me Out, will be released by Dangerbird Records on February 22nd.

Fanclub Share Brand New Single

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In case you didn’t notice our earlier Best of Indiepop, we’re huge Fanclub fans over at ATH, which says a lot considering the band’s a pretty fresh face on the Austin scene. But, those who loved Letting Up Despite Great Faults complete understand where we’re coming from, don’t you? If you’re new to the band, just let the synth lines that open this track pulse through your speaker; they hit heavy, almost forcing a nice foot-stomping dance move. Of course, the perfect dose of pop sensibility is a blend of the light jangling guitars matched with singer Leslie’s softly curled vocal notes. I love how the beat hits hard at the end, fighting Leslie for your attention; it’s beautifully cacophonous. The band will be dropping their debut All the Same EP this coming January via Friendly Reminder, so if you’re ready to start a fanclub for Fanclub, you just let me know!

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