It’s Been a Minute, Adam Green – Welcome Back

adamI’ve got a lot of strange respect for Adam Green; he’s somehow managed to make a pretty decent career out of of the madness that was The Moldy Peaches. He made some waves this week with the announcement that he’d be reimagining Aladdin…featuring some Macaulay Kulkin. I didn’t really care until I heard some tracks, which to be honest, wear the simplicity of Green’s music…that always touches home for me. There’s a familiarity in his voice, and while simple, there aren’t too many folks sounding exactly like him. I’m sure there will be some great tunes when he releases the music that accompanies Aladdin…like the below track.

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And Another Idiot Glee Track

idiotaWhy not start off the week with another sweet tune from Idiot Glee? This tune has come in quick succession to the first single released, but I can see that we’ve all got to take note of this release as both of the singles are pretty special. There’s a likeness to Adam Green or Jens Lekman in the vocals on this tune, immediately holding a special place in my heart. But, I also like the way the song builds in the middle and end, piling sounds on to the voice of James Friley to create this huge wall of pop. Look for his new self-titled album on January 29th via Hop Hop Records.

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New Tune from Modern Hut

HutPromo1.1Joe Steinhardt is working under the moniker Modern Hut, and it’s time we introduce this fantastic new voice to you all.  His songs, like the one below, are pretty basic in construction, just using guitar and some minimal backing accompaniment. But, I’m particularly interested in the way his vocals are delivered, not to mention the lyrics that tie everything together.  Perhaps you can ascribe similarities to John Darnielle or a more serious Adam Green, which both count as great things in my book.  His album Generic Treasure will be coming out on August 17th courtesy of Don Giovanni Records.

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Liam the Younger – Clear Skies Over Black River

Rating: ★★★½☆

Once again, Liam Betson is the man behind the recent Liam the Younger releases.  This is his second album under the moniker, finally seeing release (on the same day as the first) after being stored away, then shared with a few friends along the way.  While his association with Titus Andronicus is probably an easy point for critics to point at, there’s definitely something else going on beneath this set of songs, all of which benefit from an expanded length, in comparison to his other release, After the Graveyard.

Anyone can pick at a guitar and crop a tune nowadays, but it takes someone special to really evoke the emotions out of a listener.  Liam the Younger accomplishes this on all his tracks, just like a few others before him.  “Leaving Black River” again recalls both the playing and singing of young Conor Oberst.  You can feel the earnestness in his singing, so much so that he occasionally hits that off note, yet not quite like Oberst’s warble–it’s a little more gentle. Also, there’s hints of a humorless Adam Green on “Country Wide,” which comes across like a haphazard ditty–that is until eventually you fall in love with the track, realizing that Liam Betson might just be the new singer for you.

Adam Green sticks out the most in comparison when you look closely at the lyrical stylings on Clear Skies Over Black River. Take “Walking,” for instance, a song that’s very casual in its composition and seems to merely be recorded thoughts, albeit from different perspectives, of every day happenings.  This is the sort of thing that made Green and his Moldy Peaches so charming, just as it does with Mr. Betson.  Stripped down to guitars, you really just get to listen to the man tell his stories, and everyone loves a nostalgic storytelling moment.

But, don’t let me drown you in comparisons, as this record is so much more than all that.  For one, listen to the whisperingly soft “Beneath the Weeping Willow Tree,” and try to not tell me that this is the sort of song you’ve always been toying with in your bedroom. Or go with Liam on “Clear Skies” as he reminisces about his good day, a la Ice Cube.  These are friends that make you feel close to the artist, allow you to get drawn into his craft; for a lot of us, that’s all we’ve been looking for our whole lives.  Each track on Clear Skies Over Black River is just that, a song you can feel yourself writing, you just didn’t happen to write it, Liam the Younger did.  It’s personal; it’s a musician stark naked with nothing but his guitar; it’s something you’ll want to come back to time and time again.  That’s what great records and songwriters do, and that’s what you have here.

Adam Green – Minor Love

adamgreenRating: ★★★☆☆

It seems like only yesterday when Adam Green donned a Peter Pan outfit onstage with his former band, The Moldy Peaches. Since then, he’s gone on to release several solo LPs, with most of them featuring his clever wordplay without ever taking himself too seriously.  That being said, Minor Love is his most focused, and probably his most serious album to date; it shows us just how crafty the fellow can be when he puts his mind to it.

“Breaking Locks” opens the album with what appears to be an apology to the masses, as he admits “I’ve been too awful.”  It’s interesting to see the man who mocked Jessica Simpson so well show a bit of emotion in regards to his mistakes.

You’ll also notice the influence of other musicians on this album, as Adam tries to step away from the singer-songwriter lifestyle.  “Goblin” is one such song, which seems to allude to his relationship with Rodrigo from Little Joy; it’s a song with a touch of tropicalia.  “Boss Inside” is similar in the fact that his picking emotes a darker side of things, which is a far cry from his work on Sixes and Sevens.  On top of that, his guitar work seems to hop from genre to genre allowing for the album to show some deviation from basic guitar strumming songs.  It definitely makes the listening experience for fulfilling than on past efforts.

As you go song to song, you have to give credit where credit is due, as Green’s ability to cleverly unite mundane detail after mundane detail whilst stringing together intricate stories is something at which you can marvel.  Not too many artists can make the banalities of everyday existence seem so interesting or heartfelt.  If he is destined to only be a one man troubadour, then at least he’s got a solid style that only he seems to perfect.

All that being said, the one drawback from Minor Love is that nothing stands out as exceptional.  Your entire listening experience will be enjoyable, though not one that you’ll come back to over and over with desire.  I suppose this is always one of the faults with Adam’s solo work; he writes good songs, but he’s yet to sit down and write a great song.  Still, you can’t but feel some sort of affiliation with his music, as it comes off as something we all wish to do; Adam Green gives you hope that you too can write such songs of simple wonder.

Still, you can’t discard Minor Love entirely.  A tune like “Cigarette Burns Forever” has redeeming qualities that enable you to appreciate the work of Adam Green.  You’ll enjoy his songs, and you might even love some of them, but odds are that you’ll just let the record spin quietly in the background while you eat dinner with your friends.

[audio:https://austintownhall.com/wp-content/uploads/2010/02/10-Castles-And-Tassels.mp3]

Download: Adam Green – Castles And Tassels [MP3]

The Cribs @ The Parish (1/23)

the-cribs

Date 1/23/10
Location The Parish
Doors 8pm
Tickets $18 from Frontgate

English veteran rockers The Cribs are stopping into town at The Parish on Saturday night.  Locals are solid as well with Adam Green and The Dead Trees getting in on the fun.  This is hands down your best option for music on Saturday.

[audio: https://austintownhall.com/wp-content/uploads/2010/01/03-we-share-the-same-skies-1.mp3]

Download: The Cribs – We Share the Same Skies [MP3]

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